Difference between revisions of "Rosalind E. Krauss"
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− | + | {{Infobox artist | |
− | '''Rosalind Epstein Krauss''' (1941) is an American art critic and theorist | + | |image = Rosalind_Kraus_by_Judy_Olausen_c1978.jpg |
+ | |imagesize = 250px | ||
+ | |caption = Judy Olausen, ''Rosalind Krauss'', c1978. [http://www.e-flux.com/journal/the-device-laid-bare-on-some-limitations-in-current-art-criticism/] | ||
+ | |birth_date = {{birth date|1941|11|30|mf=y}} | ||
+ | |birth_place = Washington, D.C., United States | ||
+ | |web = [[Aaaaarg::http://gr.aaaaarg.org/maker/5310646b334fe071e0b90787|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Rosalind_Krauss|Wikipedia]], [[Academia.edu::http://www.academia.edu/Documents/in/Rosalind_Krauss|Academia.edu]] | ||
+ | }} | ||
+ | '''Rosalind Epstein Krauss''' (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City. | ||
{{TOC limit|3}} | {{TOC limit|3}} | ||
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* ''L'Amour fou: Photography & Surrealism'', London: Arts Council, 1986. | * ''L'Amour fou: Photography & Surrealism'', London: Arts Council, 1986. | ||
− | * ''Le | + | * ''Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie'', trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. {{fr}} Review: [http://www.jstor.org/stable/41389324 Murray] (1993-94, EN). |
− | * ''The Optical Unconscious'', MIT Press, 1993, 365 pp, [http://monoskop.org/log/?p=5931 Log]. | + | * ''The Optical Unconscious'', MIT Press, 1993, 365 pp, [http://monoskop.org/log/?p=5931 Log]. Review: [http://www.newcriterion.com/articles.cfm/Feeling-sorry-for-Rosalind-Krauss-4751 Kimball] (1993). |
** ''El inconsciente óptico'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, [[Media:Krauss_Rosalind_E_El_inconciente_optico.pdf|PDF]]. {{es}} | ** ''El inconsciente óptico'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, [[Media:Krauss_Rosalind_E_El_inconciente_optico.pdf|PDF]]. {{es}} | ||
* with Yve Alain Bois. ''Formless: A User's Guide'', Zone Books, 1997, 304 pp, [http://monoskop.org/log/?p=1483 Log]. | * with Yve Alain Bois. ''Formless: A User's Guide'', Zone Books, 1997, 304 pp, [http://monoskop.org/log/?p=1483 Log]. | ||
− | * ''Bachelors'', MIT Press, 1999, 228 pp, [http://monoskop.org/log/?p=5993 Log]. | + | * ''Bachelors'', MIT Press, 1999, 228 pp, [http://monoskop.org/log/?p=5993 Log], [http://gr.aaaaarg.org/ref/8b4dce800749d1430b80046f0b31a3fb#0.01 ARG]. |
− | * ''The Picasso Papers'', | + | * ''The Picasso Papers'', MIT Press, 1999, [[Media:Krauss_Rosalind_The_Picasso_Papers.pdf|PDF]], [http://archive.org/details/ThePicassoPapersByRosalindE.Krauss IA]. Review: [http://www.nybooks.com/articles/archives/1999/apr/08/the-fallen-angel/ McCully] (1999) |
* ''A Voyage on the North Sea: Art in the Age of the Post-Medium Condition'', Thames & Hudson, 2000, 64 pp, [http://monoskop.org/log/?p=7009 Log]. | * ''A Voyage on the North Sea: Art in the Age of the Post-Medium Condition'', Thames & Hudson, 2000, 64 pp, [http://monoskop.org/log/?p=7009 Log]. | ||
+ | |||
+ | * with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', London: Thames & Hudson, 2004, 704 pp, [http://gr.aaaaarg.org/ref/a050ef6306cdefebd5ded69ecd5e891c#0.01 ARG]. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005). | ||
* ''Under Blue Cup'', MIT Press, 2011, [http://gr.aaaaarg.org/ref/f32187b4085f2f20ec4d813ac83d6e47#0.01 ARG], [http://www.scribd.com/doc/127649067/ Scribd]. | * ''Under Blue Cup'', MIT Press, 2011, [http://gr.aaaaarg.org/ref/f32187b4085f2f20ec4d813ac83d6e47#0.01 ARG], [http://www.scribd.com/doc/127649067/ Scribd]. | ||
===Editor=== | ===Editor=== | ||
+ | * ''October'' journal. | ||
* ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. | * ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. | ||
===Selected essays=== | ===Selected essays=== | ||
− | * "A Note on Photography and the Simulacral", ''October'' 31 (Winter | + | * "Sculpture in the Expanded Field", ''October'' 8 (Spring 1979), pp 30-44, [[Media:Krauss_Rosalind_1979_Sculpture_in_the_Expanded_Field.pdf|PDF]], [http://gr.aaaaarg.org/ref/5ac56185662721171907a68a55dba769#0.01 ARG]; repr. in ''The Anti-Aesthetic: Essays on PostModern Culture'', ed. Hal Foster, Washington: Bay Press, 1984, [[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|PDF]]. |
+ | ** "A escultura no campo ampliado", ''Gávea'' 1 (1984), pp 87-93; repr. ''Arte & Ensaios'' 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, [[Media:Krauss_Rosalind_1979_2008_A_escultura_no_campo_ampliado.pdf|PDF]]. {{br-pt}} | ||
+ | * "Photography's Discursive Spaces", ''Art Journal'' (Winter 1982), [http://gr.aaaaarg.org/ref/c060570f4d92821bff3f0112c9a427f1#0.01 ARG]. | ||
+ | * "A Note on Photography and the Simulacral", ''October'' 31 (Winter 1984), pp 49-68, [http://archive.org/details/RosalindKraussANoteOnPhotography1984 IA], [http://faculty.georgetown.edu/irvinem/theory/Krauss-NoteOnPhotographyandtheSimulacral-October-1984.pdf PDF]. | ||
===Bibliography=== | ===Bibliography=== | ||
Line 56: | Line 69: | ||
==Links== | ==Links== | ||
− | |||
* [http://en.wikipedia.org/wiki/October_(journal) ''October'' at Wikipedia] | * [http://en.wikipedia.org/wiki/October_(journal) ''October'' at Wikipedia] | ||
* [http://www.theartstory.org/critic-krauss-rosalind.htm Krauss at The Art Story] | * [http://www.theartstory.org/critic-krauss-rosalind.htm Krauss at The Art Story] | ||
− | [[Category: Writers | + | {{DEFAULTSORT:Krauss, Rosalind}} |
+ | {{featured_article}} | ||
+ | [[Category: Writers]] |
Revision as of 13:44, 11 April 2015
Judy Olausen, Rosalind Krauss, c1978. [1] | |
Born |
November 30, 1941 Washington, D.C., United States |
---|---|
Web | Aaaaarg, Wikipedia, Using "Academia.edu" as base chain is not permitted during the annotation process. |
Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.
Works
(in English unless noted)
Books
- Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971.
- Passages in Modern Sculpture, MIT Press, 1977.
- The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985.
- L'Amour fou: Photography & Surrealism, London: Arts Council, 1986.
- Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. (French) Review: Murray (1993-94, EN).
- The Optical Unconscious, MIT Press, 1993, 365 pp, Log. Review: Kimball (1993).
- El inconsciente óptico, trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, PDF. (Spanish)
- with Yve Alain Bois. Formless: A User's Guide, Zone Books, 1997, 304 pp, Log.
- A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, Thames & Hudson, 2000, 64 pp, Log.
- with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG. [2] Reviews: Bishop (2005), Collings (2005), Gewen (2005).
Editor
- October journal.
- The Sculpture of David Smith: A Catalogue Raisonné, New York: Garland, 1977.
Selected essays
- "Sculpture in the Expanded Field", October 8 (Spring 1979), pp 30-44, PDF, ARG; repr. in The Anti-Aesthetic: Essays on PostModern Culture, ed. Hal Foster, Washington: Bay Press, 1984, PDF.
- "A escultura no campo ampliado", Gávea 1 (1984), pp 87-93; repr. Arte & Ensaios 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, PDF. (Brazilian Portuguese)
- "Photography's Discursive Spaces", Art Journal (Winter 1982), ARG.
- "A Note on Photography and the Simulacral", October 31 (Winter 1984), pp 49-68, IA, PDF.
Bibliography
- Eddie Yeghiayan, "Rosalind Krauss. A Selected Bibliography", 1995.
Literature
- David Carrier, Rosalind Krauss and American Philosophical Art Criticism, Greenwood Publishing Group, 2002, ISBN 0275975207, 9780275975203, IA.
- "Rosalind Krauss", in Judy K. Collischan Van Wagner, Women Shaping Art: Profiles of Power, New York: Praeger, 1984, pp 149-164.
- Janet Malcolm, "A Girl of the Zeitgeist", Part II, The New Yorker, 27 October 1986.
- Scott Rothkopf, "Krauss and the Art of Cultural Controversy", The Harvard Crimson, 16 May 1997.
- Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", Horizons philosophiques 9:1 (1998), pp 73-85. (in French)
- Anna C. Chave, "Minimalism and Biography", Art Bulletin (March 2000).
- David Raskin, "The Shiny Illusionism of Krauss and Judd", Art Journal (Spring 2006).
- Yve-Alain Bois, "Rosalind Krauss with Yve-Alain Bois", The Brooklyn Rail, 2012.
- Diane Armitage, "Rosalind Krauss in the 21st Century: Does she stil mater?", THE magazine 20:5 (November 2012), pp 37-39.
- Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990, Études photographiques, no. 21 , decembre 2007: 123-143.
See also
Links