Difference between revisions of "Michael Fried"
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* [http://monoskop.org/log/?p=5048 ''Art and Objecthood: Essays and Reviews''], University of Chicago Press, 1998. | * [http://monoskop.org/log/?p=5048 ''Art and Objecthood: Essays and Reviews''], University of Chicago Press, 1998. | ||
* ''Menzel's Realism: Art and Embodiment in Nineteenth-Century'', Yale University Press, 2002. | * ''Menzel's Realism: Art and Embodiment in Nineteenth-Century'', Yale University Press, 2002. | ||
− | * ''Why Photography Matters as Art as Never Before'', Yale University Press, 2008. | + | * ''[http://aaaaarg.fail/thing/58b6d3e89ff37c253bb6c5f5 Why Photography Matters as Art as Never Before]'', Yale University Press, 2008. |
* ''The Moment of Caravaggio'', Princeton University Press, 2010. | * ''The Moment of Caravaggio'', Princeton University Press, 2010. | ||
Revision as of 13:50, 12 November 2017
Michael M. Fried (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore.
Contents
Works
Books
- Powers (poems), The Review, 1973.
- Absorption and Theatricality: Painting and Beholder in the Age of Diderot, University of California Press, 1980.
- Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane, University of Chicago Press, 1987.
- Courbet's Realism, University of Chicago Press, 1990.
- To the Center of the Earth, Noonday Press, 1994.
- Manet's Modernism, or, The Face of Painting in the 1860s, University of Chicago Press, 1996.
- Art and Objecthood: Essays and Reviews, University of Chicago Press, 1998.
- Menzel's Realism: Art and Embodiment in Nineteenth-Century, Yale University Press, 2002.
- Why Photography Matters as Art as Never Before, Yale University Press, 2008.
- The Moment of Caravaggio, Princeton University Press, 2010.
Papers (selection)
- "Manet's Sources: Aspects of his Art, 1859-1865", Artforum 8:7, Mar 1969, pp 28-82.
- "Painting Memories: On the Containment of the Past in Baudelaire and Manet", Critical Inquiry 10:3, Mar 1984, pp 510-542.