Difference between revisions of "Benjamin H. D. Buchloh"
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* ''Thomas Hirschhorn'', 2004. | * ''Thomas Hirschhorn'', 2004. | ||
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+ | * ''Formalism and Historicity: Models and Methods in Twentieth-Century Art'', MIT Press (October Books), 2015, 592 pp. [https://mitpress.mit.edu/books/formalism-and-historicity] | ||
; Bibliography | ; Bibliography |
Revision as of 08:49, 21 May 2020
Benjamin Heinz-Dieter Buchloh (1941) is a German art historian. He is currently the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.
Works
- with Kynaston McShine and Robert Rosenblum, Andy Warhol: A Retrospective, 1990.
- with Lynne Cooke, James Coleman: Projected Images 1972-1994, 1995.
- Neo-Avantgarde and Culture Industry, 2000. Essays.
- with Karner Dietrich, Allan Sekula: Performance Under Working Conditions, 2003. [1]
- with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; 3rd ed., upd. & exp., 2016, 896 pp. [2] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Bryson (2005), Karmel (2005), Sá (2005 PT), Richard (LRB 2006), Dahlberg (2006).
- Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
- Arte dal 1900: modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. (Italian)
- Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. (Czech)
- 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. (Korean)
- Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [3] (Russian)
- Thomas Hirschhorn, 2004.
- Formalism and Historicity: Models and Methods in Twentieth-Century Art, MIT Press (October Books), 2015, 592 pp. [4]
- Bibliography