Difference between revisions of "Christiane Voss"
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'''Christiane Voss''' has been Professor of Audiovisual Media and Media Philosophy at Bauhaus-Universität Weimar since 2010. Having studied philosophy and linguistics at Bergische Universität Wuppertal, Freie Universität Berlin and Universität Wien, Voss received her Ph.D. in 2003 with a dissertation thesis on philosophical theories of emotions. From 2003 to 2009, she was a Lecturer and Assistant Researcher at the seminar for film studies at Freie Universität Berlin where she participated in a research group formed by Gertrud Koch (“Zur Bedeutung der medienspezifischen Illusionsbildung”). In 2009, Voss held a visiting position as Professor of Media Philosophy at the Faculty of Media in Weimar. She finished her habilitation on the aesthetics of the illusion at Goethe-Universität Frankfurt in 2010 (published as ''Der Leihkörper. Erkenntnis und Ästhetik der Illusion''). | '''Christiane Voss''' has been Professor of Audiovisual Media and Media Philosophy at Bauhaus-Universität Weimar since 2010. Having studied philosophy and linguistics at Bergische Universität Wuppertal, Freie Universität Berlin and Universität Wien, Voss received her Ph.D. in 2003 with a dissertation thesis on philosophical theories of emotions. From 2003 to 2009, she was a Lecturer and Assistant Researcher at the seminar for film studies at Freie Universität Berlin where she participated in a research group formed by Gertrud Koch (“Zur Bedeutung der medienspezifischen Illusionsbildung”). In 2009, Voss held a visiting position as Professor of Media Philosophy at the Faculty of Media in Weimar. She finished her habilitation on the aesthetics of the illusion at Goethe-Universität Frankfurt in 2010 (published as ''Der Leihkörper. Erkenntnis und Ästhetik der Illusion''). | ||
| − | She also works as documentary filmmaker (''Ich dich auch'', 2005 and ''Endlich'', 2011), and co-wrote Tom Tykwer’s debut film ''Die tödliche Maria'' (1993) and served as script consultant for ''Lola rennt'' (1998). | + | She also works as documentary filmmaker (''Ich dich auch'', 2005 and ''Endlich'', 2011), and she co-wrote Tom Tykwer’s debut film ''Die tödliche Maria'' (1993) and served as script consultant for ''Lola rennt'' (1998). |
; Links | ; Links | ||
* [http://www.uni-weimar.de/de/universitaet/struktur/gremien/universitaetsrat/biographien/prof-dr-christiane-voss/ Profile at U Weimar] | * [http://www.uni-weimar.de/de/universitaet/struktur/gremien/universitaetsrat/biographien/prof-dr-christiane-voss/ Profile at U Weimar] | ||
* [http://ikkm-weimar.de/en/fellows/former-fellows/christiane-voss/ Profile at IKKM Weimar] | * [http://ikkm-weimar.de/en/fellows/former-fellows/christiane-voss/ Profile at IKKM Weimar] | ||
Latest revision as of 17:40, 11 June 2015
Christiane Voss has been Professor of Audiovisual Media and Media Philosophy at Bauhaus-Universität Weimar since 2010. Having studied philosophy and linguistics at Bergische Universität Wuppertal, Freie Universität Berlin and Universität Wien, Voss received her Ph.D. in 2003 with a dissertation thesis on philosophical theories of emotions. From 2003 to 2009, she was a Lecturer and Assistant Researcher at the seminar for film studies at Freie Universität Berlin where she participated in a research group formed by Gertrud Koch (“Zur Bedeutung der medienspezifischen Illusionsbildung”). In 2009, Voss held a visiting position as Professor of Media Philosophy at the Faculty of Media in Weimar. She finished her habilitation on the aesthetics of the illusion at Goethe-Universität Frankfurt in 2010 (published as Der Leihkörper. Erkenntnis und Ästhetik der Illusion).
She also works as documentary filmmaker (Ich dich auch, 2005 and Endlich, 2011), and she co-wrote Tom Tykwer’s debut film Die tödliche Maria (1993) and served as script consultant for Lola rennt (1998).
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