Difference between revisions of "Lozana Rossenova"

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'''Lozana Rossenova''' is a a digital humanities researcher and designer based in [[Berlin]]. She is a Postdoc Researcher at the [https://www.tib.eu/en/research-development/research-groups-and-labs/open-science Open Science Lab] in TIB Hannover, working on the [https://nfdi4culture.de/ NFDI4Culture] project for a national research infrastructure of cultural heritage data. She is particularly interested in working with open-source and community-driven approaches to digital infrastructures, which organise, store and make knowledge, and different ways of knowing, accessible. [https://lozanarossenova.com/ (2023)]
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'''Lozana Rossenova''' is a digital humanities researcher and designer based in [[Berlin]]. She studied art and design in New York, before moving to the UK to pursue an MA degree at the Department of Typography and Graphic Communication at the University of Reading. She has previously worked in design agencies both in London and New York, primarily working with non-profit, cultural and educational clients.
  
In 2021, she completed a PhD degree at the Centre for the Study of the Networked Image, London South Bank University, in collaboration with [[Rhizome]]. Her PhD project focused on data presentation and performativity, with Rhizome’s archive of net art serving as a case study for open source and community-driven approaches to archive design. Rossenova is an active member of the Wikidata and [https://wbstakeholder.group/ Wikibase] open source development communities, and a mentor for [https://openrefine.org/ OpenRefine], an open source data management tool with wide adoption in heritage, research and digital humanities communities.
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Between 2016–2021 she was a PhD candidate at the [https://www.centreforthestudyof.net/ Centre for the Study of the Networked Image] at London South Bank University. This position was a collaborative doctoral partnership project with [[Rhizome]], a leading international born-digital art organization based in New York. Her research focused on questions related to presentation and performativity in the online archive of born-digital art, which she examined through the lens of interface design (theory and practice). The [https://sites.rhizome.org/artbase-re-design/ project] developed design approaches that build understanding across diverse communities of practice and facilitate informed interaction, favouring nuance and complexity over reductive simplification.
  
Between 2016–2021, Rossenova was a Sessional Lecturer at the University of Reading, teaching a module on experimental, hybrid publishing, called [https://lozanaross.github.io/publishing-platforms/ Publishing Platforms]. She was also co-founder and editor of independent publisher [https://twitter.com/inlandeditions Inland Editions]. [https://lozanarossenova.com/ (2021)]
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She is currently a postdoctoral researcher at the Open Science Lab at TIB (German National Library of Science and Technology, Hannover) working on the [https://nfdi4culture.de/ NFDI4Culture] project for a national research infrastructure of cultural heritage data.  
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Through her academic research and independent digital consultancy practice, she has developed active working relationships with multiple heritage and research institutions in the US/ Europe, including: Tate, V&A, British Library, UK National Archives, New Museum (NYC), SFMoMA, New York University, and more. In 2020-21, she served as Assistant Director for Linked Data Research for the [[Joan Jonas]] Knowledge Base, a research project part of the Artist Archives Initiative, founded at New York University to promote research and disseminate knowledge about the display and care of contemporary art.
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She is an active member of the Wikidata and Wikibase open source development communities, and a co-founder of the [https://wbstakeholder.group/ Wikibase Stakeholder Group]. She is also a member of the Steering Committee of [https://openrefine.org/ OpenRefine], an open source data management tool widely used in heritage, research and digital humanities communities. [https://lozanarossenova.com/about/ (2024)]
  
 
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; Links
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* [https://lozanarossenova.com/ Website]
 
* [https://lozanarossenova.com/ Website]
 
* [https://blogs.tib.eu/wp/tib/author/rossenoval/ Blog posts on TIB]
 
* [https://blogs.tib.eu/wp/tib/author/rossenoval/ Blog posts on TIB]
* [https://www.centreforthestudyof.net/?page_id=1253 Profile on CSNI] (Centre for the Study of the Networked Image)
 
 
* [https://vivo.tib.eu/fis/display/n0000-0002-5190-1867 Profile on TIB's VIVO platform]
 
* [https://vivo.tib.eu/fis/display/n0000-0002-5190-1867 Profile on TIB's VIVO platform]
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* [https://www.centreforthestudyof.net/?page_id=1253 Profile on the Centre for the Study of the Networked Image]
 
* [https://sites.rhizome.org/artbase-re-design/ PhD practice portfolio]
 
* [https://sites.rhizome.org/artbase-re-design/ PhD practice portfolio]
 
* [https://orcid.org/0000-0002-5190-1867 ORCID]
 
* [https://orcid.org/0000-0002-5190-1867 ORCID]
* [[Mastodon::https://post.lurk.org/@lozross]] [[Base:Mastodon|(Mastodon)]]
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* [[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@lozross]]  
 
* [https://github.com/lozanaross Github]
 
* [https://github.com/lozanaross Github]
  
 
{{DEFAULTSORT:Rossenova, Lozana}}
 
{{DEFAULTSORT:Rossenova, Lozana}}

Latest revision as of 10:02, 25 March 2024

Lozana Rossenova is a digital humanities researcher and designer based in Berlin. She studied art and design in New York, before moving to the UK to pursue an MA degree at the Department of Typography and Graphic Communication at the University of Reading. She has previously worked in design agencies both in London and New York, primarily working with non-profit, cultural and educational clients.

Between 2016–2021 she was a PhD candidate at the Centre for the Study of the Networked Image at London South Bank University. This position was a collaborative doctoral partnership project with Rhizome, a leading international born-digital art organization based in New York. Her research focused on questions related to presentation and performativity in the online archive of born-digital art, which she examined through the lens of interface design (theory and practice). The project developed design approaches that build understanding across diverse communities of practice and facilitate informed interaction, favouring nuance and complexity over reductive simplification.

She is currently a postdoctoral researcher at the Open Science Lab at TIB (German National Library of Science and Technology, Hannover) working on the NFDI4Culture project for a national research infrastructure of cultural heritage data.

Through her academic research and independent digital consultancy practice, she has developed active working relationships with multiple heritage and research institutions in the US/ Europe, including: Tate, V&A, British Library, UK National Archives, New Museum (NYC), SFMoMA, New York University, and more. In 2020-21, she served as Assistant Director for Linked Data Research for the Joan Jonas Knowledge Base, a research project part of the Artist Archives Initiative, founded at New York University to promote research and disseminate knowledge about the display and care of contemporary art.

She is an active member of the Wikidata and Wikibase open source development communities, and a co-founder of the Wikibase Stakeholder Group. She is also a member of the Steering Committee of OpenRefine, an open source data management tool widely used in heritage, research and digital humanities communities. (2024)

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