Difference between revisions of "KwieKulik"
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| − | KwieKulik was the artistic duo of [[Zofia Kulik]] and [[Przemysław Kwiek]], active between 1971-1987. | + | '''KwieKulik''' was the artistic duo of [[Zofia Kulik]] and [[Przemysław Kwiek]], active between 1971-1987. |
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| + | ; Literature | ||
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| + | * Marianna Michałowska, "KwieKulik a rzeczywistość", ''Opcje'' 1:30, 2000, pp 48–52. {{pl}} | ||
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| + | * ''KwieKulik'', eds. Łukasz Ronduda and Georg Schollhammer, Warsaw: Museum of Modern Art in Warsaw, 2013, 576 pp. [https://artmuseum.pl/en/publikacje/red-lukasz-ronduda-georg-schollhammer-kwiekulik Publisher]. | ||
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| + | * Marianna Michałowska, [https://www.researchgate.net/publication/339303270 "KwieKulik's ''Performance for the Camera'' as Documentary Experiment in Art of Polish Neo-Avant-Garde"], ''Journal of Applied Cultural Studies'' 4, 2019, pp 75-87. {{en}} | ||
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| + | * Tomasz Załuski, [https://monoskop.org/images/3/3f/Kurti_Emese_Laszlo_Zsuzsa_What_Will_Be_Already_Exists_2021.pdf#page=134 "The Alternative Official? KwieKulik’s Studio of Activities, Documentation and Propagation as a State-Financed Performative Archive under Real Socialism"], in ''[https://monoskop.org/log/?p=23237 What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond]'', eds. Emese Kürti and Zsuzsa László, Bielefeld: transcript, 2021, pp 133-149. {{en}} | ||
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| + | * Tobey Yunjing Pan, [[Media:Yunjing Pan Tobey 2022 KwieKulik through the Lens of Feminism The Acted out Passiveness of Zofia Kulik and Her Maintenance Work.pdf|"KwieKulik through the Lens of Feminism: The Acted out Passiveness of Zofia Kulik and Her Maintenance Work"]], ''Third Text'' 36:3, 2022, pp 241-261. [https://doi.org/10.1080/09528822.2022.2058801] {{en}} | ||
Latest revision as of 21:03, 3 February 2024
KwieKulik was the artistic duo of Zofia Kulik and Przemysław Kwiek, active between 1971-1987.
- Literature
- Marianna Michałowska, "KwieKulik a rzeczywistość", Opcje 1:30, 2000, pp 48–52. (Polish)
- KwieKulik, eds. Łukasz Ronduda and Georg Schollhammer, Warsaw: Museum of Modern Art in Warsaw, 2013, 576 pp. Publisher.
- Marianna Michałowska, "KwieKulik's Performance for the Camera as Documentary Experiment in Art of Polish Neo-Avant-Garde", Journal of Applied Cultural Studies 4, 2019, pp 75-87. (English)
- Tomasz Załuski, "The Alternative Official? KwieKulik’s Studio of Activities, Documentation and Propagation as a State-Financed Performative Archive under Real Socialism", in What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond, eds. Emese Kürti and Zsuzsa László, Bielefeld: transcript, 2021, pp 133-149. (English)
- Tobey Yunjing Pan, "KwieKulik through the Lens of Feminism: The Acted out Passiveness of Zofia Kulik and Her Maintenance Work", Third Text 36:3, 2022, pp 241-261. [1] (English)
