Difference between revisions of "Howard Slater"

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* "Post-Media Operators: 'Sovereign and Vague'", ''Infotainment'' 5, 1999; [https://datacide-magazine.com/post-media-operators-%E2%80%9Csovereign-vague%E2%80%9D/ repr. in] ''Datacide'' 7, Aug 2000; [http://subsol.c3.hu/subsol_2/contributors0/slatertext.html repr. in] ''An@rchitexts: Voices from the Global Digital Resistance'', ed. Joanne Richardson, New York: Autonomedia, 2005, pp 194-202; repr. in ''Mute'', 8 Feb 2012; [https://monoskop.org/images/5/5b/Provocative_Alloys_A_Post-Media_Anthology_2013.pdf#page=29 repr. in] ''Provocative Alloys: A Post-Media Anthology'', eds. Clemens Apprich, Josephine Berry Slater, Anthony Iles, and Oliver Lerone Schultz, London: Mute, and Lüneburg: Post-Media Lab, 2013, pp 28-43.
 
* "Post-Media Operators: 'Sovereign and Vague'", ''Infotainment'' 5, 1999; [https://datacide-magazine.com/post-media-operators-%E2%80%9Csovereign-vague%E2%80%9D/ repr. in] ''Datacide'' 7, Aug 2000; [http://subsol.c3.hu/subsol_2/contributors0/slatertext.html repr. in] ''An@rchitexts: Voices from the Global Digital Resistance'', ed. Joanne Richardson, New York: Autonomedia, 2005, pp 194-202; repr. in ''Mute'', 8 Feb 2012; [https://monoskop.org/images/5/5b/Provocative_Alloys_A_Post-Media_Anthology_2013.pdf#page=29 repr. in] ''Provocative Alloys: A Post-Media Anthology'', eds. Clemens Apprich, Josephine Berry Slater, Anthony Iles, and Oliver Lerone Schultz, London: Mute, and Lüneburg: Post-Media Lab, 2013, pp 28-43.
 
* [http://web.archive.org/web/20100219003614/http://www.infopool.org.uk/APG.htm The Art of Governance: On The Artist Placement Group 1966-1989 ], ''Break/Flow'', Feb/Mar 2000; repr. in ''Variant'' 2:11, Summer 2000.  
 
* [http://web.archive.org/web/20100219003614/http://www.infopool.org.uk/APG.htm The Art of Governance: On The Artist Placement Group 1966-1989 ], ''Break/Flow'', Feb/Mar 2000; repr. in ''Variant'' 2:11, Summer 2000.  
* ''[http://web.archive.org/web/20100130181132/http://infopool.org.uk/hs.htm The Spoiled Ideals of Lost Situations: Some Notes on Political Conceptual Art]'', ''Break/Flow'', Jun 2000.
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* ''[http://web.archive.org/web/20100130181132/http://infopool.org.uk/hs.htm The Spoiled Ideals of Lost Situations: Some Notes on Political Conceptual Art]'', ''Infopool'', Jun 2000.
 
* ''[http://scansitu.antipool.org/2001.html Divided We Stand: An Outline of Scandinavian Situationism]'', Infopool, Apr 2001. Pamphlet.
 
* ''[http://scansitu.antipool.org/2001.html Divided We Stand: An Outline of Scandinavian Situationism]'', Infopool, Apr 2001. Pamphlet.
 
* [http://www.variant.org.uk/14texts/Variant_Forum.html "Occasional Documents: Towards Situation"], ''Variant'' 14, Winter 2001.
 
* [http://www.variant.org.uk/14texts/Variant_Forum.html "Occasional Documents: Towards Situation"], ''Variant'' 14, Winter 2001.

Revision as of 15:24, 11 July 2025

Howard Slater has worked in housing and as a volunteer play therapist. He now works in mental health as a support worker. Whilst he has been writing since the early 1980s he has mainly been published in small press magazines, independent publishing initiatives and web sites. His texts and poetry have been supported and published by: 10th Floor, Alien Underground, Audiolab Arteleku, Autonomedia, Autotoxicity, Break/Flow, Copenhagen Free University, Datacide, Difficult Fun, Fatuous Times, Five Leaves Left, Here & Now, Infopool, Infotainment, Mute, Night Class, Noise Gate, Obsessive Eye, Palantir, Papakura Post Office, Penniless Press, Rebel Ink, Resonance Magazine (LMC), School of Walls & Space, Smile, TechNET, Variant, Working Press. He was the editor of Break/Flow. He was one of the five founder members of the London-based MayDay Rooms initiative.

Publications