Difference between revisions of "Jack Burnham"

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In his articles "Systems Esthetics" and "Real Time Systems" (published in Artforum in 1968 and 1969, respectively), Jack Burnham already explored a systems approach to art: "A systems viewpoint is focused on the creation of stable, ongoing relationships between organic and non-organic systems" [1]. In modified form, this approach still holds a noticeable position in today's critical discourse on digital art.
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In his articles "Systems Esthetics" and "Real Time Systems" (published in Artforum in 1968 and 1969, respectively), Jack Burnham already explored a systems approach to art: "A systems viewpoint is focused on the creation of stable, ongoing relationships between organic and non-organic systems". In modified form, this approach still holds a noticeable position in today's critical discourse on digital art.
  
  
* Jack Burnham, "Systems Esthetics," Artforum Vol. 7, No. 1 (September 1968), p. 31
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* Jack Burnham, "Systems Esthetics," Artforum Vol. 7, No. 1 (September 1968), p. 30-35, http://www.volweb.cz/horvitz/burnham/systems-esthetics.html
* Jack Burnham, "Real Time Systems," Artforum Vol. 8, No. 1 (September 1969) p. 51.
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* Jack Burnham, "Real Time Systems," Artforum Vol. 8, No. 1 (September 1969) p. 49-55. Reprinted in Great Western Salt Works.
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http://www.volweb.cz/horvitz/burnham/homepage.html

Revision as of 07:38, 5 July 2007

In his articles "Systems Esthetics" and "Real Time Systems" (published in Artforum in 1968 and 1969, respectively), Jack Burnham already explored a systems approach to art: "A systems viewpoint is focused on the creation of stable, ongoing relationships between organic and non-organic systems". In modified form, this approach still holds a noticeable position in today's critical discourse on digital art.



http://www.volweb.cz/horvitz/burnham/homepage.html