Difference between revisions of "Erwin Panofsky"
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|death_date = {{Death date and age|1968|03|14|1892|03|30|mf=y}} | |death_date = {{Death date and age|1968|03|14|1892|03|30|mf=y}} | ||
|death_place = Princeton, New Jersey, USA | |death_place = Princeton, New Jersey, USA | ||
+ | |web = [[Wikipedia::http://en.wikipedia.org/wiki/Erwin_Panofsky|Wikipedia]], [[Wikipedia::http://de.wikipedia.org/wiki/Erwin_Panofsky|Wikipedia-DE]] | ||
}} | }} | ||
'''Erwin Panofsky''' was a German art historian. | '''Erwin Panofsky''' was a German art historian. | ||
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(in German and English unles noted) | (in German and English unles noted) | ||
===Books=== | ===Books=== | ||
− | * ''Die theoretische Kuntlehre Albrecht Durers'', Berlin, 1914. | + | * ''Die theoretische Kuntlehre Albrecht Durers'', Berlin, 1914. PhD dissertation. {{de}} |
− | * ''Idea: A Concept in Art Theory'', | + | * ''Idea: ein beitrag zur begriffsgeschichte der älteren kunsttheorie'', Leipzig/Berlin: Teubner, 1924; 2nd ed., rev., Berlin: Hessling, 1960. {{de}} |
− | ** ''Idea: Prilog povijesti pojma starije teorije umjetnosti'', trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002 | + | ** ''Idea: contributo alla storia dell'estetica'', trans. Edmondo Cione, Firenze: La Nuova Italia, 1952, xxii+204 pp. {{it}} |
+ | ** ''Idea: A Concept in Art Theory'', trans. Joseph J.S. Peake, University of South Carolina Press, 1968, xiii+268 pp; New York: Harper & Row, 1968. {{en}} | ||
+ | ** ''Idea: contribuição à história do conceito da antiga teoria da arte; a evolução do conceito de belo'', trans. Paulo Neves, São Paulo: Martins Fontes, 1994, 259 pp. {{br-pt}} | ||
+ | ** ''[http://archive.org/details/ErwinPanofskyIdeaPrilogPovijestiPojmaStarijeTeorijeUmjetnosti Idea: Prilog povijesti pojma starije teorije umjetnosti]'', trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002. {{cr}} | ||
− | * ''Perspective as Symbolic Form'', | + | * [http://monoskop.org/log/?p=9730 "Die Perspektive als 'symbolische Form'"], in ''Vorträge der Bibliothek Warburg 1924-1925'', Leipzig/Berlin: Teubner, 1927, pp 258-330; repr. in Panofsky, ''Aufsätze zu Grundfragen der Kunstwissenschaft'', eds. Hariolf Oberer and Egon Verheyen, 1974; Berlin 1992, pp 99-167. {{de}} |
+ | ** ''La prospettiva come forma simbolica: e altri scritti'', ed. Guido D. Neri, comm. Maria Dalai, Milan: Feltrinelli, 1961, 237 pp; 2nd ed., 1973; 3rd ed., 1976; 4th ed., 1979; 1982; 1983; 1991; 10th ed., 1994; 12th ed., 1997; 13th ed., 1999; 2007; 2013. {{it}} | ||
+ | ** ''[[Media:Panofsky_Erwin_La_perspectiva_como_forma_simbolica.pdf|La perspectiva como forma simbolica]]'', trans. Virginia Careaga, Barcelona: Tusquets, 1973, 123 pp; 2nd ed., 1978; 3rd ed., 1980; 4th ed., 1983; 5th ed., 1985; 6th ed., 1990; 7th ed., 1995; 1999; 2003; 2008; 2010. {{es}} | ||
+ | ** ''La perspective comme forme symbolique et autres essais. Précédés de la question perspective'', trans. Guy Ballangé and Marisa Dalai Emiliani, Paris: Minuit, 1975, 273 pp; 1981; 1987; 1991; 2002. {{fr}} | ||
+ | ** ''[http://monoskop.org/log/?p=9730 Perspective as Symbolic Form]'', trans. Christopher S. Wood, New York: Zone Books, 1991, 196 pp, [http://tems.umn.edu/pdf/Erwin%20Panofsky%20-%20Perspective%20as%20Symbolic%20Form.pdf PDF]; 1997; 2002; 2005; 2009. Review: [http://gombricharchive.files.wordpress.com/2011/04/showrev7.pdf Gombrich] (NYRB 1997). {{en}} | ||
+ | ** ''A perspectiva como forma simbólica'', trans. Elisabete Nunes, Lisbon: Edições 70, 1993, 139 pp. {{pt}} | ||
+ | ** ''Perspektivet som symbolisk form'', trans. Sölve Olsson, Stockholm: B. Östlings bokförl. Symposion, 1994, 160 pp. {{sw}} | ||
+ | ** ''Perspektywa jako "forma symboliczna"'', trans. & intro. Grażyna Jurkowlaniec, Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2008, 205 pp. {{pl}} | ||
− | * [[Media:Erwin_Panofsky_Studies_in_Iconology_1972.djvu|''Studies in Iconology'']], 1939, 1972. | + | * [[Media:Erwin_Panofsky_Studies_in_Iconology_1972.djvu|''Studies in Iconology: Humanistic Themes in the Art of the Renaissance'']], Oxford University Press, 1939; new ed., New York: Harper and Row, 1962; rev.ed., New York: Harper & Row, 1972, xliii+262 pp. The Mary Flexner Lectures, 1937. {{en}} |
+ | ** ''Essais d'iconologie, thèmes humanistes dans l'art de la Renaissance'', trans. Claude Herbette and Bernard Teyssèdre, intro. & annot. Bernard Teyssèdre, Paris: Gallimard, 1967, 396 pp. {{fr}} | ||
+ | ** ''Iconologie: thema's en symboliek bij de renaissanceschilders'', trans. Casper de Jong, Utrecht: Het Spectrum, 1970, 316+96 pp. {{nl}} | ||
+ | ** ''Estudios sobre iconología'', intro. Enrique Lafuente Ferrari, trans. Bernardo Fernández, Madrid: Alianza, 1971, xl+350 pp. {{es}} | ||
+ | ** ''Studi di iconologia: i temi umanistici nell'arte del Rinascimento'', intro. Giovanni Previtali, trans. Renato Pedio, Torino: Einaudi, 1975, xxxii+387 pp. {{it}} | ||
+ | ** ''Ikonološke studije: humanističke teme u renesansnoj umetnosti'', trans. Svetozar M Ignačević, Belgrade: Nolit, 1975, 284 pp. {{sr}} | ||
+ | ** ''Studien zur Ikonologie: humanistische Themen in der Kunst der Renaissance'', Cologne: DuMont, 1980, 356 pp. {{de}} | ||
+ | ** ''Estudos de iconologia: temas na arte do renascimento'', trans. Olinda Braga de Sousa, Lisbon: Estampa, 1986, 237 pp. {{pt}} | ||
+ | ** ''Meletes eikonologias: oumanistika themata stēn Technē tēs Anagennēsēs'', trans. Andreas Pappas, Athens: Nephelē, 1991, 427 pp. {{gr}} | ||
+ | ** ''Ikonorojī kenkyū: Runesansu bijutsu ni okeru jimbun shugi no sho-tēma'', trans. Tōru Asano, Tokyo: Bijutsu Shuppansha, 1993, xxii+374 pp. {{jp}} | ||
+ | ** ''Tosang haesŏkhak yŏn'gu: Rŭnesangsŭ misul esŏ ŭi Inmunjuŭijŏk chujedŭl'', trans. Yi Han-sun, Seoul: Sigongsa, 2002, 535 pp. {{ko}} | ||
− | * ''Albrecht | + | * ''Albrecht Dürer'', 2 vols., Princeton University Press, 1943; 2nd ed., rev., 1945; 3rd ed., 1948; 4th ed. as ''The Life and Art of Albrecht Dürer'', 1955, xxxii+317+148 pp. {{en}} |
− | * ''Gothic Architecture and Scholasticism'', Latrobe | + | * ''Gothic Architecture and Scholasticism'', Latrobe: Archabbley Press, 1951, xviii+108 pp. Wimmer lecture, 1948. {{en}} |
− | ** [[Media:Panofsky_Erwin_Arquitectura_Gotica_y_Pensamiento_Escolastico_1986.pdf|''Arquitectura Gotica y Pensamiento Escolastico'']], trans. Julia Varela and Fernando Alvarez- | + | ** ''Architecture gothique et pensée scolastique. Précédé de L'abbé Suger de Saint-Denis'', trans. & postf. Pierre Bourdieu, Paris: Minuit, 1967, 217+38 pp. {{fr}} |
− | ** [[Media:Panofsky_Erwin_Arhitectura_gotica_si_gandire_scolastica_1999.Pdf|''Arhitectură gotică și gândire scolastică'']], trans. Marina Zavaca, | + | ** ''Architettura gotica e filosofia scolastica'', trans. & intro. Francesco Starace, Naples: Liguori, 1986, 103 pp. {{it}} |
+ | ** ''Arquitectura gótica y escolástica'', trans. Enrique Revol, Buenos Aires: Infinito, 1959, 132 pp. {{es}} | ||
+ | ** [[Media:Panofsky_Erwin_Arquitectura_Gotica_y_Pensamiento_Escolastico_1986.pdf|''Arquitectura Gotica y Pensamiento Escolastico'']], intro. Francisco Calvo Serraller, trans. Julia Varela and Fernando Alvarez-Uría, Madrid: La Piqueta, 1986, 140 pp. {{es}} | ||
+ | ** ''Gotische Architektur und Scholastik: zur Analogie von Kunst, Philosophie und Theologie im Mittelalter'', ed. & afterw. Thomas Frangenberg, trans. Helga Willinghöfer, Cologne: DuMont, 1989, 136+48 pp. {{de}} | ||
+ | ** ''Arquitetura gótica e escolástica: sobre a analogia entre arte, filosofia e teologia na Idade Média'', ed. & postf. Thomas Frangenberg, trans. Wolf Hörnke, São Paulo: Martins Fontes, 1991, 132 pp. {{br-pt}} | ||
+ | ** [[Media:Panofsky_Erwin_Arhitectura_gotica_si_gandire_scolastica_1999.Pdf|''Arhitectură gotică și gândire scolastică'']], trans. Marina Zavaca, Bucharest: Anastasia, 1999. {{ro}} | ||
+ | ** ''Goticheskata arkhitektura i skholasikata'', trans. Todor Todorov, Sofia: Agata-A, 2002, 263 pp. {{bg}} | ||
− | * ''Early Netherlandish Painting'', 1953. | + | * ''Early Netherlandish Painting: Its Origins and Character'', 2 vols., Harvard University Press, 1953. Charles Eliot Norton lectures, 1947-1948. {{en}} |
+ | ** ''Los primitivos flamencos'', trans. Carmen Martínez Gimeno, Madrid: Cátedra, 1998, 593 pp. {{es}} | ||
− | * ''Galileo as a Critic of the Arts'', The Hague: Martinus Nijhoff, 1954; 2nd | + | * ''[http://archive.org/details/ErwinPanofskyauth.GalileoAsACriticOfTheArtsSpringerNetherlands1954 Galileo as a Critic of the Arts]'', The Hague: Martinus Nijhoff, 1954, 41 pp; 2nd ed., Springer, 1956. {{en}} |
+ | ** ''Galileo critico delle arti'', trans. Maria Cecilia Mazzi, Venezia: Cluva, 1985, 114 pp. {{it}} | ||
+ | ** ''Galilée, critique d'art'', trans. & pref. Nathalie Heinich, Paris: Impressions nouvelles, 1992, 117 pp. With ''Attitude esthétique et pensée scientifique'' by Alexandre Koyré. {{fr}} | ||
+ | ** ''Galileo Galilei und die Bildkünste'', intro. Horst Bredekamp, trans. Heinz Jatho, Zürich: Diaphanes, 2012, 116 pp. {{de}} | ||
− | * [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts'']], 1955. | + | * [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts: Papers in and on Art History'']], Garden City, NY: Doubleday, 1955, xviii+384+64 pp. {{en}} |
− | ** ''Significado das | + | ** ''L'oeuvre d'art et ses significations : essai sur les "arts visuels"'', trans. Bernard Teyssèdre and Marthe Teyssèdre, Paris: Gallimard, 1969, 327 pp. {{fr}} |
+ | ** ''El significado en las artes visuales'', Buenos Aires: Infinito, 1970, 301+72 pp. {{es}} | ||
+ | ** ''Artă şi semnificaţie'', Ștefan Stoenescu, Bucharest: Meridiane, 1980, 441+72 pp. {{ro}} | ||
+ | ** ''Význam ve výtvarném umění'', trans. Lubomír Konečný, Prague: Odeon, 1981, 371 pp; 2nd ed., Prague: Academia, 2013, 399+44 pp. {{cz}} | ||
+ | ** ''A jelentés a vizuális művészetekben: tanulmányok'', trans. Beke László, Budapest: Gondolat, 1984, 410 pp. {{hu}} | ||
+ | ** ''Shi jue yi shu de han yi'' [视觉艺朮的含义], Shenyang Shi: Liaoning ren min chu ban she, 1987, 403+53 pp. {{cn}} | ||
+ | ** ''Significado das artes visuais'', São Paulo: Perspectiva, 2009. {{br-pt}} | ||
− | * with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], 1956 | + | * with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], 1956. {{en}} |
− | * ''Renaissance and Renascences in Western Art'', Westview Press, 1960, | + | * ''[http://archive.org/details/0064300269 Renaissance and Renascences in Western Art]'', Westview Press, 1960. {{en}} |
+ | ** ''Rinascimento e rinascenze nell' arte occidentale'', ed. Gregor Paulsson, trans. Maurizio Taddei, Milan: Feltrinelli, 1971, 271+52 pp. {{it}} | ||
+ | ** ''Renacimiento y renacimientos en el arte occidental'', Madrid: Alianza, 1975, 338+103 pp. {{es}} | ||
+ | ** ''La Renaissance et ses avants-courriers dans l'art d'Occident'', trans. Laure Verron, Paris: Flammarion, 1976, 250 pp. {{fr}} | ||
+ | ** ''Renessans i 'renessansy' v isskusstve zapada'', trans. A.G. Gabrichevsky, Moscow: Iskusstvo, 1998, 362 pp. {{ru}} | ||
− | * ''Tomb Sculpture'', 1964. | + | * ''Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini'', ed. H.W. Janson, New York: Harry N. Abrams, 1964, 319 pp. {{en}} |
+ | ** ''La sculpture funéraire : de l'ancienne Égypte au Bernin'', trans. Dennis Collins, Paris: Flammarion, 1995, 268 pp. {{fr}} | ||
− | * with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], 1964, 1979. | + | * with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], London: Nelson, 1964, 429 pp; Nendeln: Kraus Reprint, 1979. {{en}} |
+ | ** ''Saturno e la melanconia: studi di storia della filosofia naturale, religione, arte'', trans. Renzo Federici, Torino: Einaudi, 1983, xxv+401 pp. {{it}} | ||
+ | ** ''Saturne et la mélancolie: études historiques et philosophiques: nature, religion, médecine et art'', Paris: Gallimard, 1989, 738 pp. {{fr}} | ||
+ | ** ''Saturn und Melancholie: Studien zur Geschichte der Naturphilosophie und Medizin, der Religion und der Kunst'', trans. Christa Buschendorf, Frankfurt am Main: Suhrkamp, 1990, 640+50 pp. {{de}} | ||
+ | ** ''Saturno y la melancolía : estudios de historia de la filosofía de la naturaleza, la religión y el arte'', trans. María Luisa Balseiro, Madrid: Alianza, 1991, 427 pp. {{es}} | ||
+ | ** ''Saturn şi melancolia: studii de filosofie a naturii, religie şi artă'', trans. Miruna Tătaru-Cazaban, Bogdan Tătaru-Cazaban and Adela Văetişi, postf. Bogdan Tătaru-Cazaban, Iaşi: Polirom, 2002. {{ro}} | ||
− | * ''Problems in Titian, | + | * ''Problems in Titian, Mostly Iconographic'', New York University Press, 1969, xv+208+134 pp; London: Phaidon, 1969. The Wrightsman lectures. {{en}} |
− | * ''Three Essays on Style'', ed. Irving Lavin, 1995. | + | * ''Three Essays on Style'', ed. Irving Lavin, MIT Press, 1995, 245 pp. Review: [http://gombricharchive.files.wordpress.com/2011/04/showrev7.pdf Gombrich] (NYRB 1997). {{en}} |
===Selected articles=== | ===Selected articles=== | ||
Line 62: | Line 109: | ||
===Bibliography=== | ===Bibliography=== | ||
− | * [http://www.uniurb.it/Filosofia/bibliografie/PANOFSKY/Bibliografia.htm | + | * [http://www.uniurb.it/Filosofia/bibliografie/PANOFSKY/Bibliografia.htm Compiled by Alessia Tacchi] |
==Literature== | ==Literature== | ||
− | * Michael Ann Holly, ''Panofsky and the Foundations of Art History'' | + | * Michael Ann Holly, ''Panofsky and the Foundations of Art History'', Cornell University Press, 1985. {{en}} |
− | * Sylvia Ferretti, ''Cassirer, Panofsky, Warburg: Symbol, Art, and History'' | + | * Sylvia Ferretti, ''Cassirer, Panofsky, Warburg: Symbol, Art, and History'', Yale University Press, 1989. {{en}} |
==Links== | ==Links== | ||
− | * [http:// | + | * [http://www.dictionaryofarthistorians.org/panofskye.htm Panofsky at Dictionary of Art Historians] |
− | * [http:// | + | * [http://web.archive.org/web/20141111033232/http://kirjasto.sci.fi/panof.htm A biography of Panofsky by Petri Liukkonen] |
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{{DEFAULTSORT:Panofsky, Erwin}} | {{DEFAULTSORT:Panofsky, Erwin}} | ||
[[Category: Writers|Panofsky, Erwin]] | [[Category: Writers|Panofsky, Erwin]] |
Revision as of 22:06, 4 September 2015
Born |
March 30, 1892 Hanover, Germany |
---|---|
Died |
March 14, 1968 Princeton, New Jersey, USA | (aged 75)
Web | Wikipedia, Wikipedia-DE |
Erwin Panofsky was a German art historian.
Works
(in German and English unles noted)
Books
- Die theoretische Kuntlehre Albrecht Durers, Berlin, 1914. PhD dissertation. (German)
- Idea: ein beitrag zur begriffsgeschichte der älteren kunsttheorie, Leipzig/Berlin: Teubner, 1924; 2nd ed., rev., Berlin: Hessling, 1960. (German)
- Idea: contributo alla storia dell'estetica, trans. Edmondo Cione, Firenze: La Nuova Italia, 1952, xxii+204 pp. (Italian)
- Idea: A Concept in Art Theory, trans. Joseph J.S. Peake, University of South Carolina Press, 1968, xiii+268 pp; New York: Harper & Row, 1968. (English)
- Idea: contribuição à história do conceito da antiga teoria da arte; a evolução do conceito de belo, trans. Paulo Neves, São Paulo: Martins Fontes, 1994, 259 pp. (Brazilian Portuguese)
- Idea: Prilog povijesti pojma starije teorije umjetnosti, trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002. (Croatian)
- "Die Perspektive als 'symbolische Form'", in Vorträge der Bibliothek Warburg 1924-1925, Leipzig/Berlin: Teubner, 1927, pp 258-330; repr. in Panofsky, Aufsätze zu Grundfragen der Kunstwissenschaft, eds. Hariolf Oberer and Egon Verheyen, 1974; Berlin 1992, pp 99-167. (German)
- La prospettiva come forma simbolica: e altri scritti, ed. Guido D. Neri, comm. Maria Dalai, Milan: Feltrinelli, 1961, 237 pp; 2nd ed., 1973; 3rd ed., 1976; 4th ed., 1979; 1982; 1983; 1991; 10th ed., 1994; 12th ed., 1997; 13th ed., 1999; 2007; 2013. (Italian)
- La perspectiva como forma simbolica, trans. Virginia Careaga, Barcelona: Tusquets, 1973, 123 pp; 2nd ed., 1978; 3rd ed., 1980; 4th ed., 1983; 5th ed., 1985; 6th ed., 1990; 7th ed., 1995; 1999; 2003; 2008; 2010. (Spanish)
- La perspective comme forme symbolique et autres essais. Précédés de la question perspective, trans. Guy Ballangé and Marisa Dalai Emiliani, Paris: Minuit, 1975, 273 pp; 1981; 1987; 1991; 2002. (French)
- Perspective as Symbolic Form, trans. Christopher S. Wood, New York: Zone Books, 1991, 196 pp, PDF; 1997; 2002; 2005; 2009. Review: Gombrich (NYRB 1997). (English)
- A perspectiva como forma simbólica, trans. Elisabete Nunes, Lisbon: Edições 70, 1993, 139 pp. (Portuguese)
- Perspektivet som symbolisk form, trans. Sölve Olsson, Stockholm: B. Östlings bokförl. Symposion, 1994, 160 pp. (Swedish)
- Perspektywa jako "forma symboliczna", trans. & intro. Grażyna Jurkowlaniec, Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2008, 205 pp. (Polish)
- Studies in Iconology: Humanistic Themes in the Art of the Renaissance, Oxford University Press, 1939; new ed., New York: Harper and Row, 1962; rev.ed., New York: Harper & Row, 1972, xliii+262 pp. The Mary Flexner Lectures, 1937. (English)
- Essais d'iconologie, thèmes humanistes dans l'art de la Renaissance, trans. Claude Herbette and Bernard Teyssèdre, intro. & annot. Bernard Teyssèdre, Paris: Gallimard, 1967, 396 pp. (French)
- Iconologie: thema's en symboliek bij de renaissanceschilders, trans. Casper de Jong, Utrecht: Het Spectrum, 1970, 316+96 pp. (Dutch)
- Estudios sobre iconología, intro. Enrique Lafuente Ferrari, trans. Bernardo Fernández, Madrid: Alianza, 1971, xl+350 pp. (Spanish)
- Studi di iconologia: i temi umanistici nell'arte del Rinascimento, intro. Giovanni Previtali, trans. Renato Pedio, Torino: Einaudi, 1975, xxxii+387 pp. (Italian)
- Ikonološke studije: humanističke teme u renesansnoj umetnosti, trans. Svetozar M Ignačević, Belgrade: Nolit, 1975, 284 pp. (Serbian)
- Studien zur Ikonologie: humanistische Themen in der Kunst der Renaissance, Cologne: DuMont, 1980, 356 pp. (German)
- Estudos de iconologia: temas na arte do renascimento, trans. Olinda Braga de Sousa, Lisbon: Estampa, 1986, 237 pp. (Portuguese)
- Meletes eikonologias: oumanistika themata stēn Technē tēs Anagennēsēs, trans. Andreas Pappas, Athens: Nephelē, 1991, 427 pp. (Greek)
- Ikonorojī kenkyū: Runesansu bijutsu ni okeru jimbun shugi no sho-tēma, trans. Tōru Asano, Tokyo: Bijutsu Shuppansha, 1993, xxii+374 pp. (Japanese)
- Tosang haesŏkhak yŏn'gu: Rŭnesangsŭ misul esŏ ŭi Inmunjuŭijŏk chujedŭl, trans. Yi Han-sun, Seoul: Sigongsa, 2002, 535 pp. (Korean)
- Albrecht Dürer, 2 vols., Princeton University Press, 1943; 2nd ed., rev., 1945; 3rd ed., 1948; 4th ed. as The Life and Art of Albrecht Dürer, 1955, xxxii+317+148 pp. (English)
- Gothic Architecture and Scholasticism, Latrobe: Archabbley Press, 1951, xviii+108 pp. Wimmer lecture, 1948. (English)
- Architecture gothique et pensée scolastique. Précédé de L'abbé Suger de Saint-Denis, trans. & postf. Pierre Bourdieu, Paris: Minuit, 1967, 217+38 pp. (French)
- Architettura gotica e filosofia scolastica, trans. & intro. Francesco Starace, Naples: Liguori, 1986, 103 pp. (Italian)
- Arquitectura gótica y escolástica, trans. Enrique Revol, Buenos Aires: Infinito, 1959, 132 pp. (Spanish)
- Arquitectura Gotica y Pensamiento Escolastico, intro. Francisco Calvo Serraller, trans. Julia Varela and Fernando Alvarez-Uría, Madrid: La Piqueta, 1986, 140 pp. (Spanish)
- Gotische Architektur und Scholastik: zur Analogie von Kunst, Philosophie und Theologie im Mittelalter, ed. & afterw. Thomas Frangenberg, trans. Helga Willinghöfer, Cologne: DuMont, 1989, 136+48 pp. (German)
- Arquitetura gótica e escolástica: sobre a analogia entre arte, filosofia e teologia na Idade Média, ed. & postf. Thomas Frangenberg, trans. Wolf Hörnke, São Paulo: Martins Fontes, 1991, 132 pp. (Brazilian Portuguese)
- Arhitectură gotică și gândire scolastică, trans. Marina Zavaca, Bucharest: Anastasia, 1999. (Romanian)
- Goticheskata arkhitektura i skholasikata, trans. Todor Todorov, Sofia: Agata-A, 2002, 263 pp. (Bulgarian)
- Early Netherlandish Painting: Its Origins and Character, 2 vols., Harvard University Press, 1953. Charles Eliot Norton lectures, 1947-1948. (English)
- Los primitivos flamencos, trans. Carmen Martínez Gimeno, Madrid: Cátedra, 1998, 593 pp. (Spanish)
- Galileo as a Critic of the Arts, The Hague: Martinus Nijhoff, 1954, 41 pp; 2nd ed., Springer, 1956. (English)
- Galileo critico delle arti, trans. Maria Cecilia Mazzi, Venezia: Cluva, 1985, 114 pp. (Italian)
- Galilée, critique d'art, trans. & pref. Nathalie Heinich, Paris: Impressions nouvelles, 1992, 117 pp. With Attitude esthétique et pensée scientifique by Alexandre Koyré. (French)
- Galileo Galilei und die Bildkünste, intro. Horst Bredekamp, trans. Heinz Jatho, Zürich: Diaphanes, 2012, 116 pp. (German)
- Meaning in the Visual Arts: Papers in and on Art History, Garden City, NY: Doubleday, 1955, xviii+384+64 pp. (English)
- L'oeuvre d'art et ses significations : essai sur les "arts visuels", trans. Bernard Teyssèdre and Marthe Teyssèdre, Paris: Gallimard, 1969, 327 pp. (French)
- El significado en las artes visuales, Buenos Aires: Infinito, 1970, 301+72 pp. (Spanish)
- Artă şi semnificaţie, Ștefan Stoenescu, Bucharest: Meridiane, 1980, 441+72 pp. (Romanian)
- Význam ve výtvarném umění, trans. Lubomír Konečný, Prague: Odeon, 1981, 371 pp; 2nd ed., Prague: Academia, 2013, 399+44 pp. (Czech)
- A jelentés a vizuális művészetekben: tanulmányok, trans. Beke László, Budapest: Gondolat, 1984, 410 pp. (Hungarian)
- Shi jue yi shu de han yi [视觉艺朮的含义], Shenyang Shi: Liaoning ren min chu ban she, 1987, 403+53 pp. (Chinese)
- Significado das artes visuais, São Paulo: Perspectiva, 2009. (Brazilian Portuguese)
- with Dora Panofsky, Pandora's Box: the Changing Aspects of a Mythical Symbol, 1956. (English)
- Renaissance and Renascences in Western Art, Westview Press, 1960. (English)
- Rinascimento e rinascenze nell' arte occidentale, ed. Gregor Paulsson, trans. Maurizio Taddei, Milan: Feltrinelli, 1971, 271+52 pp. (Italian)
- Renacimiento y renacimientos en el arte occidental, Madrid: Alianza, 1975, 338+103 pp. (Spanish)
- La Renaissance et ses avants-courriers dans l'art d'Occident, trans. Laure Verron, Paris: Flammarion, 1976, 250 pp. (French)
- Renessans i 'renessansy' v isskusstve zapada, trans. A.G. Gabrichevsky, Moscow: Iskusstvo, 1998, 362 pp. (Russian)
- Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini, ed. H.W. Janson, New York: Harry N. Abrams, 1964, 319 pp. (English)
- La sculpture funéraire : de l'ancienne Égypte au Bernin, trans. Dennis Collins, Paris: Flammarion, 1995, 268 pp. (French)
- with Raymond Klibansky and Fritz Saxl, Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art, London: Nelson, 1964, 429 pp; Nendeln: Kraus Reprint, 1979. (English)
- Saturno e la melanconia: studi di storia della filosofia naturale, religione, arte, trans. Renzo Federici, Torino: Einaudi, 1983, xxv+401 pp. (Italian)
- Saturne et la mélancolie: études historiques et philosophiques: nature, religion, médecine et art, Paris: Gallimard, 1989, 738 pp. (French)
- Saturn und Melancholie: Studien zur Geschichte der Naturphilosophie und Medizin, der Religion und der Kunst, trans. Christa Buschendorf, Frankfurt am Main: Suhrkamp, 1990, 640+50 pp. (German)
- Saturno y la melancolía : estudios de historia de la filosofía de la naturaleza, la religión y el arte, trans. María Luisa Balseiro, Madrid: Alianza, 1991, 427 pp. (Spanish)
- Saturn şi melancolia: studii de filosofie a naturii, religie şi artă, trans. Miruna Tătaru-Cazaban, Bogdan Tătaru-Cazaban and Adela Văetişi, postf. Bogdan Tătaru-Cazaban, Iaşi: Polirom, 2002. (Romanian)
- Problems in Titian, Mostly Iconographic, New York University Press, 1969, xv+208+134 pp; London: Phaidon, 1969. The Wrightsman lectures. (English)
- Three Essays on Style, ed. Irving Lavin, MIT Press, 1995, 245 pp. Review: Gombrich (NYRB 1997). (English)
Selected articles
- "Der Begriff des Kunstwollens", 1920; repr. in Aufsaetze zu Grundfragen der Kunstwissenschaft, Berlin, 1964. (German)
- "The Concept of Artistic Volition", trans. Kenneth J. Northcott and Joel Snyder, Critical Inquiry 8:1 (Autumn 1981), pp 17-33. [1]
- with Fritz Saxl, "Classical Mythology in Mediaeval Art", Metropolitan Museum Studies 4:2 (Mar 1933), pp 228-280.
- "Style and Medium in the Motion Pictures" [1934], in Film: An Anthology, ed. Daniel Talbot, University of California Press, 1966, pp 15-32.
- "Jan van Eyck's Arnolfini portrait", The Burlington Magazine for Connoisseurs, 1934.
- "The Friedsam Annunciation and the Problem of the Ghent Altarpiece", The Art Bulletin, 1935.
- "The Early History of Man in a Cycle of Paintings by Piero di Cosimo", Journal of the Warburg Institute, 1937.
- "Galileo as a Critic of the Arts: Aesthetic Attitude and Scientific Thought", Isis 47:1 (Mar 1956), pp. 3-15.
- with Ernest C. Hassold, "Wilhelm Voge: A Biographical Memoir", Art Journal 28 (1968).
- "Erasmus and the Visual Arts", in: Journal of the Warburg and Courtauld Institutes 32 (1969), pp 200-227.
- "Reflections on Historical Time", Critical Inquiry 30:4 (Summer 2004), pp 691-701.
- "On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art", trans. Katharina Lorenz and Jas’ Elsner, Critical Inquiry 35:1 (Autumn 2008), pp 43-71.
- "On the Problem of Describing and Interpreting Works of the Visual Arts", trans. Katharina Lorenz and Jas’ Elsner, Critical Inquiry 38:3 (Spring 2012), pp 467-482.
Bibliography
Literature
- Michael Ann Holly, Panofsky and the Foundations of Art History, Cornell University Press, 1985. (English)
- Sylvia Ferretti, Cassirer, Panofsky, Warburg: Symbol, Art, and History, Yale University Press, 1989. (English)