Difference between revisions of "Dziga Vertov"
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==Filmography== | ==Filmography== | ||
* ''Процесс Миронова'', 1919. | * ''Процесс Миронова'', 1919. | ||
− | * ''[http://www.filmmuseum.at/en/collections/dziga_vertov_collection/kinonedelja__online_edition Кинонеделя]'' [Kino Nedelya; Cinema Week], 1919. | + | * ''[http://www.filmmuseum.at/en/collections/dziga_vertov_collection/kinonedelja__online_edition Кинонеделя]'' [Kino Nedelya; Cinema Week], 43 newsreels (1-29), 1919. [http://www.europeanfilmgateway.eu/node/33/vertov/multilingual:1/showOnly:video] |
* ''Годовщина революции'' [Godovshchina revolyutsii; The Anniversary of the Revolution], 1919. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=3] | * ''Годовщина революции'' [Godovshchina revolyutsii; The Anniversary of the Revolution], 1919. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=3] | ||
* ''Битва в Царицыне'' [Battle of Tsaritsyn], 1920. | * ''Битва в Царицыне'' [Battle of Tsaritsyn], 1920. | ||
− | * ''Процесс эсеров'', 1922. | + | * ''Агитпоезд ВТсИК'' [Agitpóezd VTsIK], short, 1921. |
+ | * ''Процесс эсеров'', 1922. | ||
* ''История гражданской войны'' [Istoriya grazhdanskoy voyny; History of the Civil War], 1922. | * ''История гражданской войны'' [Istoriya grazhdanskoy voyny; History of the Civil War], 1922. | ||
− | * ''Киноправда'' [Kino-Pravda], 1922- | + | * ''Киноправда'' [Kino-Pravda], 23 numbers (30-37, 40, 43), 1922-25. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=79] |
− | * ''Советские игрушки'' [Sovietskie igrushki; Soviet Toys], 1924. | + | * ''[http://vimeo.com/20164335 Советские игрушки]'' [Sovietskie igrushki; Soviet Toys], 1924. |
− | * ''[http://www.ubu.com/film/vertov.html Кино-глаз]'' [Kinoglaz; Kino-Eye], 1924. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=52] | + | * ''[http://www.ubu.com/film/vertov.html Кино-глаз: Жизнь врасплох]'' [Kinoglaz: zhizn vrasploj; Kino-Eye], 1924. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=52] |
− | * ''Шагай, Совет!'' [Stride, Soviet!], 1926. | + | * ''[http://frml.es/post/54124452213/adelante-soviet Шагай, Совет!]'' [Shagái, Soviet!; Stride, Soviet!], 1926. |
* ''Шестая часть мира'' [A Sixth of the World], 1926. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=60] | * ''Шестая часть мира'' [A Sixth of the World], 1926. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=60] | ||
* ''Одиннадцатый'' [The Eleventh], 1928. | * ''Одиннадцатый'' [The Eleventh], 1928. | ||
* ''[http://archive.org/details/ChelovekskinoapparatomManWithAMovieCamera Человек с киноаппаратом]'' [Man with a Movie Camera], 1929. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=62] | * ''[http://archive.org/details/ChelovekskinoapparatomManWithAMovieCamera Человек с киноаппаратом]'' [Man with a Movie Camera], 1929. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=62] | ||
− | * ''[http://archive.org/details/Peleon-SimfonijaDonbassaEntuziazm243 Энтузиазм | + | * ''[http://archive.org/details/Peleon-SimfonijaDonbassaEntuziazm243 Энтузиазм: Симфония Донбаса]'' [Entuziazm: Simfoniya Donbassa], 1930. [http://youtube.com/watch?v=7ZkvjWIEcoU] [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=63] |
* ''[http://www.ubu.com/film/vertov.html Три песни о Ленине]'' [Three Songs About Lenin], 1934. [http://archive.org/details/threesongsoflenin] | * ''[http://www.ubu.com/film/vertov.html Три песни о Ленине]'' [Three Songs About Lenin], 1934. [http://archive.org/details/threesongsoflenin] | ||
− | * ''Памяти Серго Орджоникидзе'' [In Memory of Sergo Ordzhonikidze], 1937. совм. с Я. Блиохом. | + | * ''Памяти Серго Орджоникидзе'' [Pamyati Sergo Ordzhonikidze; In Memory of Sergo Ordzhonikidze], 1937. совм. с Я. Блиохом. |
* ''Колыбельная'' [Lullaby], 1937. | * ''Колыбельная'' [Lullaby], 1937. | ||
* ''Три героини'' [Three Heroines], 1938. | * ''Три героини'' [Three Heroines], 1938. | ||
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* ''Dziga Vertov's Man with the Movie Camera'' DVD, audio commentary track by [[Yuri Tsivian]]. | * ''Dziga Vertov's Man with the Movie Camera'' DVD, audio commentary track by [[Yuri Tsivian]]. | ||
* ''Entuziazm (Simfonija Donbassa)'' DVD, restored version and unrestored version plus documentary on [[Peter Kubelka]]'s restoration. | * ''Entuziazm (Simfonija Donbassa)'' DVD, restored version and unrestored version plus documentary on [[Peter Kubelka]]'s restoration. | ||
+ | * ''Dziga Vertov - Šestaja čast mira und Odinnadcatyi'', Edition Filmmuseum, 2 DVD; with music by Michael Nyman, 2010. | ||
==Literature== | ==Literature== | ||
[[Image:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.jpg|thumb|258px|''Kino-Eye: The Writings of Dziga Vertov'', 1984. [[Media:Vertov_Dziga_Kino-Eye_some_pages_missing.pdf|Download]].]] | [[Image:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.jpg|thumb|258px|''Kino-Eye: The Writings of Dziga Vertov'', 1984. [[Media:Vertov_Dziga_Kino-Eye_some_pages_missing.pdf|Download]].]] | ||
===By Vertov=== | ===By Vertov=== | ||
− | * "We: A Version of a Manifesto", | + | * [[Media:Vertov_Dziga_1922_1984_We_Variant_of_a_Manifesto.pdf|"We: A Version of a Manifesto"]] (1922), in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 5-9. |
** [http://scribd.com/doc/151209538/Dziga-Vertov-manifestoNos-pdf "NoS: Variante de manifesto"]. (in Portuguese) | ** [http://scribd.com/doc/151209538/Dziga-Vertov-manifestoNos-pdf "NoS: Variante de manifesto"]. (in Portuguese) | ||
− | * "On | + | ** "Wir. Variante eines Manifestes", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 31-35. (in German) |
− | * "The Man with the Movie Camera", | + | * "Kinoks: A Revolution (From an Appeal at the Beginning of 1922)" (1923), in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 11-21. |
+ | ** "Kinoki – Umsturz", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 36-50. (in German) | ||
+ | * "On the Significance of Nonacted Cinema" (1923), in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, University of California Press, 1984, pp 35-38. | ||
+ | ** [http://catedras.fsoc.uba.ar/decarli/textos/Vertov.htm "La importancia del cine no actuado"]. (in Spanish) | ||
+ | * [[Media:Vertov_Dziga_1924_1984_The_Birth_of_Kino-Eye.pdf|"The Birth of Kino-Eye"]] (1924), in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 40-42. | ||
+ | * "On ''Kinopravda''" (1924), in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 42-47. | ||
+ | * [[Media:Vertov_Dziga_1926_1984_Kino-Eye.pdf|"Kino-Eye"]] (1926), in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 60-79. | ||
+ | ** "Kinoglaz", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 51-53. (in German) | ||
+ | * "''The Man with the Movie Camera''" (1928), in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 82-85. | ||
; Collected writings | ; Collected writings | ||
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** ''Articles, journaux, projets'', trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French) | ** ''Articles, journaux, projets'', trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French) | ||
** ''Aufsätze, Tagebücher, Skizzen'', Institut für Filmwissenschaft an der Deutschen Hochschule für Filmkunst, 1967, 375 pp. (in German) | ** ''Aufsätze, Tagebücher, Skizzen'', Institut für Filmwissenschaft an der Deutschen Hochschule für Filmkunst, 1967, 375 pp. (in German) | ||
− | * ''[ | + | * ''[[Media:Vertov_Dziga_El_cine-ojo.pdf|El cine-ojo]]'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, 215 pp. (in Spanish) |
* ''Schriften zum Film'', Hanser, 1976, 170 pp. (in German) | * ''Schriften zum Film'', Hanser, 1976, 170 pp. (in German) | ||
* ''[http://monoskop.org/log/?p=550 Kino-Eye: The Writings of Dziga Vertov]'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp. | * ''[http://monoskop.org/log/?p=550 Kino-Eye: The Writings of Dziga Vertov]'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp. | ||
− | * ''Tagebücher, Arbeitshefte'', eds. Thomas Tode and Alexandra Gramatke, UVK, 2000, 276 pp. (in German) [http://www.uvk.de/uploads/tx_gbuvkbooks/PDF_L/9783896692849_L.pdf Foreword], [http://www.uvk.de/buecher/film/alle-buecher/db/titel/details/tagebuecher-arbeitshefte////ch/a47708b97edcb92405780b2a8e6c9d47/] | + | * ''Tagebücher, Arbeitshefte'', eds. Thomas Tode and Alexandra Gramatke, UVK: Konstanz, 2000, 276 pp. (in German) [http://www.uvk.de/uploads/tx_gbuvkbooks/PDF_L/9783896692849_L.pdf Foreword], [http://www.uvk.de/buecher/film/alle-buecher/db/titel/details/tagebuecher-arbeitshefte////ch/a47708b97edcb92405780b2a8e6c9d47/] |
* ''[http://scribd.com/doc/177658286/DzigaVertov-Memoriasdeuncineastabolchevique Memorias de un cineasta bolchevique]'', trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish) | * ''[http://scribd.com/doc/177658286/DzigaVertov-Memoriasdeuncineastabolchevique Memorias de un cineasta bolchevique]'', trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish) | ||
* ''L'occhio della rivoluzione. Scritti dal 1922 al 1942'', ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian) | * ''L'occhio della rivoluzione. Scritti dal 1922 al 1942'', ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian) | ||
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* Nikolai Abramov (Николай Абрамов), ''Джига Вертов'' [Dziga Vertov], Moscow: Izd. Akademii Nauk, 1962, 165 pp. (in Russian) | * Nikolai Abramov (Николай Абрамов), ''Джига Вертов'' [Dziga Vertov], Moscow: Izd. Akademii Nauk, 1962, 165 pp. (in Russian) | ||
** ''Dziga Vertov'', trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French) | ** ''Dziga Vertov'', trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French) | ||
− | * Georges Sadoul, ''Dziga Vertov'', Paris: Champ libre, 1971, 171 pp. | + | * Georges Sadoul, ''Dziga Vertov'', Paris: Champ libre, 1971, 171 pp. Preface by [[Jean Rouch]]. (in French) |
** ''El cine de Dziga Vertov'', Era, 1973, 223 pp. (in Spanish) | ** ''El cine de Dziga Vertov'', Era, 1973, 223 pp. (in Spanish) | ||
+ | * Antonín Navrátil, ''Dziga Vertov. Revolucionář dokumentárního filmu'', Prague: Čs. filmový ústav, 1974. (in Czech) | ||
* Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), ''Дзига Вертов в воспоминанииах современников'', Iskusstvo, 1976, 277 pp. (in Russian) | * Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), ''Дзига Вертов в воспоминанииах современников'', Iskusstvo, 1976, 277 pp. (in Russian) | ||
* Seth Feldman, ''Evolution of Style in the Early Work of Dziga Vertov'', New York: Arno Press, 1977. | * Seth Feldman, ''Evolution of Style in the Early Work of Dziga Vertov'', New York: Arno Press, 1977. | ||
* Seth Feldman, ''Dziga Vertov, A Guide to References and Resources'', Boston: G.K.Hall, 1979, 232 pp. | * Seth Feldman, ''Dziga Vertov, A Guide to References and Resources'', Boston: G.K.Hall, 1979, 232 pp. | ||
− | * Vasco Granja, ''Dziga Vertov'', Livros Horizonte, 1981, 96 pp. (in Portuguese) [http://grupograv.files.wordpress.com/2007/11/textos-vertov.pdf] | + | * Vasco Granja, ''Dziga Vertov'', Livros Horizonte, 1981, 96 pp. (in Portuguese) [http://grupograv.files.wordpress.com/2007/11/textos-vertov.pdf Part]. |
* Lev Roshal (Лев Моисеевич Рошаль), ''Дзига Вертов'' [Dziga Vertov], Moscow, 1982, 263 pp. (in Russian) | * Lev Roshal (Лев Моисеевич Рошаль), ''Дзига Вертов'' [Dziga Vertov], Moscow, 1982, 263 pp. (in Russian) | ||
* Frédérique Devaux, ''L'Homme à la caméra de Dziga Vertov'', Brussels: Yellow Now, 1990, 126 pp. (in French) | * Frédérique Devaux, ''L'Homme à la caméra de Dziga Vertov'', Brussels: Yellow Now, 1990, 126 pp. (in French) | ||
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* Natascha Drubek-Meyer, Jurij Murasov (eds.), ''Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov'', Frankfurt: Peter Lang, 2000, 283 pp. (in German) [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=17789] | * Natascha Drubek-Meyer, Jurij Murasov (eds.), ''Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov'', Frankfurt: Peter Lang, 2000, 283 pp. (in German) [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=17789] | ||
* Graham Roberts, ''The Man with the Movie Camera'', I. B. Tauris, 2001. | * Graham Roberts, ''The Man with the Movie Camera'', I. B. Tauris, 2001. | ||
− | * Yuri Tsivian (ed.), ''Lines of Resistance: Dziga Vertov and the Twenties'', trans. Julian Graffy, Gemona: Le Giornate del Cinema Muto, 2004, 422 pp. [http://books.google. | + | * Yuri Tsivian (ed.), ''Lines of Resistance: Dziga Vertov and the Twenties'', trans. Julian Graffy, Gemona: Le Giornate del Cinema Muto, 2004, 422 pp. [http://books.google.com/books?id=np9a1YWLE8YC&printsec=frontcover] |
** Excerpt: [http://www.movingimagesource.us/articles/celluloid-manifesto-20110412 "Celluloid Manifesto: Reading images and emblems in Dziga Vertov's films"], 12 April 2011. | ** Excerpt: [http://www.movingimagesource.us/articles/celluloid-manifesto-20110412 "Celluloid Manifesto: Reading images and emblems in Dziga Vertov's films"], 12 April 2011. | ||
* Austrian Film Museum, Thomas Tode, Barbara Wurm (eds.), ''Dziga Vertov. The Vertov Collection at the Austrian Film Museum'', Vienna: Austrian Film Museum, 2006, 288 pp. (in German/English). [http://www.filmmuseum.at/jart/prj3/filmmuseum/data/uploads/Inhaltsverzeichnis%20Publikationen/Vertov%20Content.pdf Contents], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&j-dummy=reserve&content-id=1213111912881&kat=&typ=1215680370519&spid=1215680370347&ss1=y&reserve-mode=active], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&content-id=1218679066711 Online version]. | * Austrian Film Museum, Thomas Tode, Barbara Wurm (eds.), ''Dziga Vertov. The Vertov Collection at the Austrian Film Museum'', Vienna: Austrian Film Museum, 2006, 288 pp. (in German/English). [http://www.filmmuseum.at/jart/prj3/filmmuseum/data/uploads/Inhaltsverzeichnis%20Publikationen/Vertov%20Content.pdf Contents], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&j-dummy=reserve&content-id=1213111912881&kat=&typ=1215680370519&spid=1215680370347&ss1=y&reserve-mode=active], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&content-id=1218679066711 Online version]. | ||
+ | * Klemens Gruber (ed.), ''Verschiedenes über denselben: Dziga Vertov 1896-1954'', Vienna/Cologne/Weimar: Böhlau, 2006, 125 pp. (in German). [http://d-nb.info/980311578/04 Contents] | ||
* Jeremy Hicks, ''[http://store.free-college.org/noleech1.php?hidden=q:/507000/ad4c65fe2ec7b020ec7c13e41e746c78&hidden0=Jeremy+Hicks+Dziga+Vertov+Defining+Documentary+Film+KINO+-+The+Russian+Cinema++2007.pdf Dziga Vertov: Defining Documentary Film]'', London & New York: I. B. Tauris, 2007. | * Jeremy Hicks, ''[http://store.free-college.org/noleech1.php?hidden=q:/507000/ad4c65fe2ec7b020ec7c13e41e746c78&hidden0=Jeremy+Hicks+Dziga+Vertov+Defining+Documentary+Film+KINO+-+The+Russian+Cinema++2007.pdf Dziga Vertov: Defining Documentary Film]'', London & New York: I. B. Tauris, 2007. | ||
* Peggy Ahwesh, Keith Sanborn (eds.), ''Vertov from Z to A'', trans. Keith Sanborn, New York: Ediciones la Calavera, 2008, 169 pp. | * Peggy Ahwesh, Keith Sanborn (eds.), ''Vertov from Z to A'', trans. Keith Sanborn, New York: Ediciones la Calavera, 2008, 169 pp. | ||
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* Erik Barnouw, ''Documentary: a History of the Non-fiction Film'', Oxford University Press, 1974. | * Erik Barnouw, ''Documentary: a History of the Non-fiction Film'', Oxford University Press, 1974. | ||
* Malcolm Le Grice, ''Abstract Film and Beyond'', MIT Press, 1977. | * Malcolm Le Grice, ''Abstract Film and Beyond'', MIT Press, 1977. | ||
+ | * Vlada Petric, [[Media:Petric_Vlada_1978_Dziga_Vertov_as_Theorist.pdf|"Dziga Vertov as Theorist"]], ''Cinema Journal'' 18:1 (Autumn 1978), pp 29-44. | ||
+ | * Anna Lawton, [[Media:Lawton_Anna_1978_Rhythmic_Montage_in_the_Films_of_Dziga_Vertov.pdf|"Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema"]], ''Pacific Coast Philology'', Vol. 13 (October 1978), pp 44-50. | ||
* Peter Weibel, "Eisenstein, Vertov and the Formal Film", trans. Phillip Drummond, in ''[[Media:Film_as_Film_Formal_Experiment_in_Film_1910-1975.pdf|Film as Film: Formal Experiment in Film, 1910-1975]]'', London: The Arts Council of Great Britain, 1979, pp 46-51. | * Peter Weibel, "Eisenstein, Vertov and the Formal Film", trans. Phillip Drummond, in ''[[Media:Film_as_Film_Formal_Experiment_in_Film_1910-1975.pdf|Film as Film: Formal Experiment in Film, 1910-1975]]'', London: The Arts Council of Great Britain, 1979, pp 46-51. | ||
* Gilles Deleuze, [[Media:Deleuze_Gilles_1986_Towards_a_gaseous_perception.pdf|"Towards a gaseous perception"]], in ''[http://monoskop.org/log/?p=4844 Cinema 1: The Movement-Image]'', trans. Hugh Tomlinson and Barbara Habberjam, University of Minnesota Press, 1986, pp 80-86, n229-230. | * Gilles Deleuze, [[Media:Deleuze_Gilles_1986_Towards_a_gaseous_perception.pdf|"Towards a gaseous perception"]], in ''[http://monoskop.org/log/?p=4844 Cinema 1: The Movement-Image]'', trans. Hugh Tomlinson and Barbara Habberjam, University of Minnesota Press, 1986, pp 80-86, n229-230. | ||
* Ben Singer. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey'", ''Literature/Film Quarterly'' 15:4 (Fall 1987), pp 247-258. | * Ben Singer. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey'", ''Literature/Film Quarterly'' 15:4 (Fall 1987), pp 247-258. | ||
+ | * Vlada Petric, [[Media:Petric_Vlada_1991_The_Vertov_Dilemma_Film-Eye_vs_Film-Truth.pdf|"The Vertov Dilemma: Film-Eye vs Film-Truth"]], ''Spectator'' 12:1 (Fall 1991), pp 6-17. [http://cinema.usc.edu/criticalstudies/spectator/12.1fall1991.cfm] | ||
* Patricia R. Zimmermann, "Reconstructing Vertov: Soviet Film Theory and American Radical Documentary", ''Journal of Film and Video'' 44:1-2 (Spring-Summer 1992). | * Patricia R. Zimmermann, "Reconstructing Vertov: Soviet Film Theory and American Radical Documentary", ''Journal of Film and Video'' 44:1-2 (Spring-Summer 1992). | ||
* William C. Wees, [http://publishing.cdlib.org/ucpressebooks/view?docId=ft438nb2fr&chunk.id=d0e340&toc.depth=100&toc.id=d0e340&brand=ucpress "The Camera-Eye: Dialectics of a Metaphor"], in ''Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film'', University of California Press, 1992, pp 11-30. [http://dss-edit.com/plu/William_C._Wees_Light_Moving_in_Time_Studies_in_the_Visual_Aesthetics_of_Avant-Garde_Film__1992.pdf] | * William C. Wees, [http://publishing.cdlib.org/ucpressebooks/view?docId=ft438nb2fr&chunk.id=d0e340&toc.depth=100&toc.id=d0e340&brand=ucpress "The Camera-Eye: Dialectics of a Metaphor"], in ''Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film'', University of California Press, 1992, pp 11-30. [http://dss-edit.com/plu/William_C._Wees_Light_Moving_in_Time_Studies_in_the_Visual_Aesthetics_of_Avant-Garde_Film__1992.pdf] | ||
* Philip Vilas Bohlman, ''Music, Modernity, and the Foreign in the New Germany'', 1994, pp 121-152. | * Philip Vilas Bohlman, ''Music, Modernity, and the Foreign in the New Germany'', 1994, pp 121-152. | ||
− | * Vlada Petric, [http://books.google.com/books?id=QOVjntJ2qYsC&pg=PA271 "Vertov's Cinematic Transposition of Reality"], in ''Beyond Document: Essays on Nonfiction Film'', ed. Charles Warren, Wesleyan University Press, 1996, pp 271-. | + | * Vlada Petric, [http://books.google.com/books?id=QOVjntJ2qYsC&pg=PA271 "Vertov's Cinematic Transposition of Reality"], in ''Beyond Document: Essays on Nonfiction Film'', ed. Charles Warren, Wesleyan University Press, 1996, pp 271-294. |
* Seth Feldman. "'Peace between Man and Machine': Dziga Vertov's ''The Man with a Movie Camera.''", in ''Documenting the Documentary: Close Readings of Documentary Film and Video'', eds. Barry Keith Grant and Jeannette Sloniowski, Wayne State University Press, 1998, pp 40-53. | * Seth Feldman. "'Peace between Man and Machine': Dziga Vertov's ''The Man with a Movie Camera.''", in ''Documenting the Documentary: Close Readings of Documentary Film and Video'', eds. Barry Keith Grant and Jeannette Sloniowski, Wayne State University Press, 1998, pp 40-53. | ||
+ | * Jonathan L. Beller, [http://muse.jhu.edu/journals/boundary/v026/26.3beller.html "Dziga Vertov and the Film of Money"], ''Boundary 2'' 26:3 (1999), pp 151-199 | ||
* Douglas Kahn, [[Media:Kahn_Douglas_1999_Russian_Revolutionary_Film.pdf|"Russian Revolutionary Film"]], in ''[[Media:Kahn_Douglas_Noise_Water_Meat_A_History_of_Sound_in_the_Arts_no_OCR.pdf|Noise, Water, Meat: A History of Sound in the Arts]]'', MIT Press, 1999, pp 139-156. | * Douglas Kahn, [[Media:Kahn_Douglas_1999_Russian_Revolutionary_Film.pdf|"Russian Revolutionary Film"]], in ''[[Media:Kahn_Douglas_Noise_Water_Meat_A_History_of_Sound_in_the_Arts_no_OCR.pdf|Noise, Water, Meat: A History of Sound in the Arts]]'', MIT Press, 1999, pp 139-156. | ||
− | * Jane de Almeida (ed.), ''[ | + | * Mariano Prunes, "[http://cdn.anonfiles.com/1388951027401.pdf Dziga Vertov's ''Three Songs about Lenin'' (1934): A Visual Tour through the History of the Soviet Avant-Garde in the Interwar Years]", ''Criticism'' 45:2 (Spring 2003) |
− | * John MacKay | + | * Jane de Almeida (ed.), ''[[Media:De_Almeida_Jane_ed_Grupo_Dziga_Vertov.pdf|Grupo Dziga Vertov]]'', Sao Paulo: Witz, 2005. (in Portuguese) |
− | * John MacKay | + | * John MacKay, [http://www.kinokultura.com/articles/jan05-mackay.html "Disorganized Noise: ''Enthusiasm'' and the Ear of the Collective"], ''KinoKultura'' 7 (January 2005). |
+ | * John MacKay, [http://www.kinokultura.com/articles/apr05-mackay.html "The 'Spinning Top' Takes Another Turn: Vertov Today"], ''KinoKultura'' 8 (April 2005). | ||
* John MacKay, "Allegory and Accommodation: Vertov's «Three Songs of Lenin» (1934) as a Stalinist Film", ''Film History: An International Journal'' 18:4 (2006), pp 376-391. | * John MacKay, "Allegory and Accommodation: Vertov's «Three Songs of Lenin» (1934) as a Stalinist Film", ''Film History: An International Journal'' 18:4 (2006), pp 376-391. | ||
* Malcolm Turvey, [[Media:Turvey_Malcolm_2008_The_Revelationist_Tradition_Exegesis_II.pdf|"The Revelationist Tradition: Exegesis: II"]], in ''[http://bookza.org/dl/973664/ec4536 Doubting Vision Film and the Revelationist Tradition]'', Oxford University Press, 2008, pp 31-37. | * Malcolm Turvey, [[Media:Turvey_Malcolm_2008_The_Revelationist_Tradition_Exegesis_II.pdf|"The Revelationist Tradition: Exegesis: II"]], in ''[http://bookza.org/dl/973664/ec4536 Doubting Vision Film and the Revelationist Tradition]'', Oxford University Press, 2008, pp 31-37. | ||
* Irina Sandomirskaia, [http://sh.diva-portal.org/smash/get/diva2:210999/FULLTEXT01.pdf "One Sixth of the World: Avant-garde Film, the Revolution of Vision, and the Colonization of the USSR Periphery during the 1920s (Towards a Postcolonial Deconstruction of the Soviet Hegemony)"], in ''From Orientalism to Postcoloniality'', ed. Kerstin Olofsson, Huddinge: Södertörns högskola, 2008, pp 8-31. | * Irina Sandomirskaia, [http://sh.diva-portal.org/smash/get/diva2:210999/FULLTEXT01.pdf "One Sixth of the World: Avant-garde Film, the Revolution of Vision, and the Colonization of the USSR Periphery during the 1920s (Towards a Postcolonial Deconstruction of the Soviet Hegemony)"], in ''From Orientalism to Postcoloniality'', ed. Kerstin Olofsson, Huddinge: Södertörns högskola, 2008, pp 8-31. | ||
+ | * ''[[Media:Jean-Luc_Godard_y_el_Grupo_Dziga_Vertov_1968-1974.pdf|Jean-Luc Godard y el Grupo Dziga Vertov, 1968-1974]]'', Barcelona: Prodimag, 2008, 61 pp. Booklet for videodiscs set. (in Spanish) [http://searchworks.stanford.edu/view/8702014] | ||
* Yates McKee, [[Media:McKee_Yates_2009_Post-Communist_Notes_on_Some_Vertov_Stills.pdf|"Post-Communist Notes on Some Vertov Stills"]], in ''Communities of Sense: Rethinking Aesthetics and Politics'', eds. Beth Hinderliter, et al., Durham & London: Duke University Press, 2009, pp 267-293. | * Yates McKee, [[Media:McKee_Yates_2009_Post-Communist_Notes_on_Some_Vertov_Stills.pdf|"Post-Communist Notes on Some Vertov Stills"]], in ''Communities of Sense: Rethinking Aesthetics and Politics'', eds. Beth Hinderliter, et al., Durham & London: Duke University Press, 2009, pp 267-293. | ||
+ | * Sergio Delgado, [http://cdn.anonfiles.com/1388950463876.pdf "Dziga Vertov’s Man with a Movie Camera and the Phenomenology of Perception"]], ''Film Criticism'' 34:1 (2009), pp 1-16. | ||
* Christian Quendle, [http://scribd.com/doc/177676057/C-Quendler-Camera-Eye-Vertov "Rethinking the camera eye: ''dispositif'' and subjectivity"], ''New Review of Film and Television Studies'' 9:4 (December 2011), pp 395-414. | * Christian Quendle, [http://scribd.com/doc/177676057/C-Quendler-Camera-Eye-Vertov "Rethinking the camera eye: ''dispositif'' and subjectivity"], ''New Review of Film and Television Studies'' 9:4 (December 2011), pp 395-414. | ||
* Joshua Malitsky, "The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927", in ''Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations'', Indiana University Press, 2013. [http://www.iupress.indiana.edu/product_info.php?products_id=806662] | * Joshua Malitsky, "The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927", in ''Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations'', Indiana University Press, 2013. [http://www.iupress.indiana.edu/product_info.php?products_id=806662] | ||
Line 116: | Line 135: | ||
==External links== | ==External links== | ||
+ | * [http://www.ubu.com/sound/vertov.html Dziga Vertov in UbuWeb Sound]: ''Enthusiasm!'' (1930), ''Laboratory Of Hearing'' (1916), ''Radio-Ear / Radio-Pravda'' (1916). | ||
* [http://www.sensesofcinema.com/2003/great-directors/vertov/ Vertov at Sense of Cinema] | * [http://www.sensesofcinema.com/2003/great-directors/vertov/ Vertov at Sense of Cinema] | ||
* [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&content-id=1218679066711 Dziga Vertov Collection at the Austrian Film Museum] | * [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&content-id=1218679066711 Dziga Vertov Collection at the Austrian Film Museum] | ||
* [http://www.vertov.ru/ Vertov.ru] | * [http://www.vertov.ru/ Vertov.ru] | ||
− | * [http://www. | + | * [http://www.imdb.com/name/nm0895048/ Vertov at IMDB] |
+ | * [http://web.archive.org/web/20100618211034/http://www.yale.edu/slavic/resources/download/Dziga-Vertov-Short-Biography-MacKay-1.doc A short biography of Vertov by John MacKay] | ||
+ | * [http://vimeo.com/40168770 Dziga Vertov and Early Animation: Sarah Lewis Interviews Professor John MacKay], 2010. | ||
+ | * [http://dziga.perrybard.net/ Man With a Movie Camera: The Global Remake] | ||
− | [[Category:Experimental film | + | {{DEFAULTSORT:Vertov, Dziga}} |
+ | [[Category:Experimental film]] |
Revision as of 22:08, 5 January 2014
Born |
January 2, 1896 Białystok, Russian Empire (now Poland) |
---|---|
Died |
February 12, 1954 Moscow, Soviet Union (now Russia) | (aged 58)
David Abelevich Kaufman (Дави́д А́белевич Ка́уфман; Denis Kaufman; pseudonym Dziga Vertov; Дзи́га Ве́ртов) was a Soviet pioneer documentary film, newsreel director and cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary moviemaking and the Dziga Vertov Group, a radical filmmaking cooperative which was active in the 1960s.
Vertov's brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Elizaveta Svilova.
Filmography
- Процесс Миронова, 1919.
- Кинонеделя [Kino Nedelya; Cinema Week], 43 newsreels (1-29), 1919. [1]
- Годовщина революции [Godovshchina revolyutsii; The Anniversary of the Revolution], 1919. [2]
- Битва в Царицыне [Battle of Tsaritsyn], 1920.
- Агитпоезд ВТсИК [Agitpóezd VTsIK], short, 1921.
- Процесс эсеров, 1922.
- История гражданской войны [Istoriya grazhdanskoy voyny; History of the Civil War], 1922.
- Киноправда [Kino-Pravda], 23 numbers (30-37, 40, 43), 1922-25. [3]
- Советские игрушки [Sovietskie igrushki; Soviet Toys], 1924.
- Кино-глаз: Жизнь врасплох [Kinoglaz: zhizn vrasploj; Kino-Eye], 1924. [4]
- Шагай, Совет! [Shagái, Soviet!; Stride, Soviet!], 1926.
- Шестая часть мира [A Sixth of the World], 1926. [5]
- Одиннадцатый [The Eleventh], 1928.
- Человек с киноаппаратом [Man with a Movie Camera], 1929. [6]
- Энтузиазм: Симфония Донбаса [Entuziazm: Simfoniya Donbassa], 1930. [7] [8]
- Три песни о Ленине [Three Songs About Lenin], 1934. [9]
- Памяти Серго Орджоникидзе [Pamyati Sergo Ordzhonikidze; In Memory of Sergo Ordzhonikidze], 1937. совм. с Я. Блиохом.
- Колыбельная [Lullaby], 1937.
- Три героини [Three Heroines], 1938.
- Кровь за кровь, смерть за смерть, 1941.
- На линии огня - операторы кинохроники, 1941.
- Казахстан — фронту! [Kazakhstan for the Front!], 1942.
- В горах Ала-Тау [In the Mountains of Ala-Tau], 1944.
- Клятва молодых, 1944.
- Новости дня [News of the Day], 1944-54.
- DVDs
- Dziga Vertov's Man with the Movie Camera DVD, audio commentary track by Yuri Tsivian.
- Entuziazm (Simfonija Donbassa) DVD, restored version and unrestored version plus documentary on Peter Kubelka's restoration.
- Dziga Vertov - Šestaja čast mira und Odinnadcatyi, Edition Filmmuseum, 2 DVD; with music by Michael Nyman, 2010.
Literature
By Vertov
- "We: A Version of a Manifesto" (1922), in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 5-9.
- "NoS: Variante de manifesto". (in Portuguese)
- "Wir. Variante eines Manifestes", in Texte zur Theorie des Films, ed. Franz-Josef Albersmeier, Reclam, 1998, pp 31-35. (in German)
- "Kinoks: A Revolution (From an Appeal at the Beginning of 1922)" (1923), in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 11-21.
- "Kinoki – Umsturz", in Texte zur Theorie des Films, ed. Franz-Josef Albersmeier, Reclam, 1998, pp 36-50. (in German)
- "On the Significance of Nonacted Cinema" (1923), in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, University of California Press, 1984, pp 35-38.
- "La importancia del cine no actuado". (in Spanish)
- "The Birth of Kino-Eye" (1924), in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 40-42.
- "On Kinopravda" (1924), in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 42-47.
- "Kino-Eye" (1926), in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 60-79.
- "Kinoglaz", in Texte zur Theorie des Films, ed. Franz-Josef Albersmeier, Reclam, 1998, pp 51-53. (in German)
- "The Man with the Movie Camera" (1928), in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 82-85.
- Collected writings
- статьи, дневники, замыслы [Stat’i, dnevniki, zamysly], ed. Sergei Drobashenko (Сергей Дробашенко), Moscow: Izd. Iskusstva, 1966, 319 pp. (in Russian)
- Articles, journaux, projets, trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French)
- Aufsätze, Tagebücher, Skizzen, Institut für Filmwissenschaft an der Deutschen Hochschule für Filmkunst, 1967, 375 pp. (in German)
- El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, 215 pp. (in Spanish)
- Schriften zum Film, Hanser, 1976, 170 pp. (in German)
- Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp.
- Tagebücher, Arbeitshefte, eds. Thomas Tode and Alexandra Gramatke, UVK: Konstanz, 2000, 276 pp. (in German) Foreword, [10]
- Memorias de un cineasta bolchevique, trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish)
- L'occhio della rivoluzione. Scritti dal 1922 al 1942, ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian)
On Vertov
- Books
- Nikolai Abramov (Николай Абрамов), Джига Вертов [Dziga Vertov], Moscow: Izd. Akademii Nauk, 1962, 165 pp. (in Russian)
- Dziga Vertov, trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French)
- Georges Sadoul, Dziga Vertov, Paris: Champ libre, 1971, 171 pp. Preface by Jean Rouch. (in French)
- El cine de Dziga Vertov, Era, 1973, 223 pp. (in Spanish)
- Antonín Navrátil, Dziga Vertov. Revolucionář dokumentárního filmu, Prague: Čs. filmový ústav, 1974. (in Czech)
- Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), Дзига Вертов в воспоминанииах современников, Iskusstvo, 1976, 277 pp. (in Russian)
- Seth Feldman, Evolution of Style in the Early Work of Dziga Vertov, New York: Arno Press, 1977.
- Seth Feldman, Dziga Vertov, A Guide to References and Resources, Boston: G.K.Hall, 1979, 232 pp.
- Vasco Granja, Dziga Vertov, Livros Horizonte, 1981, 96 pp. (in Portuguese) Part.
- Lev Roshal (Лев Моисеевич Рошаль), Дзига Вертов [Dziga Vertov], Moscow, 1982, 263 pp. (in Russian)
- Frédérique Devaux, L'Homme à la caméra de Dziga Vertov, Brussels: Yellow Now, 1990, 126 pp. (in French)
- Vlada Petric, Constructivism in Film: The Man with the Movie Camera: a Cinematic Analysis, CUP Archive, 1993, 325 pp. [11]
- Natascha Drubek-Meyer, Jurij Murasov (eds.), Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov, Frankfurt: Peter Lang, 2000, 283 pp. (in German) [12]
- Graham Roberts, The Man with the Movie Camera, I. B. Tauris, 2001.
- Yuri Tsivian (ed.), Lines of Resistance: Dziga Vertov and the Twenties, trans. Julian Graffy, Gemona: Le Giornate del Cinema Muto, 2004, 422 pp. [13]
- Excerpt: "Celluloid Manifesto: Reading images and emblems in Dziga Vertov's films", 12 April 2011.
- Austrian Film Museum, Thomas Tode, Barbara Wurm (eds.), Dziga Vertov. The Vertov Collection at the Austrian Film Museum, Vienna: Austrian Film Museum, 2006, 288 pp. (in German/English). Contents, [14], Online version.
- Klemens Gruber (ed.), Verschiedenes über denselben: Dziga Vertov 1896-1954, Vienna/Cologne/Weimar: Böhlau, 2006, 125 pp. (in German). Contents
- Jeremy Hicks, Dziga Vertov: Defining Documentary Film, London & New York: I. B. Tauris, 2007.
- Peggy Ahwesh, Keith Sanborn (eds.), Vertov from Z to A, trans. Keith Sanborn, New York: Ediciones la Calavera, 2008, 169 pp.
- David Tomas, Vertov, Snow, Farocki: Machine Vision and the Posthuman, Bloomsbury Academic, 2013, 304 pp.
- Journal issues
- Annette Michelson, Malcolm Turvey (eds.), October 121, Special Issue: New Vertov Studies (Summer 2007). Contents.
- Book chapters, Papers, Articles
- Erik Barnouw, Documentary: a History of the Non-fiction Film, Oxford University Press, 1974.
- Malcolm Le Grice, Abstract Film and Beyond, MIT Press, 1977.
- Vlada Petric, "Dziga Vertov as Theorist", Cinema Journal 18:1 (Autumn 1978), pp 29-44.
- Anna Lawton, "Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema", Pacific Coast Philology, Vol. 13 (October 1978), pp 44-50.
- Peter Weibel, "Eisenstein, Vertov and the Formal Film", trans. Phillip Drummond, in Film as Film: Formal Experiment in Film, 1910-1975, London: The Arts Council of Great Britain, 1979, pp 46-51.
- Gilles Deleuze, "Towards a gaseous perception", in Cinema 1: The Movement-Image, trans. Hugh Tomlinson and Barbara Habberjam, University of Minnesota Press, 1986, pp 80-86, n229-230.
- Ben Singer. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey'", Literature/Film Quarterly 15:4 (Fall 1987), pp 247-258.
- Vlada Petric, "The Vertov Dilemma: Film-Eye vs Film-Truth", Spectator 12:1 (Fall 1991), pp 6-17. [15]
- Patricia R. Zimmermann, "Reconstructing Vertov: Soviet Film Theory and American Radical Documentary", Journal of Film and Video 44:1-2 (Spring-Summer 1992).
- William C. Wees, "The Camera-Eye: Dialectics of a Metaphor", in Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film, University of California Press, 1992, pp 11-30. [16]
- Philip Vilas Bohlman, Music, Modernity, and the Foreign in the New Germany, 1994, pp 121-152.
- Vlada Petric, "Vertov's Cinematic Transposition of Reality", in Beyond Document: Essays on Nonfiction Film, ed. Charles Warren, Wesleyan University Press, 1996, pp 271-294.
- Seth Feldman. "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera.", in Documenting the Documentary: Close Readings of Documentary Film and Video, eds. Barry Keith Grant and Jeannette Sloniowski, Wayne State University Press, 1998, pp 40-53.
- Jonathan L. Beller, "Dziga Vertov and the Film of Money", Boundary 2 26:3 (1999), pp 151-199
- Douglas Kahn, "Russian Revolutionary Film", in Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, pp 139-156.
- Mariano Prunes, "Dziga Vertov's Three Songs about Lenin (1934): A Visual Tour through the History of the Soviet Avant-Garde in the Interwar Years", Criticism 45:2 (Spring 2003)
- Jane de Almeida (ed.), Grupo Dziga Vertov, Sao Paulo: Witz, 2005. (in Portuguese)
- John MacKay, "Disorganized Noise: Enthusiasm and the Ear of the Collective", KinoKultura 7 (January 2005).
- John MacKay, "The 'Spinning Top' Takes Another Turn: Vertov Today", KinoKultura 8 (April 2005).
- John MacKay, "Allegory and Accommodation: Vertov's «Three Songs of Lenin» (1934) as a Stalinist Film", Film History: An International Journal 18:4 (2006), pp 376-391.
- Malcolm Turvey, "The Revelationist Tradition: Exegesis: II", in Doubting Vision Film and the Revelationist Tradition, Oxford University Press, 2008, pp 31-37.
- Irina Sandomirskaia, "One Sixth of the World: Avant-garde Film, the Revolution of Vision, and the Colonization of the USSR Periphery during the 1920s (Towards a Postcolonial Deconstruction of the Soviet Hegemony)", in From Orientalism to Postcoloniality, ed. Kerstin Olofsson, Huddinge: Södertörns högskola, 2008, pp 8-31.
- Jean-Luc Godard y el Grupo Dziga Vertov, 1968-1974, Barcelona: Prodimag, 2008, 61 pp. Booklet for videodiscs set. (in Spanish) [17]
- Yates McKee, "Post-Communist Notes on Some Vertov Stills", in Communities of Sense: Rethinking Aesthetics and Politics, eds. Beth Hinderliter, et al., Durham & London: Duke University Press, 2009, pp 267-293.
- Sergio Delgado, "Dziga Vertov’s Man with a Movie Camera and the Phenomenology of Perception"], Film Criticism 34:1 (2009), pp 1-16.
- Christian Quendle, "Rethinking the camera eye: dispositif and subjectivity", New Review of Film and Television Studies 9:4 (December 2011), pp 395-414.
- Joshua Malitsky, "The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927", in Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations, Indiana University Press, 2013. [18]
- Lev Manovich, "Visualizing Vertov", 2013, 38 pp.
- Articles on Vertov at Seance.ru. (in Russian)
- Documentary films
- Мир без игры, dir. Sergei Drobashenko, 54 min, 1966. [19]
- Дзига и его братья, dir. Evgeny Tsymbal, 2002.
- Все Вертовы, dir. Vladimir Nepevny, 2002.
External links
- Dziga Vertov in UbuWeb Sound: Enthusiasm! (1930), Laboratory Of Hearing (1916), Radio-Ear / Radio-Pravda (1916).
- Vertov at Sense of Cinema
- Dziga Vertov Collection at the Austrian Film Museum
- Vertov.ru
- Vertov at IMDB
- A short biography of Vertov by John MacKay
- Dziga Vertov and Early Animation: Sarah Lewis Interviews Professor John MacKay, 2010.
- Man With a Movie Camera: The Global Remake