Difference between revisions of "Hito Steyerl"

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==Writings, catalogues==
 
==Writings, catalogues==
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* editor, with Maria Lind, ''The Greenroom: Reconsidering the Documentary and Contemporary Art #1'', Berlin: Sternberg, 2008. [http://www.lespressesdureel.com/PDF/1433.pdf Introduction]. [http://www.sternberg-press.com/index.php?pageId=1225&bookId=120&l=en]
 
* ''[http://monoskop.org/log/?p=6094 The Wretched of the Screen]'', intro. Franco "Bifo" Berardi, Berlin: Sternberg Press, Berlin, and New York: e-flux, 2012.
 
* ''[http://monoskop.org/log/?p=6094 The Wretched of the Screen]'', intro. Franco "Bifo" Berardi, Berlin: Sternberg Press, Berlin, and New York: e-flux, 2012.
 
** ''[http://monoskop.org/log/?p=6094 Los condenados de la pantalla]'', trans. Marcelo Expósito, Buenos Aires: Caja Negra, 2014. {{es}}  
 
** ''[http://monoskop.org/log/?p=6094 Los condenados de la pantalla]'', trans. Marcelo Expósito, Buenos Aires: Caja Negra, 2014. {{es}}  

Revision as of 14:23, 5 January 2017

Hito Steyerl works as filmmaker, videoartist and author in the area of essayist documentary film, postcolonial criticism, as producer as well as theorist. The works are located on the interface between film and fine arts. Main topics: cultural globalisation, political theory, global feminism, and migration. Further activities include work as political journalist, film and art critic, catalogue and book author. The films have received international awards and are screened on TV in many countries. Phd in philosophy. Visiting Professor for Experimental Media Creation at Universitaet der Kuenste, Berlin, numerous lecturerships at art and filmschools in Vienna, Munich, Hannover, etc.

Films

Selected exhibitions

Writings, catalogues

Interviews

Literature