Difference between revisions of "Umberto Eco"
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** ''The limits of interpretation'', Bloomington: Indiana U.P., 1990 (in English). | ** ''The limits of interpretation'', Bloomington: Indiana U.P., 1990 (in English). | ||
** ''Les limites de l'interpretation'', Paris: Grasset, 1992 (in French). | ** ''Les limites de l'interpretation'', Paris: Grasset, 1992 (in French). | ||
− | ** ''Die Grenzen der Interpretation'', München: Hanser, 1992. | + | ** ''Die Grenzen der Interpretation'', München: Hanser, 1992 (in German). |
− | + | ** ''Los limites de la interpretacion'', Barcelona: Lumen, 1992 (in Spanish). | |
− | + | ** ''Os limites da interpretaçao'', Lisboa: Difel, 1992 (in Portuguese). | |
− | + | ** ''Ta oria tes ermeneias'', Athena: Ekdoseis Gnose, 1992 (in Greek). | |
− | + | ** ''Limitele interpretării'', Costanţa: Editura Pontica, 1996 (in Romanian). | |
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* ''L'isola del giorno prima'', Milan: Bompiani, 1994. | * ''L'isola del giorno prima'', Milan: Bompiani, 1994. | ||
** ''Insula din ziua de ieri'', Constanta: Editura Pontica, 1995. (in Romanian) | ** ''Insula din ziua de ieri'', Constanta: Editura Pontica, 1995. (in Romanian) |
Revision as of 11:52, 15 May 2014
Umberto Eco (1932) is an Italian semiotician, essayist, philosopher, literary critic, and novelist. He is best known for his groundbreaking 1980 historical mystery novel Il nome della rosa [The Name of the Rose], an intellectual mystery combining semiotics in fiction, biblical analysis, medieval studies and literary theory. He has since written further novels, including Il pendolo di Foucault [Foucault's Pendulum], L'isola del giorno prima [The Island of the Day Before] and Il cimitero di Praga [The Prague Cemetery].
Contents
Literature
Books
- Il problema estetico in San Tommaso, Torino: Edizioni di Filosofia, 1956; 2nd ed., Milan: Bompiani, 197O.
- The Aesthetics of Thomas Aquinas, Cambridge: Harvard University Press, 1988. (In English)
- Le problème esthétique chez Thomas d'Aquin, Paris: PUF, 1993. (in French)
- "Sviluppo dell'estetica medievale", in Momenti e problemi di storia dell'estetica, Milan: Marzorati, 1959; 2nd rev. ed. as Arte e bellezza nell'estetica medievale, Milan: Bompiani, 1987.
- Art and Beauty in the Middle Ages, London and New Haven: Yale University Press, 1985. (in English)
- Menas ir grožis viduramžių estetikoje, trans. Jonas Vilimas, Vilnius: Baltos Lakos, 1997. (in Lithuanian)
- Arta si frumosul in estetica medievala, Bucharest: Meridiane, 1999. (in Romanian)
- Opera aperta, Milan: Bompiani, 1962; 2nd rev. ed., 1967; 3rd ed., 1971; 4th rev. ed., 1976.
- The Open Work, trans. Anna Cancogni, Harvard University Press, 1989. (in English)
- Diario minimo, Milan: Mondadori, 1963.
- Jurnal sumar, Bucuresti: Humanitas, 2004. (in Romanian)
- Apocalittici e integrati, Milan: Bompiani, 1964; rev. ed., Milan: Bompiani, 1977.
- Le poetiche di Joyce, Milan: Bompiani, 1965.
- Appunti per una semiologia delle comunicazioni visive, Milan: Bompiani, 1967.
- La struttura assente, Milan: Bompiani, 1968; rev. ed., 1983.
- La definizione dell'arte, Milan: Mursia, 1968.
- Il segno, Milan: Isedi, 1971; 2d ed., Milan: Mondadori.
- Il costume di casa, Milan: Fabbri-Bompiani, 1973; 1977; 1983.
- Uber Gott und die Welt. Essays und Glossen, trans. Burkhart Kroeber, Munich: Carl Hanser, 1985. (in German)
- Trattato di semiotica generale, Milan: Bompiani, 1975.
- Tratado de semiotica general, trans. Carlos Manzano, Barcelona: Lumen, I977. (in Spanish)
- A Theory of Semiotics, Bloomington: Indiana U.P., 1976; Macmillan, 1977.
- Come si fa una tesi di laurea, Milan: Bompiani, 1977, 2001.
- Como se hace una tesis, Barcelona: Gedisa, 1983 (in Spanish).
- Como se faz uma tese, Lisboa: Presença, 1980; São Paulo: Perspectiva, 1983. (in Portuguese)
- Cum se face o tezã de licentã, trans. George Popescu, Bucharest: Pontica, 2000. (in Romanian)
- The Role of the Reader (essays), Bloomington, 1979; Indiana U.P. and London: Hutchinson, 1981.
- with Thomas A. Sebeok (eds), The Sign of Three: Dupin, Holmes, Peirce, Indiana University Press 1983.
- Semiotica e filosofia del linguaggio, Torino: Einaudi, 1984.
- Semiotics and the Philosophy of Language, Bloomington: Indiana University Press, 1984; Midland Book Edition, 1986.
- Im Labyrinth der Vernunft. Texte über Kunst und Zeichen (Selected essays). Leipzig: Reclam, 1989. (in German)
- I limiti dell'interpretazione, Milano: Bompiani, 1990.
- Els limits de la interpretació, Barcelona: Destino, 1991 (in Portughese).
- The limits of interpretation, Bloomington: Indiana U.P., 1990 (in English).
- Les limites de l'interpretation, Paris: Grasset, 1992 (in French).
- Die Grenzen der Interpretation, München: Hanser, 1992 (in German).
- Los limites de la interpretacion, Barcelona: Lumen, 1992 (in Spanish).
- Os limites da interpretaçao, Lisboa: Difel, 1992 (in Portuguese).
- Ta oria tes ermeneias, Athena: Ekdoseis Gnose, 1992 (in Greek).
- Limitele interpretării, Costanţa: Editura Pontica, 1996 (in Romanian).
- L'isola del giorno prima, Milan: Bompiani, 1994.
- Insula din ziua de ieri, Constanta: Editura Pontica, 1995. (in Romanian)
- Jazirat al-yawm al-sabiq, Tarabulus: Dar Uya, (Libya; Tripoli), 2000. (in Arabic)
- Cinque scritti morali, Milan: Bompiani, 1997.
- Vier moralische Schriften, trans. Burkhart Kroeber, Munich: Carl Hanser, 1998. (in German)
- Serendipities. Language and Lunacy, trans. William Weaver, New York: Columbia University Press, 1998; London: Weidenfeld, 1999.
- La misteriosa fiamma della regina Loana, Milano: Bompiani, 2004; paperback edition, 2006.
- Misterioasa flacără a reginei Loana, Bucarest: Polirom/Pontica, 2004 (in Romanian).
- The Mysterious Flame of Queen Loana, NewYork: Harcourt; London: Secker 2005; London: Vintage, 2006 (in English).