Difference between revisions of "Dvizhenie"
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(New page: Dvizheniye Group. Founding in the early 1960s, demise in the 1970s. Activities ranged from early, static works in painting and sculpture to kinetic constructions, performance, installation...) |
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Dvizheniye Group. Founding in the early 1960s, demise in the 1970s. Activities ranged from early, static works in painting and sculpture to kinetic constructions, performance, installations and projects related to urban planning. | Dvizheniye Group. Founding in the early 1960s, demise in the 1970s. Activities ranged from early, static works in painting and sculpture to kinetic constructions, performance, installations and projects related to urban planning. | ||
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| + | [[Lev Nusberg]], [[Galja Bitt]], [[Sascha Grigorjev]], [[Francisco Infante]], | ||
| + | [[Tatjana Bystrova]]. The Movement Group, was formed in [[1964]] | ||
| + | by a number of young Russian artists who shared an interest | ||
| + | in working with geometric forms to express sensations of | ||
| + | infinity that they believed form the essence of human experience. | ||
| + | |||
| + | In the mid- to late-1960s, these individuals turned their collective | ||
| + | attention to kinetic installations, or “artificial spaces,” which became | ||
| + | Dvizhenie’s main focus for the duration of its history. | ||
; Articles | ; Articles | ||
* Vyacheslav F. Koleychuk, The Dvizheniye Group: Toward a Synthetic Kinetic Art, ''Leonardo'', Vol. 27, No. 5, Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue (1994), pp. 433-436 [http://www.jstor.org/pss/1576103] | * Vyacheslav F. Koleychuk, The Dvizheniye Group: Toward a Synthetic Kinetic Art, ''Leonardo'', Vol. 27, No. 5, Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue (1994), pp. 433-436 [http://www.jstor.org/pss/1576103] | ||
Revision as of 20:20, 23 June 2008
Dvizheniye Group. Founding in the early 1960s, demise in the 1970s. Activities ranged from early, static works in painting and sculpture to kinetic constructions, performance, installations and projects related to urban planning.
Lev Nusberg, Galja Bitt, Sascha Grigorjev, Francisco Infante,
Tatjana Bystrova. The Movement Group, was formed in 1964
by a number of young Russian artists who shared an interest
in working with geometric forms to express sensations of
infinity that they believed form the essence of human experience.
In the mid- to late-1960s, these individuals turned their collective attention to kinetic installations, or “artificial spaces,” which became Dvizhenie’s main focus for the duration of its history.
- Articles
- Vyacheslav F. Koleychuk, The Dvizheniye Group: Toward a Synthetic Kinetic Art, Leonardo, Vol. 27, No. 5, Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue (1994), pp. 433-436 [1]
