Gerald Raunig

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Gerald Raunig (1963, Klagenfurt am Wörthersee) is a philosopher and art theoretician. He works at the Zürcher Hochschule der Künste and at the eipcp (European Institute for Progressive Cultural Policies). He is a member of the editorial boards of the multilingual publishing platform transversal texts and the journal Kamion. He co-ordinated the transnational research projects republicart, transform and Creating Worlds, and was a member of the editorial board of the Austrian journal for radical democratic cultural politics, Kulturrisse. Lives in Vienna.

Works

  • Charon. Eine Ästhetik der Grenzüberschreitung, Vienna: Passagen, 1999. (German)
  • Wien Feber Null. Eine Ästhetik des Widerstands, Vienna: Turia+Kant, 2000, 127 pp. [1] (German)
  • editor, Kunst und Globalisierungskritik, Vienna: Turia+Kant, 2003, 215 pp. [2] [3] (German)
  • editor, Bildräume und Raumbilder. Repräsentationskritik in Film und Aktivismus, Vienna: Turia+Kant, 2004, 188 pp. [4] [5] (German)
  • editor, with Ulf Wuggenig, Publicum. Theorien der Öffentlichkeit, Vienna: Turia+Kant, 2005, 127 pp. [6] [7] (German)
  • editor, with Ulf Wuggenig, Kritik der Kreativität, Turia+Kant: Vienna, 2007, 251 pp. [10] [11] (German)
  • editor, with Isabell Lorey and Roberto Nigro, Inventionen 1. Gemeinsam. Prekär. Potentia. Kon-/Disjunktion. Ereignis. Transversalität. Queere Assemblagen, Zürich: diaphanes, 2011, 280 pp. [15] (German)
  • Fabriken des Wissens. Streifen und Glätten 1, Zürich: diaphanes, 2012, 96 pp. [16] [17] (German)
    • Fabbriche del sapere, industrie della creatività, Verona: Ombre corte, 2012. [18] (Italian)
    • Factories of Knowledge, Industries of Creativity, trans. Aileen Derieg, afterw. Antonio Negri, New York/Los Angeles: Semiotext(e), 2013, 168 pp. [19] (English)
  • Industrien der Kreativität. Streifen und Glätten 2, Zürich: diaphanes, 2012, 96 pp. [20] [21] (German)
  • editor, with Isabell Lorey and Roberto Nigro, Inventionen 2. Exodus. Reale Demokratie. Immanenz. Territorium. Maßlose Differenz. Biopolitik, Zürich: diaphanes, 2012, 224 pp. [22] (German)

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