Margaret Iversen

Margaret Iversen is Professor of Art History and Theory at the University of Essex.

Publications

phttps://aaaaarg.fail/thing/55295e06334fe0337caf2273 Alois Riegl: Art History and Theory], 1993.
Margaret Iversen, et al., Mary Kelly, London: Phaidon, 1997.
with Francis Barker and Peter Hulme, Cannibalism and the Colonial World, 1998.
editor, with Dana Arnold, Art and Thought, Wiley-Blackwell, 2003.
Beyond Pleasure: Freud, Lacan, Barthes, 2007.
editor, Chance, London: Whitechapel Gallery, and MIT Press, 2010, 240 pp. Introduction. [1]
with Stephen Melville, Writing Art History: Disciplinary Departures, University of Chicago Press, 2010, 254 pp.
editor, with Diarmuid Costello, Photography after Conceptual Art, Wiley-Blackwell, 2010.

"What Is A Photograph", Art History 17:3, Sep 1994, pp 450-463.
"Readymade, Found Object, Photograph", Art Journal, Summer 2004, pp 44-57.
"The Surrealist Situation of the Photographed Object", in The Lure of the Object, ed. Stephen Melville, Williamstown, MA: Sterling and Francine Clark Art Institute, 2005, pp 181-192.
"Auto-maticity: Ruscha and performative photography", Art History 32:5, 2009, pp 836-851.
"Chance and Choice in Cézanne", ch 6 in Modernist Games: Cezanne and his Card Players, ed. Satish Padiyar, London: Courtauld Institute of Art, 2013.