Difference between revisions of "Michael Fried"

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==Works==
 
==Works==
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===Books===
 
* ''Powers'' (poems), The Review, 1973.
 
* ''Powers'' (poems), The Review, 1973.
 
* ''[[Media:Fried_Michael_Absorption_and_Theatricality_Painting_and_Beholder_in_the_Age_of_Diderot.pdf|Absorption and Theatricality: Painting and Beholder in the Age of Diderot]]'', University of California Press, 1980.  
 
* ''[[Media:Fried_Michael_Absorption_and_Theatricality_Painting_and_Beholder_in_the_Age_of_Diderot.pdf|Absorption and Theatricality: Painting and Beholder in the Age of Diderot]]'', University of California Press, 1980.  
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* ''Why Photography Matters as Art as Never Before'', Yale University Press, 2008.
 
* ''Why Photography Matters as Art as Never Before'', Yale University Press, 2008.
 
* ''The Moment of Caravaggio'', Princeton University Press, 2010.
 
* ''The Moment of Caravaggio'', Princeton University Press, 2010.
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===Papers (selection)===
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* "Manet's Sources: Aspects of his Art, 1859-1865", ''Artforum'' 8:7, Mar 1969, pp 28-82.
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* [http://www.jstor.org.secure.sci-hub.cc/stable/1343305 "Painting Memories: On the Containment of the Past in Baudelaire and Manet"], ''Critical Inquiry'' 10:3, Mar 1984, pp 510-542.
  
 
==Links==
 
==Links==

Revision as of 15:58, 27 November 2016

Michael M. Fried (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore.

Works

Books

Papers (selection)

Links