Difference between revisions of "Lutz Dammbeck"
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; Literature | ; Literature | ||
* Christine Rahn, ''[[Media:Rahn_Christine_Multimedia_in_der_DDR_Das_Herakles-Konzept_von_Lutz_Dammbeck_2007.pdf|Multimedia in der DDR. Das ''Herakles-Konzept'' von Lutz Dammbeck]]'', Leipzig: Universität Leipzig, 2007, 134 pp. Master's thesis. {{de}} | * Christine Rahn, ''[[Media:Rahn_Christine_Multimedia_in_der_DDR_Das_Herakles-Konzept_von_Lutz_Dammbeck_2007.pdf|Multimedia in der DDR. Das ''Herakles-Konzept'' von Lutz Dammbeck]]'', Leipzig: Universität Leipzig, 2007, 134 pp. Master's thesis. {{de}} | ||
| + | * Seth Howes, "''Heraklesmaschine'': Lutz Dammbeck's Experimental Cinema and the Expropriation of Senses", ch 2 in Howes, ''Moving Images on the Margins: Experimental Film in Late Socialist East Germany'', Rochester, NY: Camden House, 2019. [https://books.google.com/books?id=9GKtDwAAQBAJ&pg=PA36] {{en}} | ||
; Links | ; Links | ||
Revision as of 11:44, 11 November 2019
Painter, graphician, filmmaker, intermedia artist. Born 1948 in Leipzig. In his Mediencollagen [media collages] performances presented mainly in the underground scenes in GDR in the 1980s he combined media artifacts – image, sound and text – taken from German contemporary history and cultural heritage.
- Films
- The Net: The Unabomber, LSD and the Internet, 2003, 115 min.
- Literature
- Christine Rahn, Multimedia in der DDR. Das Herakles-Konzept von Lutz Dammbeck, Leipzig: Universität Leipzig, 2007, 134 pp. Master's thesis. (German)
- Seth Howes, "Heraklesmaschine: Lutz Dammbeck's Experimental Cinema and the Expropriation of Senses", ch 2 in Howes, Moving Images on the Margins: Experimental Film in Late Socialist East Germany, Rochester, NY: Camden House, 2019. [1] (English)
- Links
