Salvador Dalí

Dalí Atomicus, photo by Philippe Halsman, 1948

Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marqués de Dalí de Pubol (1904–1989), known as Salvador Dalí was a Catalan surrealist painter. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. His best-known work, The Persistence of Memory, was completed in August 1931.

Biography

From Dalí.com.

The Spanish artist, Salvador Dalí, is considered one of the most impressive artists of the 20th century, not only because of his paintings but also because of his eccentric character. Dalí was born in 1904 in Figures, Spain, and nine months after the death of his older brother, who was also named Salvador. At the young age of 10, Dalí first began painting. It was at the age of 12 that he vacationed with an artistic family, the Pichots. Ramon Pichots was probably Dalí's first role model as a painter and influenced much of his early development and interest in art. He later attended Municipal Drawing School, where he first received formal art training, learned draftsmanship, painting, and engraving from Senor Nunez. In 1917, Dalí's father organized an exhibition of his charcoal drawings in their family home. A year later, in 1918, one of his drawings was published in a Catalan magazine, Patufet. Dalí was also recognized in local newspapers and the magazine Stadium. In 1921, Dalí's mother passed away. Quickly after her death, his father married her sister.

Having been already exposed to the artist movement and styles of Impressionism, Post-Impressionism, and Futurism, he was accepted to the Academia de San Fernando in Madrid, only to be expelled in 1926 for refusing to take the examination in "Fine Art Theory." He stated that the faculty was not competent enough to examine him. During this time he explored Cubism, Neo-Classicism, and Realism in his paintings. The year 1929 proved to be an important year for Dalí: he made his first Surrealist Film, Un Chien Andalou (An Adualusian Dog) with former classmate Luis Bunuel, joined the Surrealist group, and in June, he met Gala Eluard, the wife of Paul Eluard, a Surrealist poet. She eventually became hi wife, his muse, and influence behind many of his paintings. Other inspirational people for Dalí were Picasso, Miro, the architect Gaudi, and especially the landscape of Catalonia.

The Surrealist's ideology was based on Freudian psychology, which systematized the analysis of dreams as revealed in images from the subconscious. Many of Dalí's work during the 1930's were intaglio prints that accompanied Surrealist books and periodicals; these prints included "L'Immaculee Conception," and "La Femme Visible."

The works leaned toward provocative, and the "paranoiac-critical method," which Dalí' defined as a spontaneous mode of irrational understanding based on interpretative critical association of delirious phenomena. The Oxford Companion to Art refers to it as "an attempt to make systemic use of the organizational force of hallucinatory and obsessive experience with special emphasis on multiple figuration." Even the Surrealist group thought of these works as risque and controversial. Eventually, in 1934 Dalí separated from the Surrealist group, because of his conflicting view toward their commitment to Marxist politics and development of rituals, and dogmas. He demanded absolute freedom, and he felt their censorship and political motivations were constricting his ingenuity.

Dalí and Gala fled the German invasion of France in 1940 and headed toward the United States, where they stayed until 1948. During much of this time Dalí gained international fame by capitalizing on self-advertisement through television, advertisements, and publications. As one of the most diverse artists of the twentieth century, Dalí worked in many mediums, designing state settings, jewelry, clothing, and perfume; he also worked on animation for Walt Disney movies, which were never finished. He refers to this period as the time he desired to become "classic."

The bombing of Nagasaki and Hiroshima made quite an impression on Dalí, he entered what is called his Nuclear and Atomic period. By the 1950's he had begun to focus on religious themes and in the 1960's Dalí experimented with Pop and Op Art, as well as Abstract Expressionism, which eventually culminated in the stereoscopic paintings and holographs of the 1970's. The early 1950's he developed his principals of Nuclear Mysticism, in which he concluded "the very basis of life would prove to be spiral."

In 1970, Dalí and Gala parted ways and he gave her the Castle at Pubol and only visited her with written invitation. In 1982, Gala died at the Castle Pubol. With his muse gone, he no longer had the desire to create and only did a handful of paintings and prints. Before dying of heart failure in 1989, he lived as a recluse in a room adjacent to his Teatro-Museum. He is now interred in his museum, surrounded by his art, which was his life [1].

Works

• The-persistence-of-memory-1931.jpg

  The persistence of memory, Oil on canvas, 24 cm × 33 cm, MOMa, 1931.

• Dali - The Madonna of Port Lligat.JPG

  The Madonna of Port Lligat, Oil on canvas, 49.53 x 38.1 cm. Haggerty Museum, Marquette University, Milwaukee, 1948.

Literature

By Dalí

• Les cocus du vieil art moderne, Éditions Bernard Grasset & Fasquelle, 1956. (in French)
  • Los Cornudos Del Viejo Arte Moderno, trans. Carmen Artal, Tusquets Editores, Barcelona, 2002. (in Spanish)
• El mito trágico de ‘El Ángelus’ de Millet, 1963. (in Spanish)
  • The Tragic Myth of Miller’s L’Ángelus, trans. Haim Finkelstein, 1998.
• Journal d'un genie, Editions de la Table Ronde, 1964.
  • Jurnalul unui geniu, trans. Tania Radu, Bucharest: Humanitas, 1994, 2001. (in Romanian)

On Dalí

• Alain Bosquet, Conversations with Dalí, E.P. Dutton, New York City, 1969.

External links

• Dalí on UbuWeb Sound
• Dalí at Wikipedia