Difference between revisions of "Erwin Panofsky"
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==Literature== | ==Literature== | ||
; Books | ; Books | ||
| − | * ''Idea: A Concept in Art Theory'', 1924 | + | * ''Idea: A Concept in Art Theory'', 1924. |
* ''[http://monoskop.org/log/?p=9730 Perspective as Symbolic Form]'', 1927–. (in German, Spanish, English). | * ''[http://monoskop.org/log/?p=9730 Perspective as Symbolic Form]'', 1927–. (in German, Spanish, English). | ||
| − | * ''Studies in Iconology'', 1939 | + | * [[Media:Erwin_Panofsky_Studies_in_Iconology_1972.djvu|''Studies in Iconology'']], 1939, 1972. |
| − | * ''The Life and Art of Albrecht Dürer'', 1943 | + | * ''The Life and Art of Albrecht Dürer'', 1943. |
| − | * ''Gothic Architecture and Scholasticism'', 1951 | + | * ''Gothic Architecture and Scholasticism'', 1951. |
| − | * ''Early Netherlandish Painting'', 1953 | + | * ''Early Netherlandish Painting'', 1953. |
| − | * [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts'']], 1955 | + | * [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts'']], 1955. |
* with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], 1956 | * with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], 1956 | ||
| − | * ''Renaissance and Renascences in Western Art'', 1960 | + | * ''Renaissance and Renascences in Western Art'', 1960. |
| − | * ''Tomb Sculpture'', 1964 | + | * ''Tomb Sculpture'', 1964. |
| − | * with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], 1964, 1979 | + | * with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], 1964, 1979. |
| − | * ''Problems in Titian, mostly iconographic'', 1969 | + | * ''Problems in Titian, mostly iconographic'', 1969. |
| − | * ''Three Essays on Style'', ed. Irving Lavin, 1995 | + | * ''Three Essays on Style'', ed. Irving Lavin, 1995. |
; Selected articles | ; Selected articles | ||
Revision as of 14:46, 27 November 2013
 Erwin Panofsky. | |
| Born |
March 30, 1892 Hanover, Germany |
|---|---|
| Died |
March 14, 1968 (aged 75) Princeton, New Jersey, USA |
Erwin Panofsky was a German art historian. Panofsky's work remains highly influential in the modern academic study of iconography, and many of his works are still in print, including Studies in Iconology: Humanist Themes in the Art of the Renaissance (1939), and his study on Albrecht Dürer.
Literature
- Books
- Idea: A Concept in Art Theory, 1924.
- Perspective as Symbolic Form, 1927–. (in German, Spanish, English).
- Studies in Iconology, 1939, 1972.
- The Life and Art of Albrecht Dürer, 1943.
- Gothic Architecture and Scholasticism, 1951.
- Early Netherlandish Painting, 1953.
- Meaning in the Visual Arts, 1955.
- with Dora Panofsky, Pandora's Box: the Changing Aspects of a Mythical Symbol, 1956
- Renaissance and Renascences in Western Art, 1960.
- Tomb Sculpture, 1964.
- with Raymond Klibansky and Fritz Saxl, Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art, 1964, 1979.
- Problems in Titian, mostly iconographic, 1969.
- Three Essays on Style, ed. Irving Lavin, 1995.
- Selected articles
- "The Concept of Artistic Volition" [original: "Der Begriff des Kunstwollens" (1920); in Aufsditze zu Grundfragen der Kunstwissenschaft (Berlin, 1964)].
- with Fritz Saxl, "Classical Mythology in Mediaeval Art", Metropolitan Museum Studies, Vol. 4, No. 2 (March 1933), pp 228-280.
- "Style and Medium in Motion Picture", 1934–.
- "Jan van Eyck's Arnolfini portrait", in: The Burlington Magazine for Connoisseurs, 1934.
- "The Friedsam Annunciation and the Problem of the Ghent Altarpiece", in: The Art Bulletin, 1935.
- "The Early History of Man in a Cycle of Paintings by Piero di Cosimo", in: Journal of the Warburg Institute, 1937.
- "Galileo as a Critci of the Arts: Aesthetic Attitude and Scientific Thought", in: Isis, vol. 47, no. 1 (Mar., 1956), pp. 3-15.
- with Ernest C. Hassold, "Wilhelm Voge: A Biographical Memoir", in: Art Journal, vol. 28, 1968.
- "Erasmus and the Visual Arts", in: Journal of the Warburg and Courtauld Institutes, vol. 32 (1969), pp. 200-227.
- "Reflections on Historical Time", Critical Inquiry, Vol. 30, No. 4 (Summer 2004), pp. 691-701.
- "On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art", translated by Katharina Lorenz and Jas’ Elsner, Critical Inquiry, Vol. 35, No. 1 (Autumn 2008), pp. 43-71.
- "On the Problem of Describing and Interpreting Works of the Visual Arts", translated by Katharina Lorenz and Jas’ Elsner, Critical Inquiry, Vol. 38, No. 3 (Spring 2012), pp. 467-482.
