Difference between revisions of "Howard Slater"

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(Created page with "Howard Slater is a London-based writer and researcher. His texts have appeared in ''Datacide'', as part of the collaborative TechNet project, and under pseudonym in ''Alien Un...")
 
 
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Howard Slater is a London-based writer and researcher. His texts have appeared in ''Datacide'', as part of the collaborative TechNet project, and under pseudonym in ''Alien Underground, Shimmer'' and ''The Techno Connection''. He is the editor of ''Break/Flow''.
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'''Howard Slater''' has worked in housing and as a volunteer play therapist. He now works in mental health as a support worker. Whilst he has been writing since the early 1980s he has mainly been published in small press magazines, independent publishing initiatives and web sites. His texts and poetry have been supported and published by: ''10th Floor, Alien Underground, Audiolab Arteleku, Autonomedia, Autotoxicity, Break/Flow, Copenhagen Free University, Datacide, Difficult Fun, Fatuous Times, Five Leaves Left, Here & Now, Infopool, Infotainment, Mute, Night Class, Noise Gate, Obsessive Eye, Palantir, Papakura Post Office, Penniless Press, Rebel Ink, Resonance Magazine (LMC), School of Walls & Space, Smile, TechNET, Variant, Working Press''. He was the editor of ''Break/Flow''. He was one of the five founder members of the London-based [[MayDay Rooms]] initiative.  
  
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; Writings
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==Publications==
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* Howard Slater/Eddie Miller/Flint Michigan, "Post-Media Operators", ''Break/Flow'', 28 February 1997. Republished in ''Datacide'' 2 (June 1997) [http://datacide.c8.com/post-media-operators/]; ''[http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/pdf/sound.pdf Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime]'', 1999, pp 398-399.
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* editor, ''Break/Flow'', 1996ff. Magazine.
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* Howard Slater, "[http://datacide.c8.com/post-media-operators-%E2%80%9Csovereign-vague%E2%80%9D/ Post-Media Operators: 'Sovereign and Vague']", ''Datacide'' 7 (August 2000). Republished in ''[http://monoskop.org/log/?p=539 An@rchitexts: Voices from the Global Digital Resistance]'', edited by Joanne Richardson, 2005, pp 194-202; and ''Mute'' [http://www.postmedialab.org/post-media-operators-sovereign-and-vague].
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* editor, ''[https://datacide-magazine.com/magazine/ Datacide]'', 17 numbers, 1997-2017. Magazine.
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* Howard Slater/Eddie Miller/Flint Michigan, "Post-Media Operators", ''Break/Flow'', 28 Feb 1997; [https://datacide-magazine.com/post-media-operators/ repr. in] ''Datacide'' 2, Jun 1997; [https://monoskop.org/images/c/c3/Read_Me_ASCII_Culture_and_The_Revenge_of_Knowledge.pdf#page=340 repr. in] ''ReadMe! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime'', New York: Autonomedia, 1999, pp 398-399.
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* [http://datacide-magazine.com/parallaxed/ "Parallaxed"], ''Datacide'' 3, Oct 1997.
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* [http://web.archive.org/web/20050212141156/www.openlyclassist.org.uk/hslater.htm "The New Wave Films and the Loneliness of a Long Distance Runner"], London: Working Press, n.d., [http://web.archive.org/web/20050128065653/http://ourworld.compuserve.com/homepages/working_press/WP4.TXT TXT]. [http://web.archive.org/web/20050127061942/http://ourworld.compuserve.com/homepages/Working_Press/FREE.HTM]
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* ''[http://web.archive.org/web/20050205094056/http://ourworld.compuserve.com/homepages/working_press/slater1.htm Working Class Novelists 1930-1950]'', London: Working Press, n.d. Pamphlet. [http://web.archive.org/web/20050127061942/http://ourworld.compuserve.com/homepages/Working_Press/FREE.HTM]
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* [http://web.archive.org/web/20120105114016/home.planet.nl/~frankbri/slaterfac.html "Graveyard And Ballroom: A Factory Records Scrapbook"], Mar 1998.
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* [http://datacide-magazine.com/the-western/ "The Western"], ''Datacide'' 4, Mar-Jul 1998.
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* [http://datacide-magazine.com/minimal-apertures-insert-to-the-western/ "Minimal Apertures (Insert to The Western)"], ''Datacide'' 4, Mar-Jul 1998.
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* [http://web.archive.org/web/20100205054903/http://www.infopool.org.uk/Stamm.htm "Post-Media Operators: An Imaginary Address"], ''Break/Flow'', 22 Sep 1998.
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* [http://datacide-magazine.com/autotraumatisation-on-the-movies-of-john-carpenter/ "Autotraumatisation – On the Movies of John Carpenter"], ''Datacide'' 5, Jan 1999.
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* [http://datacide-magazine.com/%e2%80%9clong-live-death%e2%80%9d/ "'Long Live Death': On Pasolini’s ''Salo''"], ''Datacide'' 6, May 1999.
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* [http://datacide-magazine.com/%e2%80%9cinvolutionary-music%e2%80%9d/ "'Involutionary Music': Ultra-red: An Electroacoustic Pastoral (Mille Plateaux)"], ''Datacide'' 6, May 1999.
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* [http://datacide-magazine.com/breakflow/ "Break/Flow"], ''Datacide'' 6, May 1999.
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* [http://datacide-magazine.com/loose-watch/ "Loose Watch: a Lost and Found Times Critical Anthology (Invisible Books)"], ''Datacide'' 6, May 1999.
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* ''Break/Flow'', London, Apr 1999. Selected writings from 1997-1999. [https://www.bookogs.com/book/651974-break-flow]
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* [https://nettime.org/Lists-Archives/nettime-l-9908/msg00031.html "Past Imperfect in the Electronic Archive"], ''Nettime'', 10 Aug 1999.
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* "Post-Media Operators: 'Sovereign and Vague'", ''Infotainment'' 5, 1999; [https://datacide-magazine.com/post-media-operators-%E2%80%9Csovereign-vague%E2%80%9D/ repr. in] ''Datacide'' 7, Aug 2000; [http://subsol.c3.hu/subsol_2/contributors0/slatertext.html repr. in] ''An@rchitexts: Voices from the Global Digital Resistance'', ed. Joanne Richardson, New York: Autonomedia, 2005, pp 194-202; repr. in ''Mute'', 8 Feb 2012; [https://monoskop.org/images/5/5b/Provocative_Alloys_A_Post-Media_Anthology_2013.pdf#page=29 repr. in] ''Provocative Alloys: A Post-Media Anthology'', eds. Clemens Apprich, Josephine Berry Slater, Anthony Iles, and Oliver Lerone Schultz, London: Mute, and Lüneburg: Post-Media Lab, 2013, pp 28-43.
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* [http://web.archive.org/web/20100219003614/http://www.infopool.org.uk/APG.htm The Art of Governance: On The Artist Placement Group 1966-1989 ], ''Break/Flow'', Feb/Mar 2000; repr. in ''Variant'' 2:11, Summer 2000.
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* ''[http://web.archive.org/web/20100130181132/http://infopool.org.uk/hs.htm The Spoiled Ideals of Lost Situations: Some Notes on Political Conceptual Art]'', ''Break/Flow'', Jun 2000.
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* ''[http://scansitu.antipool.org/2001.html Divided We Stand: An Outline of Scandinavian Situationism]'', Infopool, Apr 2001. Pamphlet.
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* [http://www.variant.org.uk/14texts/Variant_Forum.html "Occasional Documents: Towards Situation"], ''Variant'' 14, Winter 2001.
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* [http://web.archive.org/web/20090827005313/http://www.infopool.org.uk/rimbaud.htm "Rimbaud: Intermediary Militant: Through Rimbaud's Season in Hell"], ''Break/Flow'', Mar 2002.
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* [http://datacide-magazine.com/godard-the-child-of-marx-coca-cola/ "Godard – THE CHILD OF MARX & COCA COLA: On Godard’s Masculin/Feminin"], ''Datacide'' 8, Oct 2002.
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* [http://datacide-magazine.com/lotta-continua/ "Lotta Continua: Roots Music and the Politics of Production"], ''Datacide'' 9, May 2006.
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* [http://datacide-magazine.com/convergent-suggestion/ "Convergent Suggestion – Notes on Organisation and Surrealism"], ''Datacide'' 10, Oct 2008.
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* [https://datacide-magazine.com/magazine/datacide-eleven/ "Infra-Noir. 23 Untitled Poems"], ''Datacide'' 11, Feb 2011.
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* ''Anomie/Bonhomie & Other Writings'', London: Mute, 2012, 152 pp. [http://www.metamute.org/shop/mute-books/anomie-bonhomie-other-writings]. Review: [https://drstevehanson.files.wordpress.com/2015/09/anomie-bonhomie-and-other-writings.pdf Hanson] (Nyx).
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** ''[[Media:Slater_Howard_Anomija_Bonomija_i_drugi_tekstovi_2013.pdf|Anomija/Bonomija i drugi tekstovi]]'', trans. Dušan Đorđević Mileusnić, Đorđe Čolić, et al., Novi Sad: Centar za nove medije_kuda.org, 2013, 164 pp. [https://www.kuda.org/sr/anomijabonomija-i-drugi-tekstovi-knjiga-howarda-slatera] [http://www.metamute.org/community/your-posts/translation-anomiebonhomie-serbo-croatian] {{sc}}
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* [https://www.metamute.org/editorial/articles/lotta-poetica "Lotta Poetica"], ''Mute'', 6 Nov 2013.
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* editor, with kuda.org, ''[https://monoskop.org/log/?p=15815 Faculty of De-Programming for Obsolescence! Welcome!]'', Novi Sad: New Media Center_kuda.org, 2014, 150 pp, [[Media:Slater_Howard_kuda.org_eds_Faculty_of_De-Programming_for_Obsolescence_Welcome.pdf|PDF]]. {{en}}
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** ''[https://monoskop.org/log/?p=15815 Fakultet za deprogramiranje zastarelosti! Dobrodošli!]'', Novi Sad: Centar za nove medije_kuda.org, 2014, 150 pp, [[Media:Slater_Howard_kuda.org_eds_Fakultet_za_deprogramiranje_zastarelosti_2014.pdf|PDF]]. {{sc}}
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* [https://aaaaarg.fail/maker/53106b80334fe072692016b8 ARG]

Latest revision as of 12:23, 11 December 2021

Howard Slater has worked in housing and as a volunteer play therapist. He now works in mental health as a support worker. Whilst he has been writing since the early 1980s he has mainly been published in small press magazines, independent publishing initiatives and web sites. His texts and poetry have been supported and published by: 10th Floor, Alien Underground, Audiolab Arteleku, Autonomedia, Autotoxicity, Break/Flow, Copenhagen Free University, Datacide, Difficult Fun, Fatuous Times, Five Leaves Left, Here & Now, Infopool, Infotainment, Mute, Night Class, Noise Gate, Obsessive Eye, Palantir, Papakura Post Office, Penniless Press, Rebel Ink, Resonance Magazine (LMC), School of Walls & Space, Smile, TechNET, Variant, Working Press. He was the editor of Break/Flow. He was one of the five founder members of the London-based MayDay Rooms initiative.

Publications[edit]

  • Anomie/Bonhomie & Other Writings, London: Mute, 2012, 152 pp. [4]. Review: Hanson (Nyx).
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