Difference between revisions of "Daniel Muzyczuk"

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'''Daniel Muzyczuk''' is Head of the Modern Art Department at the Muzeum Sztuki in Łódź. He was part of the curatorial team at the CoCA in Toruń (2008-2011).
 
'''Daniel Muzyczuk''' is Head of the Modern Art Department at the Muzeum Sztuki in Łódź. He was part of the curatorial team at the CoCA in Toruń (2008-2011).
  
Muzyczuk curated numerous projects, such as: ''Gone to Croatan'' (with Robert Rumas), ''MORE IS MORE'' (with Agnieszka Pindera and Joanna Zielińska), ''Melancholy of resistance</em> (with Agnieszka Pindera), ''Views 2011, Sounding the Body Electric</em>: ''Experiments in Art and Music in Eastern Europe 1957–1984'' (with David Crowley), ''Notes from the Underground: Eastern European Alternative Art and Music Scene 1968–1994'' (with David Crowley) and ''Museum of Rhythm'' (with Natasha Ginwala). He also co-curated the Polish Pavillion for the 55th Venice Biennale (with Agnieszka Pindera). He is the winner (together with Agnieszka Pindera) of the Igor Zabel Competition in 2011 and the Vice-president of AICA Poland.
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Muzyczuk curated numerous projects, such as: ''Gone to Croatan'' (with Robert Rumas), ''MORE IS MORE'' (with Agnieszka Pindera and Joanna Zielińska), ''Melancholy of resistance</em> (with Agnieszka Pindera), ''Views 2011'', ''Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984'' (with David Crowley), ''Notes from the Underground: Eastern European Alternative Art and Music Scene 1968–1994'' (with David Crowley) and ''Museum of Rhythm'' (with Natasha Ginwala). He also co-curated the Polish Pavillion for the 55th Venice Biennale (with Agnieszka Pindera). He is the winner (together with Agnieszka Pindera) of the Igor Zabel Competition in 2011 and the Vice-president of AICA Poland.
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; Publications
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* editor, with David Crowley, ''[https://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984 / Dźwięki elektrycznego ciała: Eksperymenty w sztuce i muzyce w Europie Wschodniej 1957-1984]'', Łódź: Muzeum Sztuki w Łodzi, 2012, 222 pp. {{en}}/{{pl}}
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* editor, with David Crowley, ''Notes From the Underground: Art and Alternative Music in Eastern Europe 1968-1994 / Notatki z podziemia'', Łódź: Muzeum Sztuki w Łodzi, 2016, 446 pp. Explores the interconnections of art and music in Eastern Europe under communist rule in the 1970s and 1980s. [https://unearthingthemusic.eu/posts/hues-of-independence/ Muzyczuk's essay]. [https://msl.org.pl/en/eventsms/publications/notes-from-the-underground,2226.html] [https://www.cornerhousepublications.org/publications/notes-from-the-underground-notatki-z-podziemia/] {{pl}}/{{en}}
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* co-editor, ''Ultra Sounds: The Sonic Art of Polish Radio Experimental Studio'', Karlsruhe: ZKM, Warsaw: Adam Mickiewicz Institute, and Łódź: Muzeum Sztuki w Łodzi, 2019, 336 pp. [https://msl.org.pl/en/eventsms/publications/ultra-sounds-the-sonic-art-of-polish-radio-experimental-studio,2730.html] {{en}}

Revision as of 12:42, 7 November 2019

Daniel Muzyczuk is Head of the Modern Art Department at the Muzeum Sztuki in Łódź. He was part of the curatorial team at the CoCA in Toruń (2008-2011).

Muzyczuk curated numerous projects, such as: Gone to Croatan (with Robert Rumas), MORE IS MORE (with Agnieszka Pindera and Joanna Zielińska), Melancholy of resistance (with Agnieszka Pindera), Views 2011, Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984 (with David Crowley), Notes from the Underground: Eastern European Alternative Art and Music Scene 1968–1994 (with David Crowley) and Museum of Rhythm (with Natasha Ginwala). He also co-curated the Polish Pavillion for the 55th Venice Biennale (with Agnieszka Pindera). He is the winner (together with Agnieszka Pindera) of the Igor Zabel Competition in 2011 and the Vice-president of AICA Poland.

Publications