Difference between revisions of "RIP"
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Henninger takes Alex Raymond's comics strip ''Rip Kirby'' for the material of his quasi-sculptural collage experiment. The 48 pages of his self-published ''RIP'' exclusively consist of one single page composition of Raymond's comics. Each reproduction of the page comes with paratextual annotations and registers an operation of collage. The pages are xeroxed and the collage operations slowly accumulate, allowing only a few of the recycled materials to carry on. ''RIP'' stages the resistance of a morphogenetic narrative to unfold despite the general entropic tendency to degenerate into abstract drawings. | Henninger takes Alex Raymond's comics strip ''Rip Kirby'' for the material of his quasi-sculptural collage experiment. The 48 pages of his self-published ''RIP'' exclusively consist of one single page composition of Raymond's comics. Each reproduction of the page comes with paratextual annotations and registers an operation of collage. The pages are xeroxed and the collage operations slowly accumulate, allowing only a few of the recycled materials to carry on. ''RIP'' stages the resistance of a morphogenetic narrative to unfold despite the general entropic tendency to degenerate into abstract drawings. | ||
| + | </onlyinclude> | ||
[[Category:Conceptual comics]] [[Category:Publication]] | [[Category:Conceptual comics]] [[Category:Publication]] | ||
Revision as of 17:09, 28 April 2019
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| Author | François Henninger |
|---|---|
| Language | French |
| Publisher | PCCBA |
| City | Paris |
| Date | 2017 |
| Pages | 48 |
| Format | 29.7 x 19.5 cm |
| Fabrication | Digital printing |
| E-book | |
Henninger takes Alex Raymond's comics strip Rip Kirby for the material of his quasi-sculptural collage experiment. The 48 pages of his self-published RIP exclusively consist of one single page composition of Raymond's comics. Each reproduction of the page comes with paratextual annotations and registers an operation of collage. The pages are xeroxed and the collage operations slowly accumulate, allowing only a few of the recycled materials to carry on. RIP stages the resistance of a morphogenetic narrative to unfold despite the general entropic tendency to degenerate into abstract drawings.
