Difference between revisions of "François Cheng"

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* ''L'Écriture poétique chinoise'', Paris: Seuil, 1977, 1996.
 
* ''L'Écriture poétique chinoise'', Paris: Seuil, 1977, 1996.
  
* ''Vide et plein: le langage pictural chinois'', Paris: Paris, 1979.
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* ''Vide et plein: le langage pictural chinois'', Paris: Seuil, 1979.
 
** ''Empty and Full: The Language of Chinese Painting'', trans. Michael H. Kohn, Boston and London: Shambhala, 1994, ix+158 pages, [https://monoskop.org/log/?p=17004 Log]. {{en}}
 
** ''Empty and Full: The Language of Chinese Painting'', trans. Michael H. Kohn, Boston and London: Shambhala, 1994, ix+158 pages, [https://monoskop.org/log/?p=17004 Log]. {{en}}
 
** ''Vacío y plenitud'', trans. Amelia Hernandez and Juan Luis Delmont, Madrid: Monte Avila, 1985; Madrid: Siruela, 1993, [https://monoskop.org/log/?p=17004 Log]. {{es}}
 
** ''Vacío y plenitud'', trans. Amelia Hernandez and Juan Luis Delmont, Madrid: Monte Avila, 1985; Madrid: Siruela, 1993, [https://monoskop.org/log/?p=17004 Log]. {{es}}

Revision as of 11:53, 9 July 2016

François Cheng (30 August 1929) is a Chinese-born French academician, writer, poet and calligrapher.

Works

(in French unless noted)

  • Analyse formelle de l'œuvre poétique d'un auteur des Tang: Zhang Ruoxu, Paris and La Haye: Mouton et Cie, 1970, 133 p.
  • L'Écriture poétique chinoise, Paris: Seuil, 1977, 1996.
  • Vide et plein: le langage pictural chinois, Paris: Seuil, 1979.
    • Empty and Full: The Language of Chinese Painting, trans. Michael H. Kohn, Boston and London: Shambhala, 1994, ix+158 pages, Log. (English)
    • Vacío y plenitud, trans. Amelia Hernandez and Juan Luis Delmont, Madrid: Monte Avila, 1985; Madrid: Siruela, 1993, Log. (Spanish)
  • L’Espace du rêve: mille ans de peinture chinoise, Phébus, 1980.
  • À l’orient de tout, Paris: Gallimard, 2005.
  • La vraie gloire est ici, Paris: Gallimard, 2015.

Links