Difference between revisions of "Dziga Vertov"
Jump to navigation
Jump to search
Line 10: | Line 10: | ||
Vertov's brothers [[Boris Kaufman]] and [[Mikhail Kaufman]] were also noted filmmakers, as was his wife, [[Elizaveta Svilova]]. | Vertov's brothers [[Boris Kaufman]] and [[Mikhail Kaufman]] were also noted filmmakers, as was his wife, [[Elizaveta Svilova]]. | ||
+ | |||
+ | ==Filmography== | ||
+ | * ''Процесс Миронова'', 1919. | ||
+ | * ''[http://www.filmmuseum.at/en/collections/dziga_vertov_collection/kinonedelja__online_edition Кинонеделя]'' [Kino Nedelya; Cinema Week], 1919. | ||
+ | * ''Годовщина революции'' [Godovshchina revolyutsii; The Anniversary of the Revolution], 1919. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=3] | ||
+ | * ''Битва в Царицыне'' [Battle of Tsaritsyn], 1920. | ||
+ | * ''Процесс эсеров'', 1922. | ||
+ | * ''История гражданской войны'' [Istoriya grazhdanskoy voyny; History of the Civil War], 1922. | ||
+ | * ''Киноправда'' [Kino-Pravda], 1922-24. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=79] | ||
+ | * ''Советские игрушки'' [Sovietskie igrushki; Soviet Toys], 1924. | ||
+ | * ''[http://www.ubu.com/film/vertov.html Кино-глаз]'' [Kinoglaz; Kino-Eye], 1924. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=52] | ||
+ | * ''Шагай, Совет!'' [Stride, Soviet!], 1926. | ||
+ | * ''Шестая часть мира'' [A Sixth of the World], 1926. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=60] | ||
+ | * ''Одиннадцатый'' [The Eleventh], 1928. | ||
+ | * ''[http://archive.org/details/ChelovekskinoapparatomManWithAMovieCamera Человек с киноаппаратом]'' [Man with a Movie Camera], 1929. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=62] | ||
+ | * ''[http://archive.org/details/Peleon-SimfonijaDonbassaEntuziazm243 Энтузиазм (Симфония Донбаса)]'' [Enthusiasm], 1930. [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513261&DV_Filmtitel_id=63] | ||
+ | * ''[http://www.ubu.com/film/vertov.html Три песни о Ленине]'' [Three Songs About Lenin], 1934. [http://archive.org/details/threesongsoflenin] | ||
+ | * ''Памяти Серго Орджоникидзе'' [In Memory of Sergo Ordzhonikidze], 1937. совм. с Я. Блиохом. | ||
+ | * ''Колыбельная'' [Lullaby], 1937. | ||
+ | * ''Три героини'' [Three Heroines], 1938. | ||
+ | * ''Кровь за кровь, смерть за смерть'', 1941. | ||
+ | * ''На линии огня - операторы кинохроники'', 1941. | ||
+ | * ''Казахстан — фронту!'' [Kazakhstan for the Front!], 1942. | ||
+ | * ''В горах Ала-Тау'' [In the Mountains of Ala-Tau], 1944. | ||
+ | * ''Клятва молодых'', 1944. | ||
+ | * ''Новости дня'' [News of the Day], 1944-54. | ||
+ | |||
+ | ; DVDs | ||
+ | * ''Dziga Vertov's Man with the Movie Camera'' DVD, audio commentary track by [[Yuri Tsivian]]. | ||
+ | * ''Entuziazm (Simfonija Donbassa)'' DVD, restored version and unrestored version plus documentary on [[Peter Kubelka]]'s restoration. | ||
==Literature== | ==Literature== | ||
− | [[Image:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.jpg|thumb|258px|''Kino-Eye: The Writings of Dziga Vertov'', 1984. [[Media:Vertov_Dziga_Kino- | + | [[Image:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.jpg|thumb|258px|''Kino-Eye: The Writings of Dziga Vertov'', 1984. [[Media:Vertov_Dziga_Kino-Eye_some_pages_missing.pdf|Download]].]] |
===By Vertov=== | ===By Vertov=== | ||
* "We: A Version of a Manifesto", 1922. Repr. in ''The Film Factory: Russian and Soviet Cinema in Documents, 1896-1939'', eds. Ian Christie and Richard Taylor, Routledge, 1994. | * "We: A Version of a Manifesto", 1922. Repr. in ''The Film Factory: Russian and Soviet Cinema in Documents, 1896-1939'', eds. Ian Christie and Richard Taylor, Routledge, 1994. | ||
Line 18: | Line 48: | ||
* "On Kinopravda", 1924. Repr. in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1995. | * "On Kinopravda", 1924. Repr. in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1995. | ||
* "The Man with the Movie Camera", 1928. Repr. in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1995. | * "The Man with the Movie Camera", 1928. Repr. in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1995. | ||
− | * ''[http://scribd.com/doc/107174763/Dziga-Vertov-El-cine-ojo El cine-ojo]'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, | + | |
+ | ; Collected writings | ||
+ | * ''статьи, дневники, замыслы'' [Stat’i, dnevniki, zamysly], ed. Sergei Drobashenko (Сергей Дробашенко), Moscow: Izd. Iskusstva, 1966, 319 pp. (in Russian) | ||
+ | ** ''Articles, journaux, projets'', trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French) | ||
+ | ** ''Aufsätze, Tagebücher, Skizzen'', Institut für Filmwissenschaft an der Deutschen Hochschule für Filmkunst, 1967, 375 pp. (in German) | ||
+ | * ''[http://scribd.com/doc/107174763/Dziga-Vertov-El-cine-ojo El cine-ojo]'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, 215 pp. (in Spanish) | ||
+ | * ''Schriften zum Film'', Hanser, 1976, 170 pp. (in German) | ||
* ''[http://monoskop.org/log/?p=550 Kino-Eye: The Writings of Dziga Vertov]'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp. | * ''[http://monoskop.org/log/?p=550 Kino-Eye: The Writings of Dziga Vertov]'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp. | ||
− | * ''[http://scribd.com/doc/177658286/DzigaVertov-Memoriasdeuncineastabolchevique Memorias de un cineasta bolchevique]'', trans. | + | * ''Tagebücher, Arbeitshefte'', eds. Thomas Tode and Alexandra Gramatke, UVK, 2000, 276 pp. (in German) [http://www.uvk.de/uploads/tx_gbuvkbooks/PDF_L/9783896692849_L.pdf Foreword], [http://www.uvk.de/buecher/film/alle-buecher/db/titel/details/tagebuecher-arbeitshefte////ch/a47708b97edcb92405780b2a8e6c9d47/] |
+ | * ''[http://scribd.com/doc/177658286/DzigaVertov-Memoriasdeuncineastabolchevique Memorias de un cineasta bolchevique]'', trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish) | ||
+ | * ''L'occhio della rivoluzione. Scritti dal 1922 al 1942'', ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian) | ||
===On Vertov=== | ===On Vertov=== | ||
; Books | ; Books | ||
− | * Seth Feldman, ''Evolution of | + | * Nikolai Abramov (Николай Абрамов), ''Джига Вертов'' [Dziga Vertov], Moscow: Izd. Akademii Nauk, 1962, 165 pp. (in Russian) |
+ | ** ''Dziga Vertov'', trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French) | ||
+ | * Georges Sadoul, ''Dziga Vertov'', Paris: Champ libre, 1971, 171 pp. With a preface by [[Jean Rouch]]. (in French) | ||
+ | ** ''El cine de Dziga Vertov'', Era, 1973, 223 pp. (in Spanish) | ||
+ | * Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), ''Дзига Вертов в воспоминанииах современников'', Iskusstvo, 1976, 277 pp. (in Russian) | ||
+ | * Seth Feldman, ''Evolution of Style in the Early Work of Dziga Vertov'', New York: Arno Press, 1977. | ||
+ | * Seth Feldman, ''Dziga Vertov, A Guide to References and Resources'', Boston: G.K.Hall, 1979, 232 pp. | ||
* Vasco Granja, ''Dziga Vertov'', Livros Horizonte, 1981, 96 pp. (in Portuguese) [http://grupograv.files.wordpress.com/2007/11/textos-vertov.pdf] | * Vasco Granja, ''Dziga Vertov'', Livros Horizonte, 1981, 96 pp. (in Portuguese) [http://grupograv.files.wordpress.com/2007/11/textos-vertov.pdf] | ||
+ | * Lev Roshal (Лев Моисеевич Рошаль), ''Дзига Вертов'' [Dziga Vertov], Moscow, 1982, 263 pp. (in Russian) | ||
+ | * Frédérique Devaux, ''L'Homme à la caméra de Dziga Vertov'', Brussels: Yellow Now, 1990, 126 pp. (in French) | ||
+ | * Vlada Petric, ''Constructivism in Film: The Man with the Movie Camera: a Cinematic Analysis'', CUP Archive, 1993, 325 pp. [http://books.google.com/books?id=Ti84AAAAIAAJ&printsec=frontcover] | ||
+ | * Natascha Drubek-Meyer, Jurij Murasov (eds.), ''Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov'', Frankfurt: Peter Lang, 2000, 283 pp. (in German) [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=17789] | ||
* Graham Roberts, ''The Man with the Movie Camera'', I. B. Tauris, 2001. | * Graham Roberts, ''The Man with the Movie Camera'', I. B. Tauris, 2001. | ||
* Yuri Tsivian (ed.), ''Lines of Resistance: Dziga Vertov and the Twenties'', trans. Julian Graffy, Gemona: Le Giornate del Cinema Muto, 2004, 422 pp. [http://books.google.sk/books?id=np9a1YWLE8YC&printsec=frontcover] | * Yuri Tsivian (ed.), ''Lines of Resistance: Dziga Vertov and the Twenties'', trans. Julian Graffy, Gemona: Le Giornate del Cinema Muto, 2004, 422 pp. [http://books.google.sk/books?id=np9a1YWLE8YC&printsec=frontcover] | ||
+ | ** Excerpt: [http://www.movingimagesource.us/articles/celluloid-manifesto-20110412 "Celluloid Manifesto: Reading images and emblems in Dziga Vertov's films"], 12 April 2011. | ||
* Austrian Film Museum, Thomas Tode, Barbara Wurm (eds.), ''Dziga Vertov. The Vertov Collection at the Austrian Film Museum'', Vienna: Austrian Film Museum, 2006, 288 pp. (in German/English). [http://www.filmmuseum.at/jart/prj3/filmmuseum/data/uploads/Inhaltsverzeichnis%20Publikationen/Vertov%20Content.pdf Contents], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&j-dummy=reserve&content-id=1213111912881&kat=&typ=1215680370519&spid=1215680370347&ss1=y&reserve-mode=active], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&content-id=1218679066711 Online version]. | * Austrian Film Museum, Thomas Tode, Barbara Wurm (eds.), ''Dziga Vertov. The Vertov Collection at the Austrian Film Museum'', Vienna: Austrian Film Museum, 2006, 288 pp. (in German/English). [http://www.filmmuseum.at/jart/prj3/filmmuseum/data/uploads/Inhaltsverzeichnis%20Publikationen/Vertov%20Content.pdf Contents], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&j-dummy=reserve&content-id=1213111912881&kat=&typ=1215680370519&spid=1215680370347&ss1=y&reserve-mode=active], [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&content-id=1218679066711 Online version]. | ||
* Jeremy Hicks, ''[http://store.free-college.org/noleech1.php?hidden=q:/507000/ad4c65fe2ec7b020ec7c13e41e746c78&hidden0=Jeremy+Hicks+Dziga+Vertov+Defining+Documentary+Film+KINO+-+The+Russian+Cinema++2007.pdf Dziga Vertov: Defining Documentary Film]'', London & New York: I. B. Tauris, 2007. | * Jeremy Hicks, ''[http://store.free-college.org/noleech1.php?hidden=q:/507000/ad4c65fe2ec7b020ec7c13e41e746c78&hidden0=Jeremy+Hicks+Dziga+Vertov+Defining+Documentary+Film+KINO+-+The+Russian+Cinema++2007.pdf Dziga Vertov: Defining Documentary Film]'', London & New York: I. B. Tauris, 2007. | ||
+ | * Peggy Ahwesh, Keith Sanborn (eds.), ''Vertov from Z to A'', trans. Keith Sanborn, New York: Ediciones la Calavera, 2008, 169 pp. | ||
+ | * David Tomas, ''Vertov, Snow, Farocki: Machine Vision and the Posthuman'', Bloomsbury Academic, 2013, 304 pp. | ||
; Journal issues | ; Journal issues | ||
Line 60: | Line 111: | ||
; Documentary films | ; Documentary films | ||
− | * ''Мир без игры'', dir. Sergei Drobashenko, 54 min, 1966. | + | * ''Мир без игры'', dir. Sergei Drobashenko, 54 min, 1966. [http://ru.wikipedia.org/wiki/%D0%9C%D0%B8%D1%80_%D0%B1%D0%B5%D0%B7_%D0%B8%D0%B3%D1%80%D1%8B] |
* ''Дзига и его братья'', dir. Evgeny Tsymbal, 2002. | * ''Дзига и его братья'', dir. Evgeny Tsymbal, 2002. | ||
* ''Все Вертовы'', dir. Vladimir Nepevny, 2002. | * ''Все Вертовы'', dir. Vladimir Nepevny, 2002. |
Revision as of 18:38, 5 January 2014
Born |
January 2, 1896 Białystok, Russian Empire (now Poland) |
---|---|
Died |
February 12, 1954 Moscow, Soviet Union (now Russia) | (aged 58)
David Abelevich Kaufman (Дави́д А́белевич Ка́уфман; Denis Kaufman; pseudonym Dziga Vertov; Дзи́га Ве́ртов) was a Soviet pioneer documentary film, newsreel director and cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary moviemaking and the Dziga Vertov Group, a radical filmmaking cooperative which was active in the 1960s.
Vertov's brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Elizaveta Svilova.
Filmography
- Процесс Миронова, 1919.
- Кинонеделя [Kino Nedelya; Cinema Week], 1919.
- Годовщина революции [Godovshchina revolyutsii; The Anniversary of the Revolution], 1919. [1]
- Битва в Царицыне [Battle of Tsaritsyn], 1920.
- Процесс эсеров, 1922.
- История гражданской войны [Istoriya grazhdanskoy voyny; History of the Civil War], 1922.
- Киноправда [Kino-Pravda], 1922-24. [2]
- Советские игрушки [Sovietskie igrushki; Soviet Toys], 1924.
- Кино-глаз [Kinoglaz; Kino-Eye], 1924. [3]
- Шагай, Совет! [Stride, Soviet!], 1926.
- Шестая часть мира [A Sixth of the World], 1926. [4]
- Одиннадцатый [The Eleventh], 1928.
- Человек с киноаппаратом [Man with a Movie Camera], 1929. [5]
- Энтузиазм (Симфония Донбаса) [Enthusiasm], 1930. [6]
- Три песни о Ленине [Three Songs About Lenin], 1934. [7]
- Памяти Серго Орджоникидзе [In Memory of Sergo Ordzhonikidze], 1937. совм. с Я. Блиохом.
- Колыбельная [Lullaby], 1937.
- Три героини [Three Heroines], 1938.
- Кровь за кровь, смерть за смерть, 1941.
- На линии огня - операторы кинохроники, 1941.
- Казахстан — фронту! [Kazakhstan for the Front!], 1942.
- В горах Ала-Тау [In the Mountains of Ala-Tau], 1944.
- Клятва молодых, 1944.
- Новости дня [News of the Day], 1944-54.
- DVDs
- Dziga Vertov's Man with the Movie Camera DVD, audio commentary track by Yuri Tsivian.
- Entuziazm (Simfonija Donbassa) DVD, restored version and unrestored version plus documentary on Peter Kubelka's restoration.
Literature
By Vertov
- "We: A Version of a Manifesto", 1922. Repr. in The Film Factory: Russian and Soviet Cinema in Documents, 1896-1939, eds. Ian Christie and Richard Taylor, Routledge, 1994.
- "NoS: Variante de manifesto". (in Portuguese)
- "On Kinopravda", 1924. Repr. in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1995.
- "The Man with the Movie Camera", 1928. Repr. in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1995.
- Collected writings
- статьи, дневники, замыслы [Stat’i, dnevniki, zamysly], ed. Sergei Drobashenko (Сергей Дробашенко), Moscow: Izd. Iskusstva, 1966, 319 pp. (in Russian)
- Articles, journaux, projets, trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French)
- Aufsätze, Tagebücher, Skizzen, Institut für Filmwissenschaft an der Deutschen Hochschule für Filmkunst, 1967, 375 pp. (in German)
- El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, 215 pp. (in Spanish)
- Schriften zum Film, Hanser, 1976, 170 pp. (in German)
- Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp.
- Tagebücher, Arbeitshefte, eds. Thomas Tode and Alexandra Gramatke, UVK, 2000, 276 pp. (in German) Foreword, [8]
- Memorias de un cineasta bolchevique, trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish)
- L'occhio della rivoluzione. Scritti dal 1922 al 1942, ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian)
On Vertov
- Books
- Nikolai Abramov (Николай Абрамов), Джига Вертов [Dziga Vertov], Moscow: Izd. Akademii Nauk, 1962, 165 pp. (in Russian)
- Dziga Vertov, trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French)
- Georges Sadoul, Dziga Vertov, Paris: Champ libre, 1971, 171 pp. With a preface by Jean Rouch. (in French)
- El cine de Dziga Vertov, Era, 1973, 223 pp. (in Spanish)
- Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), Дзига Вертов в воспоминанииах современников, Iskusstvo, 1976, 277 pp. (in Russian)
- Seth Feldman, Evolution of Style in the Early Work of Dziga Vertov, New York: Arno Press, 1977.
- Seth Feldman, Dziga Vertov, A Guide to References and Resources, Boston: G.K.Hall, 1979, 232 pp.
- Vasco Granja, Dziga Vertov, Livros Horizonte, 1981, 96 pp. (in Portuguese) [9]
- Lev Roshal (Лев Моисеевич Рошаль), Дзига Вертов [Dziga Vertov], Moscow, 1982, 263 pp. (in Russian)
- Frédérique Devaux, L'Homme à la caméra de Dziga Vertov, Brussels: Yellow Now, 1990, 126 pp. (in French)
- Vlada Petric, Constructivism in Film: The Man with the Movie Camera: a Cinematic Analysis, CUP Archive, 1993, 325 pp. [10]
- Natascha Drubek-Meyer, Jurij Murasov (eds.), Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov, Frankfurt: Peter Lang, 2000, 283 pp. (in German) [11]
- Graham Roberts, The Man with the Movie Camera, I. B. Tauris, 2001.
- Yuri Tsivian (ed.), Lines of Resistance: Dziga Vertov and the Twenties, trans. Julian Graffy, Gemona: Le Giornate del Cinema Muto, 2004, 422 pp. [12]
- Excerpt: "Celluloid Manifesto: Reading images and emblems in Dziga Vertov's films", 12 April 2011.
- Austrian Film Museum, Thomas Tode, Barbara Wurm (eds.), Dziga Vertov. The Vertov Collection at the Austrian Film Museum, Vienna: Austrian Film Museum, 2006, 288 pp. (in German/English). Contents, [13], Online version.
- Jeremy Hicks, Dziga Vertov: Defining Documentary Film, London & New York: I. B. Tauris, 2007.
- Peggy Ahwesh, Keith Sanborn (eds.), Vertov from Z to A, trans. Keith Sanborn, New York: Ediciones la Calavera, 2008, 169 pp.
- David Tomas, Vertov, Snow, Farocki: Machine Vision and the Posthuman, Bloomsbury Academic, 2013, 304 pp.
- Journal issues
- Annette Michelson, Malcolm Turvey (eds.), October 121, Special Issue: New Vertov Studies (Summer 2007). Contents.
- Book chapters, Papers, Articles
- Erik Barnouw, Documentary: a History of the Non-fiction Film, Oxford University Press, 1974.
- Malcolm Le Grice, Abstract Film and Beyond, MIT Press, 1977.
- Peter Weibel, "Eisenstein, Vertov and the Formal Film", trans. Phillip Drummond, in Film as Film: Formal Experiment in Film, 1910-1975, London: The Arts Council of Great Britain, 1979, pp 46-51.
- Gilles Deleuze, "Towards a gaseous perception", in Cinema 1: The Movement-Image, trans. Hugh Tomlinson and Barbara Habberjam, University of Minnesota Press, 1986, pp 80-86, n229-230.
- Ben Singer. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey'", Literature/Film Quarterly 15:4 (Fall 1987), pp 247-258.
- Patricia R. Zimmermann, "Reconstructing Vertov: Soviet Film Theory and American Radical Documentary", Journal of Film and Video 44:1-2 (Spring-Summer 1992).
- William C. Wees, "The Camera-Eye: Dialectics of a Metaphor", in Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film, University of California Press, 1992, pp 11-30. [14]
- Philip Vilas Bohlman, Music, Modernity, and the Foreign in the New Germany, 1994, pp 121-152.
- Vlada Petric, "Vertov's Cinematic Transposition of Reality", in Beyond Document: Essays on Nonfiction Film, ed. Charles Warren, Wesleyan University Press, 1996, pp 271-.
- Seth Feldman. "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera.", in Documenting the Documentary: Close Readings of Documentary Film and Video, eds. Barry Keith Grant and Jeannette Sloniowski, Wayne State University Press, 1998, pp 40-53.
- Douglas Kahn, "Russian Revolutionary Film", in Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, pp 139-156.
- Jane de Almeida (ed.), Grupo Dziga Vertov, Sao Paulo: Witz, 2005. (in Portuguese)
- John MacKay. "Disorganized Noise: Enthusiasm and the Ear of the Collective", KinoKultura 7 (January 2005).
- John MacKay. "The 'Spinning Top' Takes Another Turn: Vertov Today", KinoKultura 8 (April 2005).
- John MacKay, "Allegory and Accommodation: Vertov's «Three Songs of Lenin» (1934) as a Stalinist Film", Film History: An International Journal 18:4 (2006), pp 376-391.
- Malcolm Turvey, "The Revelationist Tradition: Exegesis: II", in Doubting Vision Film and the Revelationist Tradition, Oxford University Press, 2008, pp 31-37.
- Irina Sandomirskaia, "One Sixth of the World: Avant-garde Film, the Revolution of Vision, and the Colonization of the USSR Periphery during the 1920s (Towards a Postcolonial Deconstruction of the Soviet Hegemony)", in From Orientalism to Postcoloniality, ed. Kerstin Olofsson, Huddinge: Södertörns högskola, 2008, pp 8-31.
- Yates McKee, "Post-Communist Notes on Some Vertov Stills", in Communities of Sense: Rethinking Aesthetics and Politics, eds. Beth Hinderliter, et al., Durham & London: Duke University Press, 2009, pp 267-293.
- Christian Quendle, "Rethinking the camera eye: dispositif and subjectivity", New Review of Film and Television Studies 9:4 (December 2011), pp 395-414.
- Joshua Malitsky, "The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927", in Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations, Indiana University Press, 2013. [15]
- Lev Manovich, "Visualizing Vertov", 2013, 38 pp.
- Articles on Vertov at Seance.ru. (in Russian)
- Documentary films
- Мир без игры, dir. Sergei Drobashenko, 54 min, 1966. [16]
- Дзига и его братья, dir. Evgeny Tsymbal, 2002.
- Все Вертовы, dir. Vladimir Nepevny, 2002.
External links
- Vertov at Sense of Cinema
- Dziga Vertov Collection at the Austrian Film Museum
- Vertov.ru
- Dziga Vertov in UbuWeb Sound: Enthusiasm! (1930), Laboratory Of Hearing (1916), Radio-Ear / Radio-Pravda (1916).