Difference between revisions of "Michael Fried"
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'''Michael M. Fried''' (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore. | '''Michael M. Fried''' (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore. | ||
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==Books== | ==Books== | ||
* ''Powers'' (poems), The Review, 1973. | * ''Powers'' (poems), The Review, 1973. | ||
− | * ''Absorption and Theatricality: Painting and Beholder in the Age of Diderot'', | + | * ''Absorption and Theatricality: Painting and Beholder in the Age of Diderot'', University of California Press, 1980. |
− | * ''Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane'', | + | * ''Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane'', University of Chicago Press, 1987. |
− | * ''Courbet's Realism'', | + | * ''Courbet's Realism'', University of Chicago Press, 1990. |
* ''To the Center of the Earth'', Noonday Press, 1994. | * ''To the Center of the Earth'', Noonday Press, 1994. | ||
− | * ''Manet's Modernism'' | + | * ''Manet's Modernism'' University of Chicago Press, 1996. |
− | * [ | + | * [http://monoskop.org/log/?p=5048 ''Art and Objecthood: Essays and Reviews''], University of Chicago Press, 1998. |
− | * ''Menzel's Realism: Art and Embodiment in Nineteenth-Century'', | + | * ''Menzel's Realism: Art and Embodiment in Nineteenth-Century'', Yale University Press, 2002. |
− | * ''Why Photography Matters as Art as Never Before'', | + | * ''Why Photography Matters as Art as Never Before'', Yale University Press, 2008. |
* ''The Moment of Caravaggio'', Princeton University Press, 2010. | * ''The Moment of Caravaggio'', Princeton University Press, 2010. | ||
==Links== | ==Links== | ||
− | * [http://humctr.jhu.edu/bios/michael-fried/ Faculty | + | * [http://humctr.jhu.edu/bios/michael-fried/ Faculty page] |
* [http://en.wikipedia.org/wiki/Michael_Fried Fried at Wikipedia] | * [http://en.wikipedia.org/wiki/Michael_Fried Fried at Wikipedia] | ||
{{DEFAULTSORT:Fried, Michael}} | {{DEFAULTSORT:Fried, Michael}} |
Revision as of 19:08, 24 February 2016
Michael M. Fried (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore.
Books
- Powers (poems), The Review, 1973.
- Absorption and Theatricality: Painting and Beholder in the Age of Diderot, University of California Press, 1980.
- Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane, University of Chicago Press, 1987.
- Courbet's Realism, University of Chicago Press, 1990.
- To the Center of the Earth, Noonday Press, 1994.
- Manet's Modernism University of Chicago Press, 1996.
- Art and Objecthood: Essays and Reviews, University of Chicago Press, 1998.
- Menzel's Realism: Art and Embodiment in Nineteenth-Century, Yale University Press, 2002.
- Why Photography Matters as Art as Never Before, Yale University Press, 2008.
- The Moment of Caravaggio, Princeton University Press, 2010.
Links