Difference between revisions of "Harald Szeemann"
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; Exhibition catalogues | ; Exhibition catalogues | ||
* ''[[Media:Szeemann_Harald_ed_Formen_der_Farbe_Kunsthalle_Bern_1967.pdf|Formen der Farbe]]'', Bern: Kunsthalle Bern, 1967. [http://ubu.com/historical/szeemann] {{de}} | * ''[[Media:Szeemann_Harald_ed_Formen_der_Farbe_Kunsthalle_Bern_1967.pdf|Formen der Farbe]]'', Bern: Kunsthalle Bern, 1967. [http://ubu.com/historical/szeemann] {{de}} | ||
| − | * ''[http://ubu.com/historical/szeemann Live In Your Head: When Attitudes Become Form: Works-Concepts-Processes-Situations-Information]'', Bern: Kunsthalle Bern, 1969. | + | * ''[http://ubu.com/historical/szeemann Live In Your Head: When Attitudes Become Form: Works-Concepts-Processes-Situations-Information]'', Bern: Kunsthalle Bern, 1969. [http://www.getty.edu/research/tools/digital_collections/notable/burkhard_szeemann.html Exh. photographs]. |
* ''[http://monoskop.org/log/?p=14502 documenta 5. Befragung der Realität – Bildwelten heute]'', Kassel, 1972. | * ''[http://monoskop.org/log/?p=14502 documenta 5. Befragung der Realität – Bildwelten heute]'', Kassel, 1972. | ||
* ''[http://monoskop.org/log/?p=5896 Le Macchine Celibi / The Bachelor Machines]'', 1975. {{it}}/{{en}} | * ''[http://monoskop.org/log/?p=5896 Le Macchine Celibi / The Bachelor Machines]'', 1975. {{it}}/{{en}} | ||
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* Søren Grammel, ''Ausstellungsautorschaft: Die Konstruktion der auktorialen Position des Kurators bei Harald Szeemann. Eine Mikroanalyse'', Frankfurt am Main: Revolver, 2005, 64 pp. Review: [https://journals.openedition.org/perspective/1992 Bismarck] (Perspective). {{de}} | * Søren Grammel, ''Ausstellungsautorschaft: Die Konstruktion der auktorialen Position des Kurators bei Harald Szeemann. Eine Mikroanalyse'', Frankfurt am Main: Revolver, 2005, 64 pp. Review: [https://journals.openedition.org/perspective/1992 Bismarck] (Perspective). {{de}} | ||
* Hans-Joachim Müller, ''Harald Szeemann: Ausstellungsmacher'', Ostfildern-Ruit: Hatje Cantz, 2006, 168 pp. Review: [https://journals.openedition.org/perspective/1992 Bismarck] (Perspective). {{de}} | * Hans-Joachim Müller, ''Harald Szeemann: Ausstellungsmacher'', Ostfildern-Ruit: Hatje Cantz, 2006, 168 pp. Review: [https://journals.openedition.org/perspective/1992 Bismarck] (Perspective). {{de}} | ||
| − | * Tobia Bezzola, Roman Kurzmeyer (eds.), ''Harald Szeemann with by | + | * Tobia Bezzola, Roman Kurzmeyer (eds.), ''[http://gen.lib.rus.ec/book/index.php?md5=D6FDBBE41A7D153FF0847A29EA039B2D Harald Szeemann with by through because towards despite: Catalogue of All Exhibitions 1957-2005]'', Zurich: Voldemeer, and Vienna: Springer, 2007, 759 pp. Review: [https://journals.openedition.org/perspective/1992 Bismarck] (Perspective). |
* Florence Derieux (ed.), ''Harald Szeemann: Individual Methodology'', Zurich: JRP/Ringier, 2008, 248 pp. Review: [https://journals.openedition.org/perspective/1992 Bismarck] (Perspective). | * Florence Derieux (ed.), ''Harald Szeemann: Individual Methodology'', Zurich: JRP/Ringier, 2008, 248 pp. Review: [https://journals.openedition.org/perspective/1992 Bismarck] (Perspective). | ||
* Doris Chon, [https://sci-hub.tw/10.1086/685928 "Harald Szeemann’s Museum of Obsessions: The Legacy of a Mythological Institution"], ''Getty Research Journal'' 8, 2016, pp 247-256. | * Doris Chon, [https://sci-hub.tw/10.1086/685928 "Harald Szeemann’s Museum of Obsessions: The Legacy of a Mythological Institution"], ''Getty Research Journal'' 8, 2016, pp 247-256. | ||
| − | * ''Harald Szeemann: Museum of Obsessions'', eds. Glenn Phillips and Philipp Kaiser, with Doris Chon and Pietro | + | * ''Harald Szeemann: Museum of Obsessions'', eds. Glenn Phillips and Philipp Kaiser, with Doris Chon and Pietro Rigolo, Los Angeles: Getty Research Institute, 2018, viii+406 pp. Catalogue. Review: [http://sci-hub.tw/10.1080/00043249.2019.1598154 grupa o.k.] (Art Journal). |
| − | Rigolo, Los Angeles: Getty Research Institute, 2018, viii+406 pp. Catalogue. Review: [http://sci-hub.tw/10.1080/00043249.2019.1598154 grupa o.k.] (Art Journal). | ||
** ''Harald Szeemann: Museum der Obsessionen'', Zürich: Scheidegger & Spiess, 2018, 406 pp. {{de}} | ** ''Harald Szeemann: Museum der Obsessionen'', Zürich: Scheidegger & Spiess, 2018, 406 pp. {{de}} | ||
* Max Rosenberg, [https://sci-hub.tw/10.1086/702750 "Harald Szeemann and the Road Back to the Museum"], ''Getty Research Journal'' 11, 2019, pp 107-132. | * Max Rosenberg, [https://sci-hub.tw/10.1086/702750 "Harald Szeemann and the Road Back to the Museum"], ''Getty Research Journal'' 11, 2019, pp 107-132. | ||
Revision as of 11:33, 13 July 2019
Harald Szeemann (11 June 1933 – 18 February 2005) was a Swiss museum director, curator and organizer of exhibitions.
- Exhibition catalogues
- Formen der Farbe, Bern: Kunsthalle Bern, 1967. [1] (German)
- Live In Your Head: When Attitudes Become Form: Works-Concepts-Processes-Situations-Information, Bern: Kunsthalle Bern, 1969. Exh. photographs.
- documenta 5. Befragung der Realität – Bildwelten heute, Kassel, 1972.
- Le Macchine Celibi / The Bachelor Machines, 1975. (Italian)/(English)
- Publications
- Harald Szeemann: Selected Writings, ed. Doris Chon, Glenn Phillips, and Pietro Rigolo, trans. Jonathan Blower and Elizabeth Tucker, Los Angeles: Getty Research Institute, 2018, 424 pp. Review: grupa o.k. (Art Journal). (English)
- Interviews
- "Harald Szeemann Talks to Chinese Artists about Venice, CCAA, and Curatorial Strategies", trans. Karen Smith, in Chinese Art at the Crossroads: Between Past and Future, Between East and West, ed. Wu Hung, Hong Kong: New Art Media, and London: Institute of International Visual Arts, 2001, pp 148-161.
- Literature
- Søren Grammel, Ausstellungsautorschaft: Die Konstruktion der auktorialen Position des Kurators bei Harald Szeemann. Eine Mikroanalyse, Frankfurt am Main: Revolver, 2005, 64 pp. Review: Bismarck (Perspective). (German)
- Hans-Joachim Müller, Harald Szeemann: Ausstellungsmacher, Ostfildern-Ruit: Hatje Cantz, 2006, 168 pp. Review: Bismarck (Perspective). (German)
- Tobia Bezzola, Roman Kurzmeyer (eds.), Harald Szeemann with by through because towards despite: Catalogue of All Exhibitions 1957-2005, Zurich: Voldemeer, and Vienna: Springer, 2007, 759 pp. Review: Bismarck (Perspective).
- Florence Derieux (ed.), Harald Szeemann: Individual Methodology, Zurich: JRP/Ringier, 2008, 248 pp. Review: Bismarck (Perspective).
- Doris Chon, "Harald Szeemann’s Museum of Obsessions: The Legacy of a Mythological Institution", Getty Research Journal 8, 2016, pp 247-256.
- Harald Szeemann: Museum of Obsessions, eds. Glenn Phillips and Philipp Kaiser, with Doris Chon and Pietro Rigolo, Los Angeles: Getty Research Institute, 2018, viii+406 pp. Catalogue. Review: grupa o.k. (Art Journal).
- Harald Szeemann: Museum der Obsessionen, Zürich: Scheidegger & Spiess, 2018, 406 pp. (German)
- Max Rosenberg, "Harald Szeemann and the Road Back to the Museum", Getty Research Journal 11, 2019, pp 107-132.
- Documentary films
- Harald Szeemann - Ein Portrait, dir. Gaudenz Meili and Hans-Joachim Müller, 1992, 45 min. TV documentary. (German)
- A Closer Look: Being Harald Szeemann, 2013, 10 min. The Getty Research Institute acquires the Harald Szeemann archive.
- Retrospectives, recreated exhibitions
- Harald Szeemann: Museum of Obsessions, Getty Research Institute, Los Angeles, February-May 2018; Kunsthalle Bern, June-September 2018; Kunsthalle Düsseldorf October 2018-January 2019; Castello di Rivoli Museo d'Arte Contemporanea, Rivoli, February-May 2019; and Swiss Institute, New York, June-August 2019. Review: grupa o.k. (Art Journal).
- Harald Szeemann: Grandfather: A Pioneer Like Us (1974), Institute of Contemporary Art, Los Angeles, February-April 2018; Kunsthalle Bern, June-September 2018; Kunsthalle Düsseldorf, October 2018-January 2019; Castello di Rivoli Museo d'Arte Contemporanea, Rivoli, February-May 2019; and Swiss Institute, New York, June-August 2019. A recreation of Szeemann’s exhibition. Review: grupa o.k. (Art Journal).
- Links
