Difference between revisions of "Branislav Dimitrijević"

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Born 1967 in Belgrade. Following his studies of art history in Belgrade and Kent he began to work as an art journalist and curator. In 1997 he received the Lazar Trifunović Prize for art criticism and two years later the Dušan Stojanović Prize for film theory. In cooperation with Branislava Andjelković he was the curator of the exhibitions "Map Room” (1995) and "Murder 1” (1997); in 2001 he mounted the exhibition project "Konverzacija" in the Museum for Contemporary Art in Belgrade and in 2003 the Serbian entry at the Biennale in Venice. Dimitrijević is a founding member – and until 2003 the director – of the University for the History and Theory of the Language of Pictures at the Center for Contemporary Art in Belgrade. At present he is the director at the Zentrum für Visuelle Kultur am Museum für zeitgenössische Kunst (Center for Visual Culture in the Museum for Contemporary Art) in Belgrade. At the same time he teaches at the School for Art and Design in Belgrade. His research includes the theory of the visual as well as the concept of art. In addition, he has demonstrated his interest, in numerous publications, in the relation between culture and ideology in the former Yugoslavia. Lives in [[Belgrade]].
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'''Branislav Dimitrijević''' (1967, Belgrade) is Professor of History and Theory of Art at the School for Art and Design and Nova Academia in Belgrade. He also teaches at the Curatorial Practice course at the Belgrade University of Arts (Erasmus Programme). Main field of his historical research is visual art, popular culture and film in socialist Yugoslavia. As a curator he explores “site-specificity” and “physical narrativity” in contemporary art and politics of display. His curatorial projects include: ''Murder1'' (CZKD, Belgrade, 1997), ''Konverzacija'' (MOCAB, 2001), ''Situated Self: Confused, Compassionate, Conflictual'' (Helsinki City Museum; MOCAB, 2005), ''Breaking Step – Displacement, Compassion and Humour in recent art from Britain'' (MOCAB, 2007), ''FAQ Serbia'' (ACF, New York, 2010), ''No Network'' (D0 Nuclear bunker, Konjic, Bosnia, 2011), etc.
  
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He has written and edited numerous books and catalogues including ''On Normality: Art in Serbia 1989-2001'' (MOCA Belgrade, 2005), ''Good Life: Physical Narratives and Spatial Imagination'' (Belgrade Cultural Centre, 2012) and ''Goran Djordjević - Against Art'' (MOCA Belgrade, 2014). Since 2014 he regularly writes on political and cultural issues for [http://pescanik.net/author/branislav-dimitrijevic/ “Peščanik” web portal]. Dimitrijević holds an MA degree in History and Theory of Art from the University of Kent (UK), and has received his PhD in Interdisciplinary Cultural Studies from the University of Arts in Belgrade for the thesis on the emergence of consumer culture in the socialist Yugoslavia. [http://www.stacion.org/en/Against-Art-Goran-Djordjevic-1979-1985 (2015)]
  
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http://branislavdimitrijevic.blogspot.com/
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; Links
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* http://branislavdimitrijevic.blogspot.com/
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* https://independent.academia.edu/BranislavDimitrijevic

Revision as of 09:31, 9 July 2019

Branislav Dimitrijević (1967, Belgrade) is Professor of History and Theory of Art at the School for Art and Design and Nova Academia in Belgrade. He also teaches at the Curatorial Practice course at the Belgrade University of Arts (Erasmus Programme). Main field of his historical research is visual art, popular culture and film in socialist Yugoslavia. As a curator he explores “site-specificity” and “physical narrativity” in contemporary art and politics of display. His curatorial projects include: Murder1 (CZKD, Belgrade, 1997), Konverzacija (MOCAB, 2001), Situated Self: Confused, Compassionate, Conflictual (Helsinki City Museum; MOCAB, 2005), Breaking Step – Displacement, Compassion and Humour in recent art from Britain (MOCAB, 2007), FAQ Serbia (ACF, New York, 2010), No Network (D0 Nuclear bunker, Konjic, Bosnia, 2011), etc.

He has written and edited numerous books and catalogues including On Normality: Art in Serbia 1989-2001 (MOCA Belgrade, 2005), Good Life: Physical Narratives and Spatial Imagination (Belgrade Cultural Centre, 2012) and Goran Djordjević - Against Art (MOCA Belgrade, 2014). Since 2014 he regularly writes on political and cultural issues for “Peščanik” web portal. Dimitrijević holds an MA degree in History and Theory of Art from the University of Kent (UK), and has received his PhD in Interdisciplinary Cultural Studies from the University of Arts in Belgrade for the thesis on the emergence of consumer culture in the socialist Yugoslavia. (2015)

Links
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