Difference between revisions of "Douglas Crimp"

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===Book chapters, papers, essays===
 
===Book chapters, papers, essays===
* [https://monoskop.org/images/1/10/Pictures_1977_catalogue.pdf#page=5 "Pictures"], in ''Pictures'', ed. Douglas Crimp, New York: Committe for the Visual Arts, 1977, pp 3-29; [[Media:Crimp_Douglas_1977_2005_Pictures.pdf|repr. in]] ''X-tra'' 8:1 (Fall 2005), pp 17-30, [http://x-traonline.org/article/pictures/ HTML].
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* [https://monoskop.org/images/1/10/Pictures_1977_catalogue.pdf#page=5 "Pictures"], in ''Pictures'', ed. Douglas Crimp, New York: Committe for the Visual Arts, 1977, pp 3-29; repr. in ''Art after Modernism: Rethinking Representation'', ed. Brian Wallis, New York: New Museum of Contemporary Art, and Boston: D.R. Godine, 1984, pp 175-187; [[Media:Crimp_Douglas_1977_2005_Pictures.pdf|repr. in]] ''X-tra'' 8:1 (Fall 2005), pp 17-30, [http://x-traonline.org/article/pictures/ HTML].
  
 
* [https://www.academia.edu/5756677/ "Positive/Negative: A Note on Degas's Photographs"], ''October'' 5: "Photography", Summer 1978, pp 89-100.
 
* [https://www.academia.edu/5756677/ "Positive/Negative: A Note on Degas's Photographs"], ''October'' 5: "Photography", Summer 1978, pp 89-100.
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* [[Media:Crimp_Douglas_1979_Pictures.pdf|"Pictures"]], ''October'' 8, Spring 1979, MIT Press, pp 75-88, [http://aaaaarg.fail/static/reader.htm?0=45458181a6678180082c7353957edc49-0 ARG]. "The following essay takes its point of departure from the catalogue text for ''Pictures''; but it focuses on different issues and addresses an aesthetic phenomenon implicitly extending to many more artists than the original exhibition included." [https://academia.edu/5724916/]
 
* [[Media:Crimp_Douglas_1979_Pictures.pdf|"Pictures"]], ''October'' 8, Spring 1979, MIT Press, pp 75-88, [http://aaaaarg.fail/static/reader.htm?0=45458181a6678180082c7353957edc49-0 ARG]. "The following essay takes its point of departure from the catalogue text for ''Pictures''; but it focuses on different issues and addresses an aesthetic phenomenon implicitly extending to many more artists than the original exhibition included." [https://academia.edu/5724916/]
  
* [[Media:Crimp_Douglas_1980_On_the_Museums_Ruins.pdf|"On the Museum's Ruins"]], ''October'' 13, Summer 1980, MIT Press, pp 41-57. [https://www.academia.edu/5724947/]
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* [[Media:Crimp_Douglas_1980_On_the_Museums_Ruins.pdf|"On the Museum's Ruins"]], ''October'' 13, Summer 1980, MIT Press, pp 41-57; [https://monoskop.org/images/0/07/Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf#page=56 repr. in] ''The Anti-Aesthetic: Essays on Postmodern Culture'', ed. Hal Foster, Port Townsend, WA: Bay Press, 1983, pp 43-56; [[Media:Crimp_Douglas_1980_1993_On_the_Museums_Ruins.pdf|repr. in]] Crimp, ''On the Museum's Ruins'', 1993, pp 44-64. [https://www.academia.edu/5724947/]
  
* [https://www.academia.edu/5728395/ "The Photographic Activity of Postmodernism"], ''October'' 15, Winter 1980, pp 91-101.
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* [https://www.academia.edu/5728395/ "The Photographic Activity of Postmodernism"], ''October'' 15, Winter 1980, pp 91-101; repr. in Crimp, ''On the Museum's Ruins'', 1993, pp 108-125.
  
* [https://www.academia.edu/5756652/ "The End of Painting"], ''October'' 16: "Art World Follies", Spring 1981, pp 69-86.
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* [https://www.academia.edu/5756652/ "The End of Painting"], ''October'' 16: "Art World Follies", Spring 1981, pp 69-86; repr. in Crimp, ''On the Museum's Ruins'', 1993, pp 84-107.
  
 
* [http://sci-hub.bz/10.2307/778411 "Richard Serra: Sculpture Exceeded"], ''October'' 18, Autumn 1981, pp 67-78.
 
* [http://sci-hub.bz/10.2307/778411 "Richard Serra: Sculpture Exceeded"], ''October'' 18, Autumn 1981, pp 67-78.
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* [https://www.academia.edu/5728411/ "Fassbinder, Franz, Fox, Elvira, Erwin, Armin, and All the Others"], October'' 21: "Rainer Werner Fassbinder", Summer 1982, pp 62-81.
 
* [https://www.academia.edu/5728411/ "Fassbinder, Franz, Fox, Elvira, Erwin, Armin, and All the Others"], October'' 21: "Rainer Werner Fassbinder", Summer 1982, pp 62-81.
  
* [https://www.academia.edu/5756652/ "The Art of Exhibition"], ''October'' 30, Autumn 1984, pp 49-81.
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* "Appropriating Appropriation", in ''Image Scavengers: Photography'', ed. Paula Marincola, Institute of Contemporary Art/University of Pennsylvania Press, 1982, pp 27-34; [[Media:Crimp_Douglas_1982_1993_Appropriating_Appropriation.pdf|repr. in]] Crimp, ''On the Museum's Ruins'', 1993, pp 126-137.
 +
 
 +
* [https://www.academia.edu/5756652/ "The Art of Exhibition"], ''October'' 30, Autumn 1984, pp 49-81; repr. in Crimp, ''On the Museum's Ruins'', 1993, pp 236-281.
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* [[Media:Crimp_Douglas_1986_Serras_Public_Sculpture_Redefining_Site_Specificity.pdf|"Serra's Public Sculpture: Redefining Site Specificity"]], in ''Richard Serra/Sculpture'', New York: Museum of Modern Art, 1986, pp 40-56; repr. as "Redefining Site Specificity", in Crimp, ''On the Museum's Ruins'', 1993, pp 150-198. [https://books.google.com/books?id=b3NefTf5ggYC&pg=PA150]
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* "The Postmodern Museum", ''Parachute'' 46, 1987, pp 61-69; repr. in Crimp, ''On the Museum's Ruins'', 1993, pp 282-331. [https://books.google.com/books?id=b3NefTf5ggYC&pg=PA282]
  
 
* [https://www.academia.edu/5756608/ "How to Have Promiscuity in an Epidemic"], ''October'' 43: "AIDS: Cultural Analysis/Cultural Activism", Winter 1987, pp 237-271.
 
* [https://www.academia.edu/5756608/ "How to Have Promiscuity in an Epidemic"], ''October'' 43: "AIDS: Cultural Analysis/Cultural Activism", Winter 1987, pp 237-271.
  
 
* [https://academia.edu/8964325 "The End of Art and the Origin of the Museum"], ''Art Journal'' 46(4): "The Political Unconscious in Nineteenth-Century Art", Winter 1987, pp 261-266.
 
* [https://academia.edu/8964325 "The End of Art and the Origin of the Museum"], ''Art Journal'' 46(4): "The Political Unconscious in Nineteenth-Century Art", Winter 1987, pp 261-266.
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* "This is Not a Museum of Art", ''Marcel Broodthaers'', Minneapolis: Walker Art Center, and New York: Rizzoli, 1989, pp 71-92; repr. in Crimp, ''On the Museum's Ruins'', 1993, pp 200-235. [https://books.google.com/books?id=b3NefTf5ggYC&pg=PA200]
  
 
* [https://www.academia.edu/5756612/ "Mourning and Militancy"], ''October'' 51, Winter 1989, pp 3-18.
 
* [https://www.academia.edu/5756612/ "Mourning and Militancy"], ''October'' 51, Winter 1989, pp 3-18.
  
* "The Museum's Old/The Library's New Subject", in ''The Contest of Meaning: Critical Histories of Photography'', ed. Richard Bolton, MIT Press, 1989.
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* [[Media:Crimp_Douglas_1989_The_Museums_Old_The_Librarys_New_Subject.doc|"The Museum's Old/The Library's New Subject"]], in ''The Contest of Meaning: Critical Histories of Photography'', ed. Richard Bolton, MIT Press, 1989, pp 3-14; repr. in Crimp, ''On the Museum's Ruins'', 1993, pp 66-83.
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* "The Boys in My Bedroom", ''Art in America'', 1990; [[Media:Crimp_Douglas_1990_2002_The_Boys_in_My_Bedroom.pdf|repr. in]] Crimp, ''Melancholia and Moralism'', 2002, pp 151-163.
  
 
* [https://www.academia.edu/5756617/ "Right On, Girlfriend!"], ''Social Text'' 33, 1992, pp 2-18.
 
* [https://www.academia.edu/5756617/ "Right On, Girlfriend!"], ''Social Text'' 33, 1992, pp 2-18.
 
* [[Media:Crimp_Douglas_1993_Appropriating_Appropriation.pdf|"Appropriating Appropriation"]], in Crimp, ''On the Museum's Ruins'', 1993, pp 126-137.
 
  
 
* [https://www.academia.edu/5756633/ "Getting the Warhol We Deserve"], ''Social Text'' 59, Summer 1999, pp 49-66.
 
* [https://www.academia.edu/5756633/ "Getting the Warhol We Deserve"], ''Social Text'' 59, Summer 1999, pp 49-66.

Revision as of 10:56, 31 October 2017

Douglas Crimp (1944) is an art critic and Fanny Knapp Allen Professor of Art History and Professor of Visual and Cultural Studies at the University of Rochester. He was the curator of the landmark Pictures exhibition at Artists Space, New York, in 1977 and, from 1977-1990 an editor of the quarterly journal October. With Lynne Cooke, he organized the exhibition Mixed Use, Manhattan: Photography and Related Practices 1970s to the Present for the Reina Sofía in Madrid in the summer of 2010, and he was a member of the curatorial team for the 2015 Greater New York exhibition at MoMA PS1.

Publications

Monographs

  • with Adam Rolston, AIDS Demo Graphics, Seattle: Bay Press, 1990, 141 pp, OL.
  • On the Museum’s Ruins, MIT Press, 1993, xix+348 pp. With photographs by Louise Lawler.
    • Auf den Ruinen des Museums. Über Photographie, das Museum und die Postmoderne, trans. Rolf Braumeis, Dresden: Verlag der Kunst, 1996, 440 pp. (German)
    • Sobre as ruínas do museu, trans. Fernando Santos, São Paulo: Martins Fontes, 2005, 303 pp. (Brazilian Portuguese)
    • Na ruinakh muzeya, trans. Ivan Aksenov and Karen Sarkisov, Moscow: V-A-C Press, 2015, 431 pp. (Russian)
  • Melancholia and Moralism: Essays on AIDS and Queer Politics, MIT Press, 2002, 319 pp. Essays challenging the increasing denial of the AIDS crisis and the rise of conservative gay politics.
  • Imágenes, trans. Victor Manuel Rodriguez, Bogotá: Universidad Nacional de Colombia-Sede Bogotá, 2003, 188 pp. (Spanish)
  • Before Pictures, University of Chicago Press, 2016, 288 pp. tells the story of Crimp’s life as a young gay man and art critic in New York City during the late 1960s through the 1970s; part biography and part cultural history. [2]

Editor

Book chapters, papers, essays

  • "Pictures", in Pictures, ed. Douglas Crimp, New York: Committe for the Visual Arts, 1977, pp 3-29; repr. in Art after Modernism: Rethinking Representation, ed. Brian Wallis, New York: New Museum of Contemporary Art, and Boston: D.R. Godine, 1984, pp 175-187; repr. in X-tra 8:1 (Fall 2005), pp 17-30, HTML.
  • "Pictures", October 8, Spring 1979, MIT Press, pp 75-88, ARG. "The following essay takes its point of departure from the catalogue text for Pictures; but it focuses on different issues and addresses an aesthetic phenomenon implicitly extending to many more artists than the original exhibition included." [4]
  • "On the Museum's Ruins", October 13, Summer 1980, MIT Press, pp 41-57; repr. in The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster, Port Townsend, WA: Bay Press, 1983, pp 43-56; repr. in Crimp, On the Museum's Ruins, 1993, pp 44-64. [5]
  • "The End of Painting", October 16: "Art World Follies", Spring 1981, pp 69-86; repr. in Crimp, On the Museum's Ruins, 1993, pp 84-107.
  • "Appropriating Appropriation", in Image Scavengers: Photography, ed. Paula Marincola, Institute of Contemporary Art/University of Pennsylvania Press, 1982, pp 27-34; repr. in Crimp, On the Museum's Ruins, 1993, pp 126-137.
  • "The Art of Exhibition", October 30, Autumn 1984, pp 49-81; repr. in Crimp, On the Museum's Ruins, 1993, pp 236-281.
  • "The Postmodern Museum", Parachute 46, 1987, pp 61-69; repr. in Crimp, On the Museum's Ruins, 1993, pp 282-331. [7]
  • "This is Not a Museum of Art", Marcel Broodthaers, Minneapolis: Walker Art Center, and New York: Rizzoli, 1989, pp 71-92; repr. in Crimp, On the Museum's Ruins, 1993, pp 200-235. [8]
  • "The Boys in My Bedroom", Art in America, 1990; repr. in Crimp, Melancholia and Moralism, 2002, pp 151-163.
  • "Face Value", in About Face: Andy Warhol's Portraits, ed. Nicholas Baume, Wadsworth Atheneum/Andy Warhol Museum, 1999, pp 110-125.
  • "Mario Montez, For Shame", in Regarding Sedgwick: Essays on Queer Culture and Critical Theory, eds. Stephen M. Barber and David L. Clark, Routledge, 2002, pp 57-70.
  • "Spacious", October 132, MIT Press, Spring 2010, pp 5-24.
  • "Tacet", in Tacita Dean: Seven Books Grey, Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, and Göttingen: Steidl, 2011, pp 31-37. On Tacita Dean's Merce Cunningham films.
  • "Relocating Rosas", in Anne Teresa De Keersmaeker. Work/Travail/Arbeid, vol. 3, ed. Elena Filipovic, Brussels: Mercatorfonds, Wiels, 2015, pp 81-103.

Interviews

Given
Taken

Literature

See also

Links