Difference between revisions of "Gordon Matta-Clark"

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==Publications==
 
==Publications==
 
* with Carol Goodden, Tina Girouard, ''[https://monoskop.org/log/?p=15954 Food]'', Cologne: Walther König, and Manchester: Cornerhouse, 2000, 48 pp. {{en}}/{{de}}
 
* with Carol Goodden, Tina Girouard, ''[https://monoskop.org/log/?p=15954 Food]'', Cologne: Walther König, and Manchester: Cornerhouse, 2000, 48 pp. {{en}}/{{de}}
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* ''Gordon Matta-Clark. An Archival Sourcebook'', eds. Gwendolyn Owens and Philip Ursprung, University of California Press, 2022, 424 pp. [https://www.ucpress.edu/book/9780520280267/gordon-matta-clark Publisher].
  
 
==Literature==
 
==Literature==
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* Pamela M. Lee, ''[[Media:Lee_Pamela M_Object_to_Be_Destroyed_The_Work_of_Gordon_Matta-Clark_1999.pdf|Object to Be Destroyed: The Work of Gordon Matta-Clark]]'', MIT Press, 1999, 280 pp.
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* James Attlee, Lisa Le Feuvre, ''Gordon Matta-Clark: The Space Between'', Portland: Nazraeli Press, 2003.
 
* James Attlee, Lisa Le Feuvre, ''Gordon Matta-Clark: The Space Between'', Portland: Nazraeli Press, 2003.
* Stephen Walker, [http://sci-hub.bz/10.1162/1526381043320787 "Gordon Matta-Clark: Drawing on Architecture"], ''Grey Room'' 18, 2005, pp 108-131.
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* Stephen Walker, [http://sci-hub.st/10.1162/1526381043320787 "Gordon Matta-Clark: Drawing on Architecture"], ''Grey Room'' 18, 2005, pp 108-131.
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* James Attlee, [http://www.tate.org.uk/research/publications/tate-papers/07/towards-anarchitecture-gordon-matta-clark-and-le-corbusier "Towards Anarchitecture: Gordon Matta-Clark and Le Corbusier"], ''Tate Papers'' 7, Spring 2007.
 
* James Attlee, [http://www.tate.org.uk/research/publications/tate-papers/07/towards-anarchitecture-gordon-matta-clark-and-le-corbusier "Towards Anarchitecture: Gordon Matta-Clark and Le Corbusier"], ''Tate Papers'' 7, Spring 2007.
* Stephen Walker, ''Gordon Matta-Clark: Art, Architecture and the Attack on Modernism'', London: IB Tauris, 2009.
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* Éric Alliez, [http://sci-hub.bz/10.1177/1470412916665139 "Gordon Matta-Clark: ‘Somewhere Outside the Law’"], trans. Robin Mackay, ''Journal of Visual Culture'' 15:3, 2016, pp 317-333.
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* Stephen Walker, ''[http://library.memoryoftheworld.org/#/book/80759570-effa-4df9-808a-5616c1ed5f79 Gordon Matta-Clark: Art, Architecture and the Attack on Modernism]'', London: IB Tauris, 2009.
 +
 
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* Éric Alliez, [http://sci-hub.st/10.1177/1470412916665139 "Gordon Matta-Clark: ‘Somewhere Outside the Law’"], trans. Robin Mackay, ''Journal of Visual Culture'' 15:3, 2016, pp 317-333.
 +
 
 
* Mark Wigley, James Graham, ''Cutting Matta-Clark: The Anarchitecture Project'', Lars Müller and GSAPP Books, 2017, 400 pp.
 
* Mark Wigley, James Graham, ''Cutting Matta-Clark: The Anarchitecture Project'', Lars Müller and GSAPP Books, 2017, 400 pp.
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* Frances Richard, ''Gordon Matta-Clark: Physical Poetics'', University of California Press, 2019, 560 pp. [https://www.ucpress.edu/book/9780520299092/gordon-matta-clark Publisher].
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==Films==
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* ''My Summer '77 with Gordon Matta-Clark'', dir. Cherica Convents, 2014, 30 min. [https://vimeo.com/ondemand/gordonmattaclarksummer77/80386647]
  
 
==See also==
 
==See also==

Latest revision as of 08:37, 18 July 2023

Gordon Matta-Clark (born Gordon Roberto Echaurren Matta; 22 June 1943 – 27 August 1978) was an American artist best known for his site-specific artworks he made in the 1970s.

Works[edit]

Publications[edit]

  • with Carol Goodden, Tina Girouard, Food, Cologne: Walther König, and Manchester: Cornerhouse, 2000, 48 pp. (English)/(German)
  • Gordon Matta-Clark. An Archival Sourcebook, eds. Gwendolyn Owens and Philip Ursprung, University of California Press, 2022, 424 pp. Publisher.

Literature[edit]

  • James Attlee, Lisa Le Feuvre, Gordon Matta-Clark: The Space Between, Portland: Nazraeli Press, 2003.
  • Mark Wigley, James Graham, Cutting Matta-Clark: The Anarchitecture Project, Lars Müller and GSAPP Books, 2017, 400 pp.
  • Frances Richard, Gordon Matta-Clark: Physical Poetics, University of California Press, 2019, 560 pp. Publisher.

Films[edit]

  • My Summer '77 with Gordon Matta-Clark, dir. Cherica Convents, 2014, 30 min. [1]

See also[edit]

Links[edit]