Difference between revisions of "Benjamin H. D. Buchloh"

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* with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, ''[http://libgen.rs/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899 Publisher]. Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (Artforum), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (Guardian), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (NY Times), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (Frieze), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel], [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (Leonardo).
 
* with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, ''[http://libgen.rs/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899 Publisher]. Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (Artforum), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (Guardian), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (NY Times), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (Frieze), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel], [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (Leonardo).
 
** ''[http://libgen.rs/book/index.php?md5=59226B50F14511803BC7F9EE61BC089B Arte desde 1900: modernidad, antimodernidad, posmodernidad]'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
 
** ''[http://libgen.rs/book/index.php?md5=59226B50F14511803BC7F9EE61BC089B Arte desde 1900: modernidad, antimodernidad, posmodernidad]'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
** ''[http://libgen.rs/book/index.php?md5=D0D70C82103DF69D42B9BE7CD2506779 Arte dal 1900: modernismo, antimodernismo, postmodernismo]'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}
+
** ''[http://libgen.rs/book/index.php?md5=D0D70C82103DF69D42B9BE7CD2506779 Arte dal 1900: modernismo, antimodernismo, postmodernismo]'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp; 3rd ed., 2017, 895 pp. {{it}}
** ''Umění po roce 1900: modernismus, antimodernismus, postmodernismus'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. {{cz}}
+
** ''[[Media:Foster_Hal et al Umení_po_roce_1900 2007.pdf|Umění po roce 1900: modernismus, antimodernismus, postmodernismus]]'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp; 2nd ed., exp., Prague: Slovart, 2015, 816 pp. {{cz}}
** 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. {{ko}}
+
** 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp; 2nd ed., 2012, 815 pp; 3rd ed., Seoul: 사이언스북스, 2016, 895 pp. {{ko}}
** ''[http://libgen.rs/book/index.php?md5=3409D38FC8F913718032DBD4D2568F91 Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm]'' [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [http://admarginem.ru/books/7717/] {{ru}}
+
** ''[http://libgen.rs/book/index.php?md5=3409D38FC8F913718032DBD4D2568F91 Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm]'' [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem (Ад Маргинем), 2015, 816 pp. [http://admarginem.ru/books/7717/ Publisher]. {{ru}}
 
** ''Zukan senkyuhyakunen igo no geijutsu'' [図鑑1900年以後の芸術], Tokyo: Tōkyōshoseki (東京書籍), 2019, 895 pp. {{jp}}
 
** ''Zukan senkyuhyakunen igo no geijutsu'' [図鑑1900年以後の芸術], Tokyo: Tōkyōshoseki (東京書籍), 2019, 895 pp. {{jp}}
 +
** ''Sztuka po 1900 roku: modernizm, antymodernizm, postmodernizm'', trans. Małgorzata Szubert, Dorota Skalska-Stefańska, and Anna Cichowicz, Warsaw: Arkady, 2023, 896 pp. [https://arkady.eu/ksiazki/historia-sztuki/sztuka-po-1900-roku-modernizm-antymodernizm-postmodernizm/ Publisher]. {{pl}}
  
 
* ''[[Media:Buchloh Benjamin Formalismo e historicidad modelos y metodos en el arte del siglo XX 2004.pdf|Formalismo e historicidad: modelos y métodos en el arte del siglo XX]]'', trans. César Rendueles and Carolina del Olmo, Madrid: Akal, 2004, 248 pp, [https://aaaaarg.fail/thing/5b56a00f9ff37c0fef622bcb ARG]. Selected essays. [https://www.akal.com/libro/formalismo-e-historicidad_32268/ Publisher]. [https://www.museoreinasofia.es/sites/default/files/publicaciones/textos-en-descarga/3BB_es.pdf] {{es}}
 
* ''[[Media:Buchloh Benjamin Formalismo e historicidad modelos y metodos en el arte del siglo XX 2004.pdf|Formalismo e historicidad: modelos y métodos en el arte del siglo XX]]'', trans. César Rendueles and Carolina del Olmo, Madrid: Akal, 2004, 248 pp, [https://aaaaarg.fail/thing/5b56a00f9ff37c0fef622bcb ARG]. Selected essays. [https://www.akal.com/libro/formalismo-e-historicidad_32268/ Publisher]. [https://www.museoreinasofia.es/sites/default/files/publicaciones/textos-en-descarga/3BB_es.pdf] {{es}}

Revision as of 13:29, 9 August 2023

Benjamin Heinz-Dieter Buchloh (15 November 1941, Cologne) is an art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.

Works

Books
  • with Kynaston McShine and Robert Rosenblum, Andy Warhol: A Retrospective, 1990.
  • with Lynne Cooke, James Coleman: Projected Images 1972-1994, 1995.
  • with Judith F. Rodenbeck, Experiments in the Everyday: Allan Kaprow and Robert Watts. Events, Objects, Documents, New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999, xv+155 pp, IA.
  • with Karner Dietrich, Allan Sekula: Performance Under Working Conditions, 2003. [1]
  • Thomas Hirschhorn, 2004.
  • editor, Gerhard Richter, MIT Press (October Books), 2009, 200 pp. Publisher.
  • Gerhard Richter: Painting After the Subject of History, MIT Press (October Books), 2022, 696 pp. Publisher. Reviews: Siegel (Artforum), Spaulding (Art in America), Sigler (Eur Legacy).
Articles (selection)
  • "De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in L'art conceptuel, une perspective, Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, Essais historiques II, Lyon: Art édition, 1992, pp 155-212. (French)
Bibliography

Links