Difference between revisions of "La Collection Historique"
(Created page with "Imre Pán (Budapest 1904 – Paris 1972) war Kunstkritiker, Ausstellungsmacher, Freund und Mitarbeiter Kassáks. 1924 war er als Redakteur der dadaistischen Zeitschrift IS [AUCH]...") |
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| − | Imre Pán (Budapest 1904 | + | Imre Pán (Budapest, 1904- Paris, 1972) was an art critic, exhibition maker and Kassák’s friend |
| − | + | and intellectual partner. In 1924, he was editor of a dadaist magazine IS [Also] in Budapest. | |
| − | Budapest | + | From the end of the 1920s, he contributed to Kassák’s magazines: Dokumentum [Document] |
| − | Munka [ | + | and Munka [Work]. In 1945, he co-founded the “European School”, an artist group for non- |
| − | + | figurative art. He ran a small bookshop called Művészbolt [Art Shop], where he regularly | |
| − | [ | + | organised art exhibitions. During the post-war years, he and Kassák wrote The History of ‘-isms |
| − | + | together. | |
| − | Pán | + | Pán emigrated to Paris in 1957, where he organised exhibitions and edited the publications Signe |
| − | + | [Sign] and Morphèmes [Morphemes], with original drawings. At the same time, he started his art | |
| − | + | collection La Collection Historique, focusing on works from the European Modernism of the | |
| − | + | 1920s. Just a few of the names represented in his collection: Sonia Delaunay, Max Ernst, Natalia | |
| + | Goncharova, Wassily Kandinsky and Mikhail Larionov. | ||
Latest revision as of 10:06, 23 August 2011
Imre Pán (Budapest, 1904- Paris, 1972) was an art critic, exhibition maker and Kassák’s friend and intellectual partner. In 1924, he was editor of a dadaist magazine IS [Also] in Budapest. From the end of the 1920s, he contributed to Kassák’s magazines: Dokumentum [Document] and Munka [Work]. In 1945, he co-founded the “European School”, an artist group for non- figurative art. He ran a small bookshop called Művészbolt [Art Shop], where he regularly organised art exhibitions. During the post-war years, he and Kassák wrote The History of ‘-isms together.
Pán emigrated to Paris in 1957, where he organised exhibitions and edited the publications Signe [Sign] and Morphèmes [Morphemes], with original drawings. At the same time, he started his art collection La Collection Historique, focusing on works from the European Modernism of the 1920s. Just a few of the names represented in his collection: Sonia Delaunay, Max Ernst, Natalia Goncharova, Wassily Kandinsky and Mikhail Larionov.
