Difference between revisions of "Ivana Rumanová"

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'''Ivana Rumanová''' (1985) is a cultural critic, curator and anthropologist based in [[Bratislava]]. 
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[[Image:Ivana_Rumanova_2021.jpg|thumb|350px|Ivana Rumanová, 2021.]]
  
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Ivana Rumanová studied cultural anthropology at the Faculty of Arts, Charles University in Prague and the Cultural Projects in the Public Space programme at Université Paris 1 Panthéon-Sorbonne. She worked as a curator for [http://www.novasynagoga.sk/tag/ivana-rumanova/ Nová synagóga Žilina] (The New Synagogue of Žilina, 2016 – 2019) and as a project manager at tranzit.sk (since 2019). She is a member of the editorial board of the magazines ''[https://kapital-noviny.sk/ Kapitál]'' (visual department, visual curator) and ''[[3/4]]'' which bring a critical reflection on art and technology and their social and political overlaps. She also writes for ''Artalk.cz, Flash Art, A2, kød''. Recently she has worked on the exhibition project ''[https://sk.tranzit.org/en/exhibition/0/2021-11-24/we-have-never-been-closer Nikdy sme neboli bližšie]'' (We Have Never Been Closer) at tranzit.sk (2021-2022, with Dušan Barok), co-organized the interdisciplinary project ''[https://urbanimaginationsk.cargo.site/ Seminár urbánnej imaginácie]'' (Seminar of Urban Imagination, 2020-2021, with Eliška Mazalanová and Peter Szalay), which explores the right to the city in a time of the climate crisis, contributed to Martin Piaček‘s research project ''[http://www.liquiddogmas.org/ Liquid Dogmas]'' (2020), and acted as dramaturge for choreographer Yuri Korec‘s physical performance ''Sapiens Territory'' (2020). She currently works with the City Gallery of Bratislava on an external basis acting as a curator of a public space programme reflecting on gentrification and housing unavailability, she also prepares a residential programme in the Nová Cvernovka center centered around solidarity and radical care platforms and organizes the series ''Kapitalks''. [https://artalk.cz/category/artalk-revue/6zima-2021komunity/ (2021)]
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'''Ivana Rumanová''' is a cultural critic, curator and anthropologist based in [[Bratislava]]. 
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Ivana Rumanová studied cultural anthropology at the Faculty of Arts, Charles University in Prague and the Cultural Projects in the Public Space programme at Université Paris 1 Panthéon-Sorbonne. She worked as a curator at [http://www.novasynagoga.sk/tag/ivana-rumanova/ Nová synagóga Žilina] (The New Synagogue of Žilina, 2016-2019) and as a project manager at [[tranzit.sk]] (2019-2021). She is a member of the editorial board of the magazines ''[https://kapital-noviny.sk/ Kapitál]'' (visual department, visual curator) and ''[[3/4]]'' which bring critical reflection on art and technology and their social and political overlaps. She also writes for ''Artalk.cz, Flash Art, A2, kød''. Her recent work includes ''[https://urbanimaginationsk.cargo.site/ Seminár urbánnej imaginácie]'' (Seminar of Urban Imagination, 2020-2021, with Eliška Mazalanová and Peter Szalay), which explores the right to the city in a time of climate crisis, ''[https://sk.tranzit.org/en/exhibition/0/2021-11-24/we-have-never-been-closer Nikdy sme neboli bližšie]'' (We Have Never Been Closer, 2021-2022, with Dušan Barok) at tranzit.sk, which reflects on the phenomenon of networked communities in relation to transitology, and the dramaturgy of Miroslav Tóth's techno-opera ''The Committee''. She contributed to Martin Piaček‘s research project ''[http://www.liquiddogmas.org/ Liquid Dogmas]'' (2020), and acted as dramaturge for choreographer Yuri Korec‘s physical performance ''Sapiens Territory'' (2020). She organizes the ''Kapitalks'' series of events and curated the Right to the City residency programme for the City Gallery of Bratislava (GMB). She has also collaborated with Nová Cvernovka, where she curated the programme Reaktor with the theme of solidarity platforms and radical care. (2022)
  
 
; Publications
 
; Publications

Revision as of 12:07, 2 December 2022

Ivana Rumanová, 2021.

Ivana Rumanová is a cultural critic, curator and anthropologist based in Bratislava.

Ivana Rumanová studied cultural anthropology at the Faculty of Arts, Charles University in Prague and the Cultural Projects in the Public Space programme at Université Paris 1 Panthéon-Sorbonne. She worked as a curator at Nová synagóga Žilina (The New Synagogue of Žilina, 2016-2019) and as a project manager at tranzit.sk (2019-2021). She is a member of the editorial board of the magazines Kapitál (visual department, visual curator) and 3/4 which bring critical reflection on art and technology and their social and political overlaps. She also writes for Artalk.cz, Flash Art, A2, kød. Her recent work includes Seminár urbánnej imaginácie (Seminar of Urban Imagination, 2020-2021, with Eliška Mazalanová and Peter Szalay), which explores the right to the city in a time of climate crisis, Nikdy sme neboli bližšie (We Have Never Been Closer, 2021-2022, with Dušan Barok) at tranzit.sk, which reflects on the phenomenon of networked communities in relation to transitology, and the dramaturgy of Miroslav Tóth's techno-opera The Committee. She contributed to Martin Piaček‘s research project Liquid Dogmas (2020), and acted as dramaturge for choreographer Yuri Korec‘s physical performance Sapiens Territory (2020). She organizes the Kapitalks series of events and curated the Right to the City residency programme for the City Gallery of Bratislava (GMB). She has also collaborated with Nová Cvernovka, where she curated the programme Reaktor with the theme of solidarity platforms and radical care. (2022)

Publications
Interviews
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