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| − | Writer, curator, artist, working as curator in Museum of
| + | #REDIRECT [[Kristian Lukić]] |
| − | Contemporary Art in [[Novi Sad]], Serbia and also active in [[Napon|Institute for Flexible Cultures and Technologies - Napon]]. Before that working in New Media Center [[kuda|kuda.org]] in Novi Sad as program manager (still collaborating on some projects).
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| − | In 2007 in Novi Sad, Serbia co-organized exhibition and conference [[Play Cultures]], and also exhibition and conference in
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| − | 2008, [[Territories & Resources]] (about play/work connection in web 2.0 and social networks).
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| − | Graduated from Art history at Belgrade University of Arts. Currently finishing MA thesis at Theory of Art and Media at Belgrade University of Arts under the name "Commodified Play".
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| − | "I'm mostly interested in conepts of play as free activity definied by
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| − | Huizinga and Callois and today's problems with these definitions. Also
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| − | how play is becoming more and more commodified human activity, the
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| − | concept of agon apears to be "ruling" play element, especially in the
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| − | notion of Virno's Negation and Inovation and what Pasquinelli describe
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| − | as Immaterial Civil War. In young animals, play is mostly preparation
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| − | for survival, learning how to efficiently defend themselves or how to
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| − | efficiently attack prey. Its interesting for example how game industry
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| − | is counting on specifically this element / pure agon. Here is useful to
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| − | realize concept of animal spirits that Virno and Pasqunelli are
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| − | referring too, where they regard inovation and culture as the constant
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| − | battle, (or Immaterial civil war) and prolongation of animal nature in
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| − | human. In that sense culture is not something opposite to "animal
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| − | spirit" but rather continuation or even amplification of animal nature
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| − | in humans. Situationists for examply clearly located problem of
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| − | competition aspect in play."
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| − | http://www.napon.org
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