Difference between revisions of "Margaret Iversen"
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==Publications== | ==Publications== | ||
; Books | ; Books | ||
| − | * '' | + | * ''[https://aaaaarg.fail/thing/55295e06334fe0337caf2273 Alois Riegl: Art History and Theory]'', 1993. |
* Margaret Iversen, et al., ''[[Media:Mary_Kelly_1997.pdf|Mary Kelly]]'', London: Phaidon, 1997. | * Margaret Iversen, et al., ''[[Media:Mary_Kelly_1997.pdf|Mary Kelly]]'', London: Phaidon, 1997. | ||
* with Francis Barker and Peter Hulme, ''Cannibalism and the Colonial World'', 1998. | * with Francis Barker and Peter Hulme, ''Cannibalism and the Colonial World'', 1998. | ||
Revision as of 21:22, 15 June 2020
Margaret Iversen is Professor of Art History and Theory at the University of Essex.
Publications
- Books
- Alois Riegl: Art History and Theory, 1993.
- Margaret Iversen, et al., Mary Kelly, London: Phaidon, 1997.
- with Francis Barker and Peter Hulme, Cannibalism and the Colonial World, 1998.
- editor, with Dana Arnold, Art and Thought, Wiley-Blackwell, 2003.
- Beyond Pleasure: Freud, Lacan, Barthes, 2007.
- editor, Chance, London: Whitechapel Gallery, and MIT Press, 2010, 240 pp. Introduction. [1]
- with Stephen Melville, Writing Art History: Disciplinary Departures, University of Chicago Press, 2010, 254 pp.
- editor, with Diarmuid Costello, Photography after Conceptual Art, Wiley-Blackwell, 2010.
- Book chapters, articles
- "What Is A Photograph", Art History 17:3, Sep 1994, pp 450-463.
- "Readymade, Found Object, Photograph", Art Journal, Summer 2004, pp 44-57.
- "The Surrealist Situation of the Photographed Object", in The Lure of the Object, ed. Stephen Melville, Williamstown, MA: Sterling and Francine Clark Art Institute, 2005, pp 181-192.
- "Auto-maticity: Ruscha and performative photography", Art History 32:5, 2009, pp 836-851.
- "Chance and Choice in Cézanne", ch 6 in Modernist Games: Cezanne and his Card Players, ed. Satish Padiyar, London: Courtauld Institute of Art, 2013.
