Difference between revisions of "Giselle Beiguelman"

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New media artist and multimedia essayist who teaches Digital Culture at the Graduation Program in Communication and Semiotics of PUC-SP (São Paulo, Brazil). Her work includes the award-winnings “The Book after the Book” (1999) and egoscópio (2002). She has been developing art projects for mobile phones (”Wop Art”, 2001). Beiguelman’s work appears in important anthologies and guides devoted to digital arts including Yale University Library Research Guide for Mass Media and has been presented in international venues such as [[Net_Condition]] (ZKM, Germany).
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'''Giselle Beiguelman''' is an artist and professor at the University of São Paulo. She is the co-author of ''Boundary Images'' (University of Minnesota Press, 2023), among other works, and her artistic production is included in museum collections in Brazil and abroad, such as ZKM, Essex University Latin American Collection and Pinacotca de São Paulo. She is the leading scholar and coordinator of the project Digital Archives and Research, funded by Fapesl. In her recent projects, she investigates the construction of the colonialist imaginary in the arts and sciences through the use of artificial intelligence. [https://zkm.de/en/person/giselle-beiguelman (2023)]
  
 
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; Links
http://www.desvirtual.com/
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* [https://www.desvirtual.com/ Website]

Latest revision as of 15:04, 20 April 2025

Giselle Beiguelman is an artist and professor at the University of São Paulo. She is the co-author of Boundary Images (University of Minnesota Press, 2023), among other works, and her artistic production is included in museum collections in Brazil and abroad, such as ZKM, Essex University Latin American Collection and Pinacotca de São Paulo. She is the leading scholar and coordinator of the project Digital Archives and Research, funded by Fapesl. In her recent projects, she investigates the construction of the colonialist imaginary in the arts and sciences through the use of artificial intelligence. (2023)

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