Difference between revisions of "Anne Laforet"

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Anne Laforet is a researcher, teacher and critic. She has a PhD in Information Science, and her PhD thesis about net.art preservation was published in 2011: “Le net art au musée. Stratégies de conservation des œuvres en ligne” (éditions Questions théoriques). Since 2011, she has been teaching at the Haute École des Arts du Rhin (HEAR) in Strasbourg. From 2010 to 2012, she was involved in the European project for the preservation of Digital Art at Espace Multimédia.
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'''Anne Laforet''' is a researcher, teacher, artist and critic. She has a PhD in information science on the preservation of [[net art]]. Her research fields include digital art preservation and documentation, anarchronism, articulations between digital and analog, internet, free software and collaborative artistic practices. Some of her last projects include curating the ''Anarchronism'' show in Brussels (iMAL, 2015) and Bourogne (Espace multimédia Gantner, 2016) and making IRC bots with Gijs de Heij, [[An Mertens]], [[Michael Murtaugh]] and Antonio Roberts (Botopera/Death of the authors produced by Constant, Brussels, 2015). [https://www.radical-openness.org/en/vortragende/anne-laforet (2016)]
  
* http://sakasama.net/
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; Links
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* [http://sakasama.net/ Website]
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* [[Mastodon::https://post.lurk.org/@sakasama]] [[Base:Mastodon|(Mastodon)]]
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{{DEFAULTSORT:Laforet, Anne}}

Latest revision as of 23:58, 2 March 2023

Anne Laforet is a researcher, teacher, artist and critic. She has a PhD in information science on the preservation of net art. Her research fields include digital art preservation and documentation, anarchronism, articulations between digital and analog, internet, free software and collaborative artistic practices. Some of her last projects include curating the Anarchronism show in Brussels (iMAL, 2015) and Bourogne (Espace multimédia Gantner, 2016) and making IRC bots with Gijs de Heij, An Mertens, Michael Murtaugh and Antonio Roberts (Botopera/Death of the authors produced by Constant, Brussels, 2015). (2016)

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