Difference between revisions of "Hanna B. Hölling"
(Created page with "'''Hanna B. Hölling''' is Associate Professor in the Department of History of Art, University College London, where she co-convenes the BA program History of Art, Materials a...") |
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| − | '''Hanna B. Hölling''' is | + | '''Hanna B. Hölling''' is a Research Professor and Principal Investigator at the Bern University of Applied Sciences—Academy of the Arts, where she leads and collaborates on research projects funded by the Swiss National Science Foundation. She is also an Honorary Fellow in the Department of History of Art at University College London (UCL). |
| − | + | Hanna’s research, teaching, and advising address subjects in art history and theory, media and material (culture) studies, museology, conservation, and American and European art created since the 1960s. | |
| − | Hanna is a frequent contributor to research seminars, conferences, and symposia. Her writings appeared in peer-reviewed journals, edited volumes, and exhibition catalogs. She serves as an advisor on international research projects and academic programs and acts as a reviewer for funding bodies, scholarly journals, and book series. [https://www.hannahoelling.com/ ( | + | Amongst the books she has published are: ''Paik’s Virtual Archive: On Time, Change and Materiality in Media Art'' (Oakland: University of California Press, 2017) and ''Revisions-Zen for Film'' (New York: Bard Graduate Center, 2015). Revisions accompanied an eponymous [https://www.bgc.bard.edu/exhibitions/exhibitions/8/revisions-zen-for-film exhibition] at the Bard Graduate Center Gallery in New York (17 September 2015–22 February 2016). |
| + | |||
| + | She also edited anthologies, ''[https://www.taylorfrancis.com/books/oa-edit/10.4324/9781003309987/ Performance: The Ethics and the Politics of Conservation and Care Vol. 1]'' (co-edited with Jules Pelta Feldman and Emilie Magnin, Routledge: 2023), ''Object—Event—Performance: Art, Materiality and Continuity since the 1960s'' (New York: Bard Cultural Histories of the Material World series, 2022), ''Landscape: Institute for Land and Environmental Art'' (co-edited with Johannes M. Hedinger; Vexer Verlag, 2020) and ''The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures'' (co-edited with Francesca Bewer and Katharina Ammann; London and Leiden: Brill 2019). | ||
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| + | Hanna is a frequent contributor to research seminars, conferences, and symposia. Her writings appeared in peer-reviewed journals, edited volumes, and exhibition catalogs. She serves as an advisor on international research projects and academic programs and acts as a reviewer for funding bodies, scholarly journals, and book series. | ||
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| + | Hanna serves as a consultant for public and private collections as well as artists, offering her expertise on sustainable collecting, archiving, and caring for works of art. [https://www.hannahoelling.com/ (2023)] | ||
; Links | ; Links | ||
| − | * [https://www.hannahoelling.com/ | + | * [https://www.hannahoelling.com/ Website] |
| + | * [https://www.bfh.ch/en/about-bfh/people/m25kohmpmtsa/ Profile on BFH Bern] | ||
| + | * [https://performanceconservationmaterialityknowledge.com/ Performance: Conservation, Materiality, Knowledge], research project, 2020-2024 | ||
* [https://activatingfluxus.com/ Activating Fluxus], research project, 2022-2026 | * [https://activatingfluxus.com/ Activating Fluxus], research project, 2022-2026 | ||
| + | * [https://orcid.org/0000-0002-3063-4405 ORCID] | ||
| + | * [https://twitter.com/hanidom Twitter] | ||
| − | [[ | + | [[Series:Art conservation]] [[Series:Art history]] [[Series:Art writers]] |
| − | [[ | ||
{{DEFAULTSORT:Hoelling, Hanna}} | {{DEFAULTSORT:Hoelling, Hanna}} | ||
Latest revision as of 13:05, 4 January 2024
Hanna B. Hölling is a Research Professor and Principal Investigator at the Bern University of Applied Sciences—Academy of the Arts, where she leads and collaborates on research projects funded by the Swiss National Science Foundation. She is also an Honorary Fellow in the Department of History of Art at University College London (UCL).
Hanna’s research, teaching, and advising address subjects in art history and theory, media and material (culture) studies, museology, conservation, and American and European art created since the 1960s.
Amongst the books she has published are: Paik’s Virtual Archive: On Time, Change and Materiality in Media Art (Oakland: University of California Press, 2017) and Revisions-Zen for Film (New York: Bard Graduate Center, 2015). Revisions accompanied an eponymous exhibition at the Bard Graduate Center Gallery in New York (17 September 2015–22 February 2016).
She also edited anthologies, Performance: The Ethics and the Politics of Conservation and Care Vol. 1 (co-edited with Jules Pelta Feldman and Emilie Magnin, Routledge: 2023), Object—Event—Performance: Art, Materiality and Continuity since the 1960s (New York: Bard Cultural Histories of the Material World series, 2022), Landscape: Institute for Land and Environmental Art (co-edited with Johannes M. Hedinger; Vexer Verlag, 2020) and The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures (co-edited with Francesca Bewer and Katharina Ammann; London and Leiden: Brill 2019).
Hanna is a frequent contributor to research seminars, conferences, and symposia. Her writings appeared in peer-reviewed journals, edited volumes, and exhibition catalogs. She serves as an advisor on international research projects and academic programs and acts as a reviewer for funding bodies, scholarly journals, and book series.
Hanna serves as a consultant for public and private collections as well as artists, offering her expertise on sustainable collecting, archiving, and caring for works of art. (2023)
- Links
- Website
- Profile on BFH Bern
- Performance: Conservation, Materiality, Knowledge, research project, 2020-2024
- Activating Fluxus, research project, 2022-2026
- ORCID
