Difference between revisions of "Natalie Gravenor"
| Line 3: | Line 3: | ||
She also worked as a freelance author and translator for ''Moving Pictures, Screen International, Time Out Guide'' and ''The Wire''. | She also worked as a freelance author and translator for ''Moving Pictures, Screen International, Time Out Guide'' and ''The Wire''. | ||
| − | Since 2000 she has focused on curation of exhibitions and film programs exploring freedom of expression and other human rights issues from a cultural perspective | + | Since 2000 she has focused on curation of exhibitions and film programs exploring freedom of expression and other human rights issues from a cultural perspective. |
From 2009-2017 she coordinated content acquisition for the art house VOD platform realeyz.de, operated by EYZ Media GmbH. | From 2009-2017 she coordinated content acquisition for the art house VOD platform realeyz.de, operated by EYZ Media GmbH. | ||
| Line 16: | Line 16: | ||
;Curated Programs (selected): | ;Curated Programs (selected): | ||
| − | 2003 Klipzona @ b-film Festival Berlin | + | 2003 |
| + | * [https://web.archive.org/web/20050521232353/http://www.bfilmfest.de/bf_mukl1.htm / Klipzona @ b-film Festival Berlin] | ||
| + | |||
| + | 2004 | ||
| + | * [https://archive.ctm-festival.de/projects/screenings/screening-programmes/article/26/klipzona-reloaded.html / Klipzona Reloaded @ CTM] | ||
| + | |||
| + | 2006 | ||
| + | * [https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://arhiv.kataman.org/lj-berlin/Soundbridge_Press_EN.pdf&ved=2ahUKEwicxq-di4eEAxXWRfEDHUOWBHsQFnoECBQQAQ&usg=AOvVaw3tL6o-N9-nSBCCIjvpK8Of / Ljubljana Berlin Soundbridge] | ||
| + | |||
| + | |||
2014 | 2014 | ||
| + | * [https://mobile-archive2013-2020.ctm-festival.de/festival14/calendar/2014/01/26/klipzona/ Klipzona @ CTM] | ||
| + | |||
2019 | 2019 | ||
| + | * | ||
| + | |||
2019 | 2019 | ||
| + | |||
;Publications: | ;Publications: | ||
| Line 25: | Line 39: | ||
2016: „NSK: Postmodern, Post-National, Post-Gender?“ In: C. Busse, A. Nym., A Pehlemann, B. Schipper (Eds.) NSK: Past-Present-Future / 1984-2014-2045. Leipzig: Verlag der Freunde. | 2016: „NSK: Postmodern, Post-National, Post-Gender?“ In: C. Busse, A. Nym., A Pehlemann, B. Schipper (Eds.) NSK: Past-Present-Future / 1984-2014-2045. Leipzig: Verlag der Freunde. | ||
| + | Adapted version in | ||
2009: „Rock Music in Film, Television, Music Clips and Media Censorship in Hungary, GDR and post-1990 Germany“ In: A. Skerlep, D. Jontes, I. Tomanic-Trivundza, M. Turnsek-Hancic (Eds.) Media Landscapes in Transition: Changes in Media Systems, Popular Culture and Rhetoric of the Post-Communist Era. Ljubljana: University of Ljubljana. | 2009: „Rock Music in Film, Television, Music Clips and Media Censorship in Hungary, GDR and post-1990 Germany“ In: A. Skerlep, D. Jontes, I. Tomanic-Trivundza, M. Turnsek-Hancic (Eds.) Media Landscapes in Transition: Changes in Media Systems, Popular Culture and Rhetoric of the Post-Communist Era. Ljubljana: University of Ljubljana. | ||
| − | + | 2021 Norient | |
| + | |||
| + | *[https://norient.com/natalie-gravenor/5-music-video-clips-gdr-part-1-officially-supported-acts / 5 Music Video Clips from the GDR – Part 1: Officially-Supported Acts] | ||
| + | |||
| + | *[https://norient.com/natalie-gravenor/5-music-video-clips-gdr-part-2-underground-bands / 5 Music Video Clips from the GDR – Part 2: Underground Bands] | ||
Revision as of 09:41, 31 January 2024
Natalie Gravenor was born in Oakland, California and moved to Berlin in 1977. She graduated with a degree in mass communications from the Berlin University of the Arts in 1994. Since 1988, she has been involved in video and television production, focusing on cultural topics such as music, media arts as well as politics and the urban transformation of Berlin.
She also worked as a freelance author and translator for Moving Pictures, Screen International, Time Out Guide and The Wire.
Since 2000 she has focused on curation of exhibitions and film programs exploring freedom of expression and other human rights issues from a cultural perspective.
From 2009-2017 she coordinated content acquisition for the art house VOD platform realeyz.de, operated by EYZ Media GmbH.
Since 2017 she programs and organizes film festivals: Soundwatch Berlin Music Film Festival, One World Berlin Human Rights Film Festival) and LETsDOK. (2023)
- Links
- Curated Programs (selected)
2003
2004
2006
2014
2019
2019
- Publications
2018/2023: „Ostpunk im Film“ (with Dr. Claus Löser) in: Alexander Pehlemann (Ed.), Warschauer Punk Pakt. Mainz: Ventil Verlag.
2016: „NSK: Postmodern, Post-National, Post-Gender?“ In: C. Busse, A. Nym., A Pehlemann, B. Schipper (Eds.) NSK: Past-Present-Future / 1984-2014-2045. Leipzig: Verlag der Freunde. Adapted version in
2009: „Rock Music in Film, Television, Music Clips and Media Censorship in Hungary, GDR and post-1990 Germany“ In: A. Skerlep, D. Jontes, I. Tomanic-Trivundza, M. Turnsek-Hancic (Eds.) Media Landscapes in Transition: Changes in Media Systems, Popular Culture and Rhetoric of the Post-Communist Era. Ljubljana: University of Ljubljana.
2021 Norient
- Blogs
