Difference between revisions of "Michael Murtaugh"

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Completed undergraduate degree in Computer Science and Electrical Engineering at the Massachusetts Institute of Technology (’94). Subsequently he was part of the Interactive Cinema group, led by Glorianna Davenport at the MIT Media Lab where he completed a masters degree (’96). His research focus was on building tools for “Evolving Documentaries”, or how traditional film/video model evolves in the context of digital networked media such as the Web.
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'''Michael Murtaugh''' is the founder of [http://automatist.org automatist.org], a new media design firm specialised in community databases, interactive documentary, and tools for new forms of reading and writing online. He also teaches in the [[MA Media Design Piet Zwart Institute Rotterdam|Master Media Design and Communication]] programme at the Piet Zwart Institute. He is a member of [[Constant]], a Brussels based collective engaged in the fields of free and open source software, feminism, copyright alternatives, and collaborative networks. With Constant he has been working on [http://activearchives.org Active Archives], a platform for diverse material ranging from texts to images and video. Seeing the project as both technical and cultural, the system facilitates, re-use of material while enriching content through metadata, vocabularies, and taxonomies.
  
Currently Michael teaches in the [[MA Media Design Piet Zwart Institute Rotterdam|Master Media Design and Communication]] programme at the Piet Zwart Institute. He is a member of [[Constant]], a [[Brussels]] based collective engaged in the fields of free and open source software, feminism, copyright alternatives, and collaborative networks. With Constant he is currently working on Active Archives, a platform for diverse material ranging from texts to images and video. Seeing the project as both technical and cultural, the system facilitates, re-use of material while enriching content through metadata, vocabularies, and taxonomies. Next to these activities, Murtaugh is the founder of automatist.org, a new media design firm specialised in community databases, interactive documentary, and tools for new forms of reading and writing online.
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He received his undergraduate degree in Computer Science and Electrical Engineering from the Massachusetts Institute of Technology (1994); subsequently he was part of the Interactive Cinema group, led by Glorianna Davenport at the MIT Media Lab where he completed a master's degree (1996).
  
; Articles
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His work has been shown at Documenta 13 and at Kunsthal Aarhus and he is a regular participant in events related to digital archiving and free software and design. He is based in [[Brussels]].
* http://www.skor.nl/eng/news/item/interview-with-michael-murtaugh
 
  
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==Publications==
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* ''The Automatist Storytelling System: Putting the Editor's Knowledge in Software'', MIT, 1996. Master's thesis.
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* [https://monoskop.org/images/a/a1/Fuller_Matthew_ed_Software_Studies_A_Lexicon.pdf#page=158 "Interaction"], in ''Software Studies: A Lexicon'', ed. Matthew Fuller, MIT Press, 2008, pp 143-149.
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* [http://monoskop.org/images/1/14/Goriunova_Olga_ed_Fun_and_Software_Exploring_Pleasure_Paradox_and_Pain_in_Computing.pdf#page=151 "Do (not) Repeat Yourself"], in ''Fun and Software: Exploring Pleasure, Paradox and Pain in Computing'', ed. Olga Goriunova, Bloomsbury, 2014.
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* [https://monoskop.org/images/1/1c/Report_from_the_Gutenberg_Galaxy_Blaker_1.pdf#page=13 "Eleven Orderings"], in ''Report from the Gutenberg Galaxy (Blaker), 1'', eds. Karin Nygård and Ellef Prestsæter, Blaker: Rett Kopi, 2015, pp 13-15.
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* with Geoff Cox, and Nicolas Malevé, [http://activearchives.org/wiki/Archiving_the_Data-body:_human_and_nonhuman_agency_in_the_documents_of_Kurenniemi "Archiving the Data-body: Human and Nonhuman Agency in the Documents of Kurenniemi"], in ''Writing and Unwriting (Media) Art History'', eds. Joasia Krysa and Jussi Parikka, MIT Press, 2015.
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* with Ellef Prestsæter, Matthew Fuller, Nicolas Malevé, [http://www.editorialconcreta.org/Vandalist-Iconophilia "Vandalist Iconophilia"], ''Concreta'' 05, Valencia: Concreta, 1 Jun 2015.
  
http://automatist.org/<br>
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==Interviews==
http://pzwart.wdka.nl/networked-media/2010/01/02/michael-murtaugh/
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* Annet Dekker, [http://aaaan.net/michael-murtaugh-portable-skor/ "Michael Murtaugh: Portable SKOR"], May 2012.
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==Links==
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* [http://automatist.org/ Home page]
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* [http://www.pzwart.nl/master-media-design-and-communication/staff-and-tutors/michael-murtaugh/ Profile on Piet Zwart Institute]

Revision as of 15:17, 5 July 2017

Michael Murtaugh is the founder of automatist.org, a new media design firm specialised in community databases, interactive documentary, and tools for new forms of reading and writing online. He also teaches in the Master Media Design and Communication programme at the Piet Zwart Institute. He is a member of Constant, a Brussels based collective engaged in the fields of free and open source software, feminism, copyright alternatives, and collaborative networks. With Constant he has been working on Active Archives, a platform for diverse material ranging from texts to images and video. Seeing the project as both technical and cultural, the system facilitates, re-use of material while enriching content through metadata, vocabularies, and taxonomies.

He received his undergraduate degree in Computer Science and Electrical Engineering from the Massachusetts Institute of Technology (1994); subsequently he was part of the Interactive Cinema group, led by Glorianna Davenport at the MIT Media Lab where he completed a master's degree (1996).

His work has been shown at Documenta 13 and at Kunsthal Aarhus and he is a regular participant in events related to digital archiving and free software and design. He is based in Brussels.

Publications

  • The Automatist Storytelling System: Putting the Editor's Knowledge in Software, MIT, 1996. Master's thesis.
  • "Interaction", in Software Studies: A Lexicon, ed. Matthew Fuller, MIT Press, 2008, pp 143-149.
  • "Do (not) Repeat Yourself", in Fun and Software: Exploring Pleasure, Paradox and Pain in Computing, ed. Olga Goriunova, Bloomsbury, 2014.
  • "Eleven Orderings", in Report from the Gutenberg Galaxy (Blaker), 1, eds. Karin Nygård and Ellef Prestsæter, Blaker: Rett Kopi, 2015, pp 13-15.
  • with Geoff Cox, and Nicolas Malevé, "Archiving the Data-body: Human and Nonhuman Agency in the Documents of Kurenniemi", in Writing and Unwriting (Media) Art History, eds. Joasia Krysa and Jussi Parikka, MIT Press, 2015.
  • with Ellef Prestsæter, Matthew Fuller, Nicolas Malevé, "Vandalist Iconophilia", Concreta 05, Valencia: Concreta, 1 Jun 2015.

Interviews

Links