Difference between revisions of "File:Mechtild Widrich, Can Photographs Make it So? (Export) 2012.pdf"
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(This is an edited reprint of Widrich's 2008 article on VALIE EXPORT's Genital Panik, reperformance, documents, using archival research and performance theory to advance the discussion between event and its afterlife. Published in the book "Perform, Repeat, Record" (Ed. A. Jones, A. Heathfield).) |
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== Summary == | == Summary == | ||
| − | This is an edited reprint of Widrich's 2008 article on VALIE EXPORT's Genital Panik | + | This is an edited reprint of Widrich's 2008 article on VALIE EXPORT's Genital Panik. Discussing reperformance, documents, viewer reception, and using archival research and performance theory the text theorizes the relation between event and its afterlife. Published in the book "Perform, Repeat, Record" (Ed. A. Jones, A. Heathfield). |
Latest revision as of 17:02, 20 May 2020
Summary[edit]
This is an edited reprint of Widrich's 2008 article on VALIE EXPORT's Genital Panik. Discussing reperformance, documents, viewer reception, and using archival research and performance theory the text theorizes the relation between event and its afterlife. Published in the book "Perform, Repeat, Record" (Ed. A. Jones, A. Heathfield).
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| Date/Time | Dimensions | User | Comment | |
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| current | 17:00, 20 May 2020 | (2.64 MB) | Ti (talk | contribs) | This is an edited reprint of Widrich's 2008 article on VALIE EXPORT's Genital Panik, reperformance, documents, using archival research and performance theory to advance the discussion between event and its afterlife. Published in the book "Perform, Repeat, Record" (Ed. A. Jones, A. Heathfield). |
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