Difference between revisions of "Oleksiy Radynski"

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Born 1984. [[Kiev]]-based art historian, critic and curator with a special interest to Soviet avant-garde and its influence on contemporary visual culture. Among recent works – extended essays on the interconnections between Walter Benjamin’s and Dziga Vertov’s approaches to media theory and practice and on research-based art strategies in Boris Mikhailov’s Unfinished Dissertation. In 2006-2007 edited the screen arts magazine KINO-KOLO. In 2006 carried out the research of conceptual practices in contemporary photography at CCA Zamek Ujazdovski, Warsaw. In 2008-2009 – curator at Kyiv city gallery Lavra. Currently – curator at Visual Culture Research Center (Kyiv). Post-graduate student at Cultural Studies Department of National University ‘Kyiv-Mohyla Academy’, preparing the dissertation on appropriation of Soviet montage theories in contemporary media.
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'''Oleksiy Radynski''' is a filmmaker and writer based in [[Kyiv]]. He is a participant in the [[Visual Culture Research Center]], an initiative for art, knowledge, and politics founded in Kyiv in 2008. Since 2011, he has been an editor of Ukrainian edition of ''Political Critique'' magazine. He is a BAK 2019/2020 Fellow at basis voor actuele kunst (BAK), Utrecht.  
  
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His films include ''[http://www.youtube.com/watch?v=W7rC5eoHGmc Incident in the Museum]'' (2013), ''[http://www.youtube.com/watch?v=UoRv4t7L2M0&list=UUEbJK92fvuVW7AR01RX1P7g Ukraine Goes To War]'' (with [[Tomáš Rafa]], 2014), and ''Integration'' (2014). They have been screened at Oberhausen International Short Film Festival, Institute for Contemporary Arts (London), DOK Leipzig, e-flux bar laika, International Studio and Curatorial Program (New York), and other venues, and have received a number of awards at film festivals.
  
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http://vcrc.ukma.kiev.ua/en/cv/radynski
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His texts had recently been published in the anthologies ''Soviet Modernism 1955-1991: Unknown Stories'' (2012), ''Post-Post-Soviet?: Art, Politics, and Society in Russia at the Turn of Decade'' (2013); ''Sweet Sixties: Spirits and Specters of a Parallel Avant-Garde'' (2014), ''Proxy Politics: Power and Subversion in a Networked Age'' (2017), ''Being Together Precedes Being'' (2018), ''Art and Theory of Post-1989 Central and East Europe: A Critical Anthology'' (2018); and in ''e-flux'' journal, ''Political Critique, Regarding Spectatorship, colta.ru'' and other publications.
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; Links
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* https://www.e-flux.com/journal/55/60303/maidan-and-beyond-part-i/
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* https://www.e-flux.com/journal/56/60331/maidan-and-beyond-part-ii-the-cacophony-of-donbas/
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* https://www.e-flux.com/journal/107/322782/is-data-the-new-gas/
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* http://web.archive.org/web/20100912025621/http://vcrc.ukma.kiev.ua/en/cv/radynski
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* https://www.bakonline.org/2020/08/27/fellow/online-screening-of-oleksiy-radynskis-landslide-and-interview-with-grant-watson/
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[[Series:Film]] [[Series:Art writers]]
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{{DEFAULTSORT:Radynski, Oleksiy}}

Latest revision as of 22:04, 2 January 2024

Oleksiy Radynski is a filmmaker and writer based in Kyiv. He is a participant in the Visual Culture Research Center, an initiative for art, knowledge, and politics founded in Kyiv in 2008. Since 2011, he has been an editor of Ukrainian edition of Political Critique magazine. He is a BAK 2019/2020 Fellow at basis voor actuele kunst (BAK), Utrecht.

His films include Incident in the Museum (2013), Ukraine Goes To War (with Tomáš Rafa, 2014), and Integration (2014). They have been screened at Oberhausen International Short Film Festival, Institute for Contemporary Arts (London), DOK Leipzig, e-flux bar laika, International Studio and Curatorial Program (New York), and other venues, and have received a number of awards at film festivals.

His texts had recently been published in the anthologies Soviet Modernism 1955-1991: Unknown Stories (2012), Post-Post-Soviet?: Art, Politics, and Society in Russia at the Turn of Decade (2013); Sweet Sixties: Spirits and Specters of a Parallel Avant-Garde (2014), Proxy Politics: Power and Subversion in a Networked Age (2017), Being Together Precedes Being (2018), Art and Theory of Post-1989 Central and East Europe: A Critical Anthology (2018); and in e-flux journal, Political Critique, Regarding Spectatorship, colta.ru and other publications.

Links
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