Difference between revisions of "Luciana Parisi"

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; Monographs
 
; Monographs
* ''[http://monoskop.org/log/?p=660 Abstract Sex. Philosophy, Biotechnology and the Mutations of Desire]'', London and New York: Continuum, 2004.
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* ''[http://{{SERVERNAME}}/log/?p=660 Abstract Sex. Philosophy, Biotechnology and the Mutations of Desire]'', London and New York: Continuum, 2004.
* ''[http://monoskop.org/log/?p=13711 Contagious Architecture: Computation, Aesthetics and Space]'', MIT Press, 2013.  
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* ''[http://{{SERVERNAME}}/log/?p=13711 Contagious Architecture: Computation, Aesthetics and Space]'', MIT Press, 2013.  
  
 
; Book chapters, Papers, Essays
 
; Book chapters, Papers, Essays
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* "Technoecologies of Sensation", in ''[http://scribd.com/doc/80829934 Deleuze | Guattari & Ecologies]'', ed. Bernd Herzogenrath, New York: Palgrave, 2009, pp 182-199.
 
* "Technoecologies of Sensation", in ''[http://scribd.com/doc/80829934 Deleuze | Guattari & Ecologies]'', ed. Bernd Herzogenrath, New York: Palgrave, 2009, pp 182-199.
 
* with Stamatia Portanova, [http://computationalculture.net/article/soft-thought "Soft Thought (in Architecture and Choreography)"], ''Computational Culture'' 1 (Nov 2011).
 
* with Stamatia Portanova, [http://computationalculture.net/article/soft-thought "Soft Thought (in Architecture and Choreography)"], ''Computational Culture'' 1 (Nov 2011).
* with M.B. Fazi, "Do Algorithms Have Fun?", in ''[http://monoskop.org/log/?p=13131 Fun and Software: 
Exploring Pleasure, Pain and Paradox in Computing]'', ed. Olga Goriunova, London: Bloomsbury, 2014.
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* with M.B. Fazi, "Do Algorithms Have Fun?", in ''[http://{{SERVERNAME}}/log/?p=13131 Fun and Software: 
Exploring Pleasure, Pain and Paradox in Computing]'', ed. Olga Goriunova, London: Bloomsbury, 2014.
  
 
; Interviews
 
; Interviews

Revision as of 00:02, 24 July 2015

Luciana Parisi is Reader in Cultural Studies and Director of the PhD programme at the Centre for Cultural Studies, Goldsmiths University of London. Her research focuses on philosophy and science to investigate potential conditions for ontological and epistemological change in culture, aesthetic and politics. Specifically engaging with cybernetics, information theories, and evolutionary theories, her work analyses the radical transformations of the body, nature, matter and thought led by the technocapitalist development of biotechnologies and computation. In 2004, she published Abstract Sex: Philosophy, Biotechnology and the Mutations of Desire (Continuum). She has also written within the field of media philosophy and analysed the bionic transformation of the perceptive sensorium triggered by digital media, the advancement of new techno-ecologies of control, and the nanoengineering of matter. She has published articles on the cybernetic re-wiring of memory and perception in the context of a non-phenomenological critique of computational media vis a vis strategies of branding and marketing. Her interest in interactive media has also led her research to engage more closely with computation, cognition, and algorithmic aesthetics. In 2013, she published Contagious Architecture. Computation, Aesthetics and the Control of Space (MIT Press).

Monographs
Book chapters, Papers, Essays
Interviews
Links