Difference between revisions of "Geoffrey Batchen"
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| + | [[File:Geoffrey-batchen.jpg|thumb|200px|Geoffrey Batchen)]] | ||
'''Geoffrey Batchen''' (born 1956) work as a teacher, writer and curator focuses on the history of photography. He is particularly interested in the way that photography mediates every other aspect of modern life, whether we're talking about sex or war, atoms or planets, commerce or art. | '''Geoffrey Batchen''' (born 1956) work as a teacher, writer and curator focuses on the history of photography. He is particularly interested in the way that photography mediates every other aspect of modern life, whether we're talking about sex or war, atoms or planets, commerce or art. | ||
This makes photography a particularly challenging phenomenon to study and a lot of Geoff's work addresses the methodological challenge that this study poses for art history. Besides being an expert in the general theory and historiography of photography, Geoff has helped to pioneer the study of vernacular photography (photographs not intended as art, such as snapshots, commercial photos, and objects like photographic jewellery). | This makes photography a particularly challenging phenomenon to study and a lot of Geoff's work addresses the methodological challenge that this study poses for art history. Besides being an expert in the general theory and historiography of photography, Geoff has helped to pioneer the study of vernacular photography (photographs not intended as art, such as snapshots, commercial photos, and objects like photographic jewellery). | ||
| + | Along Martin Parr and Victor Burgin, Batchen keep his annual series of public lectures about photography at CCP (The Centre for Contemporary Photography) in Melbourne (Australia). | ||
| − | == | + | ==Literature== |
| + | ;Books | ||
* (Co-editor), ''Picturing Atrocity: Photography in Crisis'', London: Reaktion Books, 2012. | * (Co-editor), ''Picturing Atrocity: Photography in Crisis'', London: Reaktion Books, 2012. | ||
* ''Burning with Desire: The Conception of Photography'', The MIT Press, 1997. | * ''Burning with Desire: The Conception of Photography'', The MIT Press, 1997. | ||
| Line 11: | Line 14: | ||
* (Editor) ''Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida'', Cambridge, MA: The MIT Press, 2009. | * (Editor) ''Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida'', Cambridge, MA: The MIT Press, 2009. | ||
* ''Suspending Time: Life, Photography, Death'', Japan: Izu PhotoMuseum, 2010. | * ''Suspending Time: Life, Photography, Death'', Japan: Izu PhotoMuseum, 2010. | ||
| − | + | ;Articles | |
| − | |||
* "The Labor of Photography",''Victorian Literature and Culture'', 37:1, 2009: 292-296. | * "The Labor of Photography",''Victorian Literature and Culture'', 37:1, 2009: 292-296. | ||
*"Snapshots: Art History and the Ethnographic Turn", ''Photographies'', 1: 2 (London, September 2008):121-142. | *"Snapshots: Art History and the Ethnographic Turn", ''Photographies'', 1: 2 (London, September 2008):121-142. | ||
*"Les Snapshots: L'histoire de l'arte et le tournant ethnographie", ''Etudes Photographique'', No. 22 (Paris, 2008):4-37. | *"Les Snapshots: L'histoire de l'arte et le tournant ethnographie", ''Etudes Photographique'', No. 22 (Paris, 2008):4-37. | ||
| + | |||
| + | ;Artcles and books about Batchen | ||
| + | * Mark Durden (ed.), ''Fifty Key Writers on Photography'', N.Y.: Routlledge, 2013. | ||
==Links== | ==Links== | ||
* [http://www.victoria.ac.nz/sacr/about/staff/geoffrey-batchen Geoffrey Batchen at Victoria' SCHOOL OF ART HISTORY, CLASSICS AND RELIGIOUS STUDIES] | * [http://www.victoria.ac.nz/sacr/about/staff/geoffrey-batchen Geoffrey Batchen at Victoria' SCHOOL OF ART HISTORY, CLASSICS AND RELIGIOUS STUDIES] | ||
| + | * [http://www.ccp.org.au The Centre for Contemporary Photography website] | ||
[[Category:Media culture writers]] | [[Category:Media culture writers]] | ||
{{DEFAULTSORT: Batchen, Geoffrey}} | {{DEFAULTSORT: Batchen, Geoffrey}} | ||
Revision as of 10:02, 6 December 2013
Geoffrey Batchen (born 1956) work as a teacher, writer and curator focuses on the history of photography. He is particularly interested in the way that photography mediates every other aspect of modern life, whether we're talking about sex or war, atoms or planets, commerce or art. This makes photography a particularly challenging phenomenon to study and a lot of Geoff's work addresses the methodological challenge that this study poses for art history. Besides being an expert in the general theory and historiography of photography, Geoff has helped to pioneer the study of vernacular photography (photographs not intended as art, such as snapshots, commercial photos, and objects like photographic jewellery). Along Martin Parr and Victor Burgin, Batchen keep his annual series of public lectures about photography at CCP (The Centre for Contemporary Photography) in Melbourne (Australia).
Literature
- Books
- (Co-editor), Picturing Atrocity: Photography in Crisis, London: Reaktion Books, 2012.
- Burning with Desire: The Conception of Photography, The MIT Press, 1997.
- Each Wild Idea: Writing, Photography, History, The MIT Press, 2001.
- Forget Me Not: Photography and Remembrance, Van Gogh Museum & Princeton Architectural Press, 2004.
- William Henry Fox Talbot, Phaidon, 2008.
- What of Shoes?: Van Gogh and Art History, Cologne: Seemann Henschel, 2009.
- (Editor) Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida, Cambridge, MA: The MIT Press, 2009.
- Suspending Time: Life, Photography, Death, Japan: Izu PhotoMuseum, 2010.
- Articles
- "The Labor of Photography",Victorian Literature and Culture, 37:1, 2009: 292-296.
- "Snapshots: Art History and the Ethnographic Turn", Photographies, 1: 2 (London, September 2008):121-142.
- "Les Snapshots: L'histoire de l'arte et le tournant ethnographie", Etudes Photographique, No. 22 (Paris, 2008):4-37.
- Artcles and books about Batchen
- Mark Durden (ed.), Fifty Key Writers on Photography, N.Y.: Routlledge, 2013.
