Difference between revisions of "Daniela Cascella"

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Daniela Cascella is a writer based in [[London]]. Her research is focused on listening and sound across a range of publications and curated projects. Her third book ''En abîme: Listening, Reading, Writing. An Archival Fiction'' (Zer0 Books, 2012) explores writing sound in relation to memory and landscape, and fictional tropes in criticism. She was contributing editor of Italy's leading music magazine Blow Up, her essays have been published in books and catalogues internationally, her articles and reviews have appeared in Organised Sound, The Wire, Alias/Il Manifesto, MusicWorks, Contemporary, frieze.com.
 
Daniela Cascella is a writer based in [[London]]. Her research is focused on listening and sound across a range of publications and curated projects. Her third book ''En abîme: Listening, Reading, Writing. An Archival Fiction'' (Zer0 Books, 2012) explores writing sound in relation to memory and landscape, and fictional tropes in criticism. She was contributing editor of Italy's leading music magazine Blow Up, her essays have been published in books and catalogues internationally, her articles and reviews have appeared in Organised Sound, The Wire, Alias/Il Manifesto, MusicWorks, Contemporary, frieze.com.
  
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; Articles
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* [http://earroom.wordpress.com/2012/09/01/daniella-cascella/ Ear Room interview], September 2012.
  
http://www.danielacascella.com/
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; External links
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* [http://www.danielacascella.com Home page]
  
 
[[Category:Sound art|Cascella, Daniela]]
 
[[Category:Sound art|Cascella, Daniela]]

Revision as of 11:39, 31 January 2013

Daniela Cascella is a writer based in London. Her research is focused on listening and sound across a range of publications and curated projects. Her third book En abîme: Listening, Reading, Writing. An Archival Fiction (Zer0 Books, 2012) explores writing sound in relation to memory and landscape, and fictional tropes in criticism. She was contributing editor of Italy's leading music magazine Blow Up, her essays have been published in books and catalogues internationally, her articles and reviews have appeared in Organised Sound, The Wire, Alias/Il Manifesto, MusicWorks, Contemporary, frieze.com.

Articles
External links