Difference between revisions of "Dobroslav Zborník"
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| − | Dobroslav Zborník (1945 - 2001) was a Czech film documentarist. Became famous with his films about artists engaged in performance art in Czechoslovakia during the 1970s and 1980s. He started this collaboration already during his studies at Film and Television Faculty of AMU in Prague. He graduated with the documentary movie Antinomie (1973), capturing happenings of the Křižovnická škola čistého humoru bez vtipu [The Crusader School of Pure Humour Without Jokes]. In the second half of the 1970s and the early 1980s, he made cinematic documentations of happenings for [[ | + | Dobroslav Zborník (1945 - 2001) was a Czech film documentarist. Became famous with his films about artists engaged in performance art in Czechoslovakia during the 1970s and 1980s. He started this collaboration already during his studies at Film and Television Faculty of AMU in Prague. He graduated with the documentary movie Antinomie (1973), capturing happenings of the Křižovnická škola čistého humoru bez vtipu [The Crusader School of Pure Humour Without Jokes]. In the second half of the 1970s and the early 1980s, he made cinematic documentations of happenings for [[Milan_Knížák]](a member of the Fluxus movement), and Milan Grygar (whose worked is typified by experiments with connections between graphic art and sound). |
* https://www.iluminace.cz/pdfs/ilu/2022/03/03.pdf | * https://www.iluminace.cz/pdfs/ilu/2022/03/03.pdf | ||
* https://www.filmovyprehled.cz/en/person/5333/dobroslav-zbornik | * https://www.filmovyprehled.cz/en/person/5333/dobroslav-zbornik | ||
Revision as of 22:29, 27 May 2024
Dobroslav Zborník (1945 - 2001) was a Czech film documentarist. Became famous with his films about artists engaged in performance art in Czechoslovakia during the 1970s and 1980s. He started this collaboration already during his studies at Film and Television Faculty of AMU in Prague. He graduated with the documentary movie Antinomie (1973), capturing happenings of the Křižovnická škola čistého humoru bez vtipu [The Crusader School of Pure Humour Without Jokes]. In the second half of the 1970s and the early 1980s, he made cinematic documentations of happenings for Milan_Knížák(a member of the Fluxus movement), and Milan Grygar (whose worked is typified by experiments with connections between graphic art and sound).
