Difference between revisions of "Erwin Panofsky"
Jump to navigation
Jump to search
Sorindanut (talk | contribs) |
Sorindanut (talk | contribs) |
||
| Line 34: | Line 34: | ||
* "The Early History of Man in a Cycle of Paintings by Piero di Cosimo", in: Journal of the Warburg Institute, 1937. | * "The Early History of Man in a Cycle of Paintings by Piero di Cosimo", in: Journal of the Warburg Institute, 1937. | ||
* [[Media:Panofsky_Galileo_as_a_critic_of_arts.pdf|"Galileo as a Critci of the Arts: Aesthetic Attitude and Scientific Thought"]], in: ''Isis'', vol. 47, no. 1 (Mar., 1956), pp. 3-15. | * [[Media:Panofsky_Galileo_as_a_critic_of_arts.pdf|"Galileo as a Critci of the Arts: Aesthetic Attitude and Scientific Thought"]], in: ''Isis'', vol. 47, no. 1 (Mar., 1956), pp. 3-15. | ||
| − | * | + | * with Ernest C. Hassold, [[Media:Panofsky_Hassold_Wilhelm_Voge_A_Biographical_Memoir.pdf|"Wilhelm Voge: A Biographical Memoir"]], in: ''Art Journal'', vol. 28, 1968. |
| − | with Ernest C. Hassold, [[Media:Panofsky_Hassold_Wilhelm_Voge_A_Biographical_Memoir.pdf|"Wilhelm Voge: A Biographical Memoir"]], in: ''Art Journal'', vol. 28, 1968. | ||
* [[Media:Erasmus_and_the_visual_arts_panofsky.pdf|"Erasmus and the Visual Arts"]], in: ''Journal of the Warburg and Courtauld Institutes'', vol. 32 (1969), pp. 200-227. | * [[Media:Erasmus_and_the_visual_arts_panofsky.pdf|"Erasmus and the Visual Arts"]], in: ''Journal of the Warburg and Courtauld Institutes'', vol. 32 (1969), pp. 200-227. | ||
| + | * [[Media:Panofsky_Erwin_Reflections_on_Historical_Time.pdf|"Reflections on Historical Time"]], Critical Inquiry, Vol. 30, No. 4 (Summer 2004), pp. 691-701. | ||
==External links== | ==External links== | ||
Revision as of 12:04, 18 November 2013
 Erwin Panofsky. | |
| Born |
March 30, 1892 Hanover, Germany |
|---|---|
| Died |
March 14, 1968 (aged 75) Princeton, New Jersey, USA |
Erwin Panofsky was a German art historian. Panofsky's work remains highly influential in the modern academic study of iconography, and many of his works are still in print, including Studies in Iconology: Humanist Themes in the Art of the Renaissance (1939), and his study on Albrecht Dürer.
Literature
- Books
- Idea: A Concept in Art Theory, 1924
- Perspective as Symbolic Form, 1927–. (in German, Spanish, English).
- Studies in Iconology, 1939
- The Life and Art of Albrecht Dürer, 1943
- Gothic Architecture and Scholasticism, 1951
- Early Netherlandish Painting, 1953
- Meaning in the Visual Arts, 1955
- with Dora Panofsky, Pandora's Box: the Changing Aspects of a Mythical Symbol, 1956
- Renaissance and Renascences in Western Art, 1960
- Tomb Sculpture, 1964
- with Raymond Klibansky and Fritz Saxl, Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art, 1964, 1979
- Problems in Titian, mostly iconographic, 1969
- Three Essays on Style, ed. Irving Lavin, 1995
- Selected articles
- "The Concept of Artistic Volition" [original: "Der Begriff des Kunstwollens" (1920); in Aufsditze zu Grundfragen der Kunstwissenschaft (Berlin, 1964)].
- with Fritz Saxl, "Classical Mythology in Mediaeval Art", Metropolitan Museum Studies, Vol. 4, No. 2 (March 1933), pp 228-280.
- "Style and Medium in Motion Picture", 1934–.
- "Jan van Eyck's Arnolfini portrait", in: The Burlington Magazine for Connoisseurs, 1934.
- "The Friedsam Annunciation and the Problem of the Ghent Altarpiece", in: The Art Bulletin, 1935.
- "The Early History of Man in a Cycle of Paintings by Piero di Cosimo", in: Journal of the Warburg Institute, 1937.
- "Galileo as a Critci of the Arts: Aesthetic Attitude and Scientific Thought", in: Isis, vol. 47, no. 1 (Mar., 1956), pp. 3-15.
- with Ernest C. Hassold, "Wilhelm Voge: A Biographical Memoir", in: Art Journal, vol. 28, 1968.
- "Erasmus and the Visual Arts", in: Journal of the Warburg and Courtauld Institutes, vol. 32 (1969), pp. 200-227.
- "Reflections on Historical Time", Critical Inquiry, Vol. 30, No. 4 (Summer 2004), pp. 691-701.
