Difference between revisions of "Interfunktionen"
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| − | '''Interfunktionen''', an art journal which published 12 issues between 1968 and 1975 in Cologne, founded by Friedrich Wolfram (aka Fritz) Heubach and edited together with Benjamin H.D. Buchloh. It had been one of the most important European art magazine since World War II. Dissenting from the new 'art-as-commodity' attitude expressed at Arnold Bode's ''documenta 4'', ''Interfunktionen'' was an interdisciplinary effort among activist artists to promote European art and ideas without bowing to the era's increasingly commercial trends. [http://simsreed.com/books/periodicals/periodicals.php?category=periodicals&stk=38816] | + | '''Interfunktionen''', an art journal which published 12 issues between 1968 and 1975 in Cologne, founded by Friedrich Wolfram (aka Fritz) Heubach and later edited together with Benjamin H.D. Buchloh (nos. 11-12). It had been one of the most important European art magazine since World War II. Dissenting from the new 'art-as-commodity' attitude expressed at Arnold Bode's ''documenta 4'', ''Interfunktionen'' was an interdisciplinary effort among activist artists to promote European art and ideas without bowing to the era's increasingly commercial trends. [http://simsreed.com/books/periodicals/periodicals.php?category=periodicals&stk=38816] |
==Publications== | ==Publications== | ||
Revision as of 14:51, 12 August 2017
Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, founded by Friedrich Wolfram (aka Fritz) Heubach and later edited together with Benjamin H.D. Buchloh (nos. 11-12). It had been one of the most important European art magazine since World War II. Dissenting from the new 'art-as-commodity' attitude expressed at Arnold Bode's documenta 4, Interfunktionen was an interdisciplinary effort among activist artists to promote European art and ideas without bowing to the era's increasingly commercial trends. [1]
Publications
- Behind The Facts: Interfunktionen 1968-1975, ed. Gloria Moure, Barcelona: Poligrafa, 2004, 544 pp. [2] (English)
- Christine Mehring, "Continental Schrift: The Story of Interfunktionen", Artforum International 42, May 2004, pp 178-183. [3] [4] (English)
- Alan W. Moore, "Talk: Interfunktionen and Avalanche discussed at MoMA panel", 2006. Audio recording of the panel.
- Gwen Allen, Artists' Magazines. An Alternative Space for Art, MIT Press, 2011, pp 201-225. (English)
- Burcu Dogramaci, "Die Zeitschrift Interfunktionen (1968–1975). Künstlerisches Medium gestalteter Anarchie", Kritische Berichte 40:4 (2012), pp 66-76. (German)
