Difference between revisions of "Alexander Dovzhenko"
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* http://rayuzwyshyn.net/dovzhenko/Introduction.htm | * http://rayuzwyshyn.net/dovzhenko/Introduction.htm | ||
| − | * Lilya Kaganovsky, "Multilingualism and Heteroglossia in Aleksandr Dovzhenko’s ''Ivan'' and ''Aerograd''", ch 4 in Kaganovsky, ''[http://library.memoryoftheworld.org/ | + | * Lilya Kaganovsky, "Multilingualism and Heteroglossia in Aleksandr Dovzhenko’s ''Ivan'' and ''Aerograd''", ch 4 in Kaganovsky, ''[http://library.memoryoftheworld.org/#/book/f98dc3fb-f33d-43b3-bb1f-19cd17a93ad0 The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935]'', Indiana University Press, 2018, pp 138-177. {{en}} |
Latest revision as of 17:47, 9 August 2019
- http://rayuzwyshyn.net/dovzhenko/Introduction.htm
- Lilya Kaganovsky, "Multilingualism and Heteroglossia in Aleksandr Dovzhenko’s Ivan and Aerograd", ch 4 in Kaganovsky, The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Indiana University Press, 2018, pp 138-177. (English)
