Difference between revisions of "Natalie Gravenor"

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2016: „NSK: Postmodern, Post-National, Post-Gender?“ In: C. Busse, A. Nym., A Pehlemann, B. Schipper (Eds.) NSK: Past-Present-Future / 1984-2014-2045. Leipzig: Verlag der Freunde.  
 
2016: „NSK: Postmodern, Post-National, Post-Gender?“ In: C. Busse, A. Nym., A Pehlemann, B. Schipper (Eds.) NSK: Past-Present-Future / 1984-2014-2045. Leipzig: Verlag der Freunde.  
*Adapted version for Acta Universitatis Sapientiae Film and Media Studies 14 (2017), 175-196 [[Media:Post-Modern_Post-National_Post-Gender_Suggestions_.pdf]]
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[[Media:Post-Modern_Post-National_Post-Gender_Suggestions_.pdf|Adapted version for Acta Universitatis Sapientiae Film and Media Studies 14 (2017), 175-196]]
  
 
2009: „Rock Music in Film, Television, Music Clips and Media Censorship in Hungary, GDR and post-1990 Germany“ In: A. Skerlep, D. Jontes, I. Tomanic-Trivundza, M. Turnsek-Hancic (Eds.) Media Landscapes in Transition: Changes in Media Systems, Popular Culture and Rhetoric of the Post-Communist Era. Ljubljana: University of Ljubljana.
 
2009: „Rock Music in Film, Television, Music Clips and Media Censorship in Hungary, GDR and post-1990 Germany“ In: A. Skerlep, D. Jontes, I. Tomanic-Trivundza, M. Turnsek-Hancic (Eds.) Media Landscapes in Transition: Changes in Media Systems, Popular Culture and Rhetoric of the Post-Communist Era. Ljubljana: University of Ljubljana.

Revision as of 11:46, 31 January 2024

Natalie Gravenor was born in Oakland, California and moved to Berlin in 1977. She graduated with a degree in mass communications from the Berlin University of the Arts in 1994. Since 1988, she has been involved in video and television production, focusing on cultural topics such as music, media arts as well as politics and the urban transformation of Berlin.

She also worked as a freelance author and translator for Moving Pictures, Screen International, Time Out Guide and The Wire.

Since 2000 she has focused on curation of exhibitions and film programs exploring freedom of expression and other human rights issues from a cultural perspective. Underground film and music in East Central Europe is a particular focus.

She programs and organizes film festivals: Soundwatch Berlin Music Film Festival, One World Berlin Human Rights Film Festival and LETsDOK. (2024)

Links
Curated Programs (selected)

2003

2004

2006

2014

2015-2019 Klipzona @ Speisekino ZK/U Berlin

2019

2019

Publications

2018/2023: „Ostpunk im Film“ (with Dr. Claus Löser) in: Alexander Pehlemann (Ed.), Warschauer Punk Pakt. Mainz: Ventil Verlag.

2016: „NSK: Postmodern, Post-National, Post-Gender?“ In: C. Busse, A. Nym., A Pehlemann, B. Schipper (Eds.) NSK: Past-Present-Future / 1984-2014-2045. Leipzig: Verlag der Freunde. Adapted version for Acta Universitatis Sapientiae Film and Media Studies 14 (2017), 175-196

2009: „Rock Music in Film, Television, Music Clips and Media Censorship in Hungary, GDR and post-1990 Germany“ In: A. Skerlep, D. Jontes, I. Tomanic-Trivundza, M. Turnsek-Hancic (Eds.) Media Landscapes in Transition: Changes in Media Systems, Popular Culture and Rhetoric of the Post-Communist Era. Ljubljana: University of Ljubljana.

2021 Norient

Blogs