Difference between revisions of "Hermann von Helmholtz"

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(in German unless noted)
 
(in German unless noted)
 
* ''Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik'', Braunschweig: Vieweg, 1863, [http://vlp.mpiwg-berlin.mpg.de/references?id=lit3483 MPIWG]; 3th ed., 1870, [http://vlp.mpiwg-berlin.mpg.de/references?id=lit3865 MPIWG]; 4th ed., 1877, [http://archive.org/details/b21271896 IA]; Frankfurt/Main: Minerva, 1981.  
 
* ''Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik'', Braunschweig: Vieweg, 1863, [http://vlp.mpiwg-berlin.mpg.de/references?id=lit3483 MPIWG]; 3th ed., 1870, [http://vlp.mpiwg-berlin.mpg.de/references?id=lit3865 MPIWG]; 4th ed., 1877, [http://archive.org/details/b21271896 IA]; Frankfurt/Main: Minerva, 1981.  
** ''Théorie physiologique de la musique, fondée sur l'étude des sensations auditives'', trans. Georges Guéroult, Paris: Victor Masson, 1868, [http://archive.org/details/thoriephysiologi01helm IA], [http://archive.org/details/thoriephysiolo00helm IA]; 2nd ed., 1874. (in French)
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** ''Théorie physiologique de la musique, fondée sur l'étude des sensations auditives'', trans. Georges Guéroult, Paris: Victor Masson, 1868, [http://archive.org/details/thoriephysiologi01helm IA], [http://archive.org/details/thoriephysiolo00helm IA]; 2nd ed., 1874. {{fr}}
 
** ''On the Sensations of Tone as a Physiological Basis for the Theory of Music'', trans. & notes Alexander J. Ellis (of 3rd German ed.), 1875, [http://archive.org/details/onsensationston00helmgoog IA]; 2nd ed., rev., 1885, [http://archive.org/details/onsensationston00unkngoog IA]; 3rd ed., London and New York: Longmans, Green, and Co., 1895, [http://archive.org/details/onsensationsofto00helmrich IA], [http://archive.org/details/onsensationston02helmgoog IA], [http://archive.org/details/onsensationston00elligoog IA]; 4th ed., 1912, [http://archive.org/details/onsensationston01helmgoog IA]. {{en}}
 
** ''On the Sensations of Tone as a Physiological Basis for the Theory of Music'', trans. & notes Alexander J. Ellis (of 3rd German ed.), 1875, [http://archive.org/details/onsensationston00helmgoog IA]; 2nd ed., rev., 1885, [http://archive.org/details/onsensationston00unkngoog IA]; 3rd ed., London and New York: Longmans, Green, and Co., 1895, [http://archive.org/details/onsensationsofto00helmrich IA], [http://archive.org/details/onsensationston02helmgoog IA], [http://archive.org/details/onsensationston00elligoog IA]; 4th ed., 1912, [http://archive.org/details/onsensationston01helmgoog IA]. {{en}}
  
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* Gregor Schiemann, ''Hermann von Helmholtz’ Mechanismus im Anbruch der Moderne. Eine Studie zum Übergang von klassischer zu moderner Naturphilosophie'', Darmstadt: Wissenschaftliche Buchgesellschaft, 1997. {{de}}
 
* Gregor Schiemann, ''Hermann von Helmholtz’ Mechanismus im Anbruch der Moderne. Eine Studie zum Übergang von klassischer zu moderner Naturphilosophie'', Darmstadt: Wissenschaftliche Buchgesellschaft, 1997. {{de}}
 
** ''Hermann von Helmholtz's Mechanism: The Loss of Certainty: A Study on the Transition from Classical to Modern Philosophy of Nature'', trans. Cynthia Klohr, Springer, 2009, 284 pp, [http://gen.lib.rus.ec/get?md5=E8E854B5F3FE063F9CA01BF5B98649C7 PDF]. [http://www.philosophie.uni-wuppertal.de/fileadmin/philosophie/PDFs_allg/Schiemann/RezensionCentaurus.pdf Review].
 
** ''Hermann von Helmholtz's Mechanism: The Loss of Certainty: A Study on the Transition from Classical to Modern Philosophy of Nature'', trans. Cynthia Klohr, Springer, 2009, 284 pp, [http://gen.lib.rus.ec/get?md5=E8E854B5F3FE063F9CA01BF5B98649C7 PDF]. [http://www.philosophie.uni-wuppertal.de/fileadmin/philosophie/PDFs_allg/Schiemann/RezensionCentaurus.pdf Review].
* Michel Meulders, ''Helmholtz: Des lumières aux neurosciences'', Paris: Odile Jacob, 2001. (in French)
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* Michel Meulders, ''Helmholtz: Des lumières aux neurosciences'', Paris: Odile Jacob, 2001. {{fr}}
 
** ''Helmholtz: From Enlightenment to Neuroscience'', trans. & ed. Laurence Garey, MIT Press, 2010, 235 pp, [http://monoskop.org/log/?p=7967 Log].
 
** ''Helmholtz: From Enlightenment to Neuroscience'', trans. & ed. Laurence Garey, MIT Press, 2010, 235 pp, [http://monoskop.org/log/?p=7967 Log].
 
* Benjamin Steege, ''Helmholtz and the Modern Listener'', Cambridge University Press, 2012, [http://gen.lib.rus.ec/get?md5=0b105e4662993c17d007e1553b3ad131 PDF].
 
* Benjamin Steege, ''Helmholtz and the Modern Listener'', Cambridge University Press, 2012, [http://gen.lib.rus.ec/get?md5=0b105e4662993c17d007e1553b3ad131 PDF].

Revision as of 20:18, 18 October 2016

Writings

(in German unless noted)

  • Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik, Braunschweig: Vieweg, 1863, MPIWG; 3th ed., 1870, MPIWG; 4th ed., 1877, IA; Frankfurt/Main: Minerva, 1981.
    • Théorie physiologique de la musique, fondée sur l'étude des sensations auditives, trans. Georges Guéroult, Paris: Victor Masson, 1868, IA, IA; 2nd ed., 1874. (French)
    • On the Sensations of Tone as a Physiological Basis for the Theory of Music, trans. & notes Alexander J. Ellis (of 3rd German ed.), 1875, IA; 2nd ed., rev., 1885, IA; 3rd ed., London and New York: Longmans, Green, and Co., 1895, IA, IA, IA; 4th ed., 1912, IA. (English)
Selected works
  • Science and Culture: Popular and Philosophical Essays, ed. & intro. David Cahan, University Of Chicago Press, 1995, 418 pp, PDF.

Literature

Monographs
  • Leo Koenigsberger, Hermann von Helmholtz, 3 vols., Braunschweig: Olms, 1902, IA; Hildesheim: Olms-Weidmann, 2003. (German)
    • Hermann von Helmholtz, trans. Frances A. Welby, intro. Lord Kelvin, Oxford: Clarendon Press, 1906, IA.
  • David Cahan, Hermann von Helmholtz and the Foundations of Nineteenth-Century Science, University of California Press, 1994, CHM.
  • Gregor Schiemann, Hermann von Helmholtz’ Mechanismus im Anbruch der Moderne. Eine Studie zum Übergang von klassischer zu moderner Naturphilosophie, Darmstadt: Wissenschaftliche Buchgesellschaft, 1997. (German)
    • Hermann von Helmholtz's Mechanism: The Loss of Certainty: A Study on the Transition from Classical to Modern Philosophy of Nature, trans. Cynthia Klohr, Springer, 2009, 284 pp, PDF. Review.
  • Michel Meulders, Helmholtz: Des lumières aux neurosciences, Paris: Odile Jacob, 2001. (French)
    • Helmholtz: From Enlightenment to Neuroscience, trans. & ed. Laurence Garey, MIT Press, 2010, 235 pp, Log.
  • Benjamin Steege, Helmholtz and the Modern Listener, Cambridge University Press, 2012, PDF.
  • Erwin Hiebert, The Helmholtz Legacy in Physiological Acoustics, Springer, 2014, PDF.
  • Writings on Helmholtz in Internet Archive
Essays
  • Timothy Lenoir, "The Eye as Mathematician: Clinical Practice, Instrumentation, and Helmholtz's Construction of an Empiricist Theory of Vision", in Hermann von Helmholtz and the Foundations of Nineteenth-Century Science, ed. David Cahan, Berkeley: University of California Press, 1993, pp 109-153, PDF.
  • Timothy Lenoir, "Helmholtz and the Materialities of Communication", in Osiris 9 (1994), eds. Thomas P. Hankins and Albert van Helden, pp 184-207, PDF.
  • Timothy Lenoir, "Operationalizing Kant. Manifolds, Models, and Math in Helmholtz's Theories of Perception", in The Kantian Legacy in Nineteenth-Century Science, eds. Michael Friedman and Alfred Nordmann, 2006, pp 141-210, PDF.
  • Julia Kursell, "Sound Objects", in Sounds of Science – Schall im Labor, 1800–1930, ed. Kursell, Berlin: Max-Planck Institute for the History of Science, 2008, pp 29-38, PDF.
  • Gregor Schiemann, "Experimental Knowledge and the Theory of Producing it: Hermann von Helmholtz", in Generating Experimental Knowledge, Berlin: Max Planck Institute for the History of Science, 2008, pp 109-120, PDF.
  • Lydia Patton, "Hermann von Helmholtz", Stanford Encyclopedia of Philosophy, 2008f, HTML.

Links